these, in some of the examples, are worthy of high admiration. The specimen presented in Fig. 81 attracts attention at once on account of its resemblance to well known classic forms. It is evident, from a study of this piece, that only a step more was necessary to place
these potters alongside of the highest masters of the art. The sharp high elbow and the broadening of the handles at their junction with the lip are notable features. The latter is shown more satisfactorily in Fig. 82, which is a top view of a companion piece. I wish to call attention here to a peculiar feature of these handles and one repeated in vessels of other classes. At the elbow of each handle we find a device in relief marked with herring bone indentations that would seem to represent a kind of textile attachment, as if, at some previous time and perhaps in an antecedent form of vessel, the upright and horizontal parts of the handles had been stitched or tied together at this point. Yet it is by no means certain that this feature is not the survival of some feature of an animal form into the semblance of
which, as seen in other examples, this feature has a tendency to graduate.
Fig. 81. Large vase with high handles—⅓.
Fig. 82. Top view of high handled vase—⅓.
These vessels are not numerous, but acquire importance from their large size, the larger being upwards of eight inches in height. A few pieces of nearly identical shape, but of small size, are found among the painted wares. Additional shapes are given in Figs. 83, 84, and 85, and serve to illustrate the extent of variation exhibited in this group of vases. The small shallow piece is exceptionally fine and the handles are furnished with animal features of a highly conventional type. An expansion of the handles somewhat similar to this is frequently seen in vessels of other classes, especially in those of the handled group.