In the example given in Figs. 448 and 449 the upper part of the neck has been modified in such a way as to accommodate a curious, medallion-like relievo of the human face, while in Figs. 450 and 451 the neck is replaced by grotesque heads, the latter being intended apparently for an owl.
These potters dealt with the human figure in a very bold manner for savages. They were evidently capable of representing many creatures with accuracy, but preferred grotesque or conventional forms. A man or a woman is generally modeled with a large body and a curious hunched back, the vertebræ appearing along the prominent ridge. The shoulder blades are usually shown with anatomical distinctness, if not with precision; the arms are long and slender and the hands rest upon the knees or the sides. The position assumed is mostly that of kneeling or squatting, the feet being doubled up beneath and uniting with the bottom of the vessel.
Fig. 448.—Bottle: Arkansas.—⅓. Fig. 449.—Bottle: Arkansas.—⅓.
Fig. 450.—Bottle: Arkansas.—⅓. Fig. 451.—Bottle: Arkansas.—⅓.
These effigy vases are numerous, and greatly varied in size and color. They are mostly of the dark ware, but are found painted plain red or in red and white figures, some of which represent parts of the costume, others, emblematic devices. The largest specimen with which I am acquainted is illustrated in Fig. 452. It is well modeled, a good deal of attention having been given to the details of anatomy. The back is very much humped, and the vertebræ are represented by a series of knobs. The position of the feet beneath the body is, perhaps, worthy of notice. This is shown in Fig. 453b. It will be seen that the knees, calves, ankles, and the various parts of the feet are indicated with an approach to accuracy. The projecting back is seen below. The bottom of the vessel is nearly flat, and the legs are modeled in low relief upon it. Other positions are shown in Fig. 453.
Fig. 452.—Effigy bottle: Arkansas.—⅓.
Fig. 454 illustrates a characteristic profile.