[ The maroon group.—]
For the want of a better name I have called the group first to be presented the maroon group, on account of its color. Our collection comprises not more than a dozen pieces of this ware. The locality from which they come is called Los Tenajos by Mr. McNiel, but he has not distinguished them in any way from the other varieties, and I am therefore unable to say whether or not they occur together with others or under identical conditions. In symmetry of outline, diversity of shape, and cleverness of modeling this ware takes a high rank, but there is no painted ornament. The surfaces are usually well polished, and all exposed parts have received a coat of purplish maroon colored paint. The paste contains a great deal of fine sand, and is yellowish upon the surface and generally quite dark within the mass. Considering the small number of pieces, the scale of form is remarkably varied. There are plain bowls with incurved rims and with flaring rims, vases with
round bases, with annular stands, and with tripods, and life forms wholly unique. Perhaps the most usual form is that shown in Fig. 154, which represents a small cup with incurved rim and a narrow annular base. The shoulder is embellished with three groups of small nodes, of four each, which refer to some animal form. In other similar vases the form of the creature is given in more realistic guise. A larger vase, similar to this in most respects, has a rounded contour and incurved lip. The periphery is supplied with four plain nodes. Another, shown in Fig. 155, has a wide recurved rim, a character seen to equally good advantage in some of the following figures. In the small vase represented in Fig. 156 the treatment of animal forms in connection with the body of the vessel is shown to good advantage.
The head, legs, and tail of what is probably intended to represent an alligator, modeled in the round, are attached to the periphery of the basin, and heads of some mammal are used for legs.
Fig. 156. Small tripod cup with animal features in high relief—½.
A most interesting tripod is shown in Fig. 157. The bowl is beautifully modeled, is symmetrical, and has a flaring rim, rounded and polished on the upper surface and drooping slightly at the outer margin. The body is hemispherical and is supported by three grotesque anthropomorphic figures that strongly remind us of the “mud head” masks used in one of the dances of the Zuñi Indians. The head is a rounded ball, upon which pellets of clay are stuck to represent the features. The arms are set against the sides of the body, as in other isthmian specimens, the hips are excessively large, the legs straight, and the feet small and united to form the foot of the vessel. Nearly the entire surface is finished in a dark purplish red paint, which appears to have been polished down as a slip. A companion piece is considerably smaller and the supporting figures are very grotesque and somewhat crouched, as if bearing a very heavy weight.
