We walk along the plank-road from the station to the church; which is crowded with men and women in their holiday attire; the girls in red skirts and bodices, trimmed with fur, and even with silver lace; the men in clean capotes and round fur caps, with golden tassels and scarlet tops. The rite is nearly over; the priest has joined the pair in holy matrimony; and the bride and groom come forth, arrayed in their tinsel crowns. The king leads out the queen, who certainly looks old enough to be his dam. One hears so much about marital rights in Russia, and the claim of women to be thrashed in evidence of their husband's love, that one can hardly help wondering how long it will be before Vanka can beat his wife. Not at present, clearly; so that one would feel some doubt of their "sober certainty of bliss," except for our knowledge that if Vanka fails, the patriarch will not scruple to use his whip.
Crowned with her rim of gilt brass, the bony bride, in stiff brocade and looking her fifteen silver spoons, slides down the sloppy lane to her future home.
The whisky-shops—we have two in our village for the comfort of eighty or ninety souls—are loud and busy, pouring out nips and nippets of their liquid death. Fat, bearded men are hugging and kissing each other in their pots, while the younger fry of lads and lasses wend in demure and pensive silence to an open ground, where they mean to wind up the day's festivities with a dance. This frolic is a thing to see. A ring of villagers, old and young, get ready to applaud the sport. The dancers stand apart; a knot of young men here, a knot of maidens there, each sex by itself, and silent as a crowd of mutes. A piper breaks into a tune; a youth pulls off his cap, and challenges his girl with a wave and bow. If the girl is willing, she waves her handkerchief in token of assent; the youth advances, takes a corner of the kerchief in his hand, and leads his lassie round and round. No word is spoken, and no laugh is heard. Stiff with cords and rich with braid, the girl moves heavily by herself, going round and round, and never allowing her partner to touch her hand. The pipe goes droning on for hours in the same sad key and measure; and the prize of merit in this "circling," as the dance is called, is given by spectators to the lassie who in all that summer revelry has never spoken and never smiled!
Men chat with men, and laugh with men; but if they approach the women, they are speechless; making signs with their caps only; and their dumb appeal is answered by a wave of the kerchief—answered without words. These romps go on till bed-time; when the men, being warm with drink, if not with love, begin to reel and shout like Comus and his tipsy crew.
The patriarch stops at home, delighted to spend his evening with Nadia and her silver spoons.
Even when her husband is a grown-up man, a woman has to come under the common roof, and live by the common rule. If she would like to get her share of the cabbage soup and the buckwheat pudding, not to speak of a new bodice now and then, she must contrive to please the old man, and she can only please him by doing at once whatever he bids her do. The Greek church knows of no divorce; and once married, you are tied for life: but neither party has imagination enough to be wretched in his lot, unless the beans should fail or the patriarch lay on the whip.
"Would not a husband protect his wife?"
"No," says the elder, "not where his father is concerned."
A patriarch is lord in his own house and family, and no man has a right to interfere with him; not even the village elder and the imperial judge. He stands above oral and written law. His cabin is not only a castle, but a church, and every act of his done within that cabin is supposed to be private and divine.
"If a woman flew to her husband from blows and stripes?"