The first towns of Russia are Kief and Novgorod the Great; her capitals and holy places long before she built herself a kremlin on the Moskva, and a winter palace on the Neva. Kief and Novgorod are still her pious and poetic cities; one the tower of her religious faith, the other of her imperial power. From Vich Gorod at Kief springs the dome which celebrates her conversion to the Church of Christ; in the Kremlin of Novgorod stands the bronze group which typifies her empire of a thousand years.
CHAPTER XLI.
KIEF.
Kief, the oldest of Russian sees, is not in Russia Proper, and many historians treat it as a Polish town. The people are Ruthenians, and for hundreds of years the city belonged to the Polish crown. The plain in front of it is the Ukraine steppe; the land of hetman and zaporogue; of stirring legends and riotous song. The manners are Polish and the people Poles. Yet here lies the cradle of that church which has shaped into its own likeness every quality of Russian political and domestic life.
The city consists of three parts, of three several towns—Podol, Vich Gorod, Pechersk; a business town, an imperial town, and a sacred town. All these quarters are crowded with offices, shops, and convents; yet Podol is the merchant quarter, Vich Gorod the Government quarter, and Pechersk the pilgrim quarter. These towns overhang the Dnieper, on a range of broken cliffs; contain about seventy thousand souls; and hold, in two several places of interment, all that was mortal of the Pagan duke who became her foremost saint.
Kief is a city of legends and events; the preaching of St. Andrew, the piety of St. Olga, the conversion of St. Vladimir; the Mongolian assault, the Polish conquest, the recovery by Peter the Great. The provinces round Kief resemble it, and rival it, in historic fame. Country of Mazeppa and Gonta, the Ukraine teems with story; tales of the raid, the flight, the night attack, the violated town. Every village has its legend, every town its epic, of love and war. The land is aglow with personal life. Yon chapel marks the spot where a grand duke was killed; this mound is the tomb of a Tartar horde; that field is the site of a battle with the Poles. The men are brighter and livelier, the houses are better built, and the fields are better trimmed than in the North and East. The music is quicker, the brandy is stronger, the love is warmer, the hatred is keener, than you find elsewhere. These provinces are Gogol's country, and the scenery is that of his most popular tales.
Like all the southern cities, Kief fell into the power of Batu Khan, the Mongol chief, and groaned for ages under the yoke of Asiatic begs. These begs were idol-worshippers, and under their savage and idolatrous rule the children of Vladimir had to pass through heavy trials; but Kief can boast that in the worst of times she kept in her humble churches and her underground caves the sacred embers of her faith alive.
Below the tops of two high hills, three miles from that Vich Gorod in which Vladimir built his harem, and raised the statue of his Pagan god, some Christian hermits, Anton, Feodosie, and their fellows, dug for themselves in the loose red rock a series of corridors and caves, in which they lived and died, examples of lowly virtue and the Christian life. The Russian word for cave is pechera, and the site of these caves was called Pechersk. Above the cells in which these hermits dwelt, two convents gradually arose, and took the names of Anton and Feodosie, now become the patron saints of Kief, and the reputed fathers of all men living in Russia a monastic life.
A green dip between the old town, now trimmed and planted, parts the first convent—that of Anton—from the city; a second dip divides the convent of Feodosie, from that of his fellow-saint. These convents, nobly planned and strongly built, take rank among the finest piles in Eastern Europe. Domes and pinnacles of gold surmount each edifice; and every wall is pictured with legends from the lives of saints. The ground is holy. More than a hundred hermits lie in the catacombs, and crowds of holy men lie mouldering in every niche of the solid wall. Mouldering! I crave their pardons. Holy men never rust and rot. For purity of the flesh in death is evidence of purity of the flesh in life; and saints are just as incorruptible of body as of soul. In Anton's Convent you are shown the skull of St. Vladimir; that is to say, a velvet pall in which his skull is said to be wrapped and swathed. You are told that the flesh is pure, the skin uncracked, the odor sweet. A line of dead bodies fills the underground passages and lanes—each body in a niche of the rock; and all these martyrs of the faith are said to be, like Vladimir, also fresh and sweet.
A stranger can not say whether this tale of the incorruptibility of early saints and monks is true or not; since nothing can be seen of the outward eye except a coffin, a velvet pall, and an inscription newly painted in the Slavonic tongue. A great deal turns on the amount of faith in which you seek for proof. For monks are men, and a critic can hardly press them with his doubts. Suppose you try to persuade your guides to lift the pall from St. Anton's face. Your own opinion is that even though human frames might resist the dissolving action of an atmosphere like that of Sicily and Egypt, nothing less than a miracle could have preserved intact the bodies of saints who died a thousand years ago, in a cold, damp climate like that of Kief. You wish to put your science to the test of fact. You wish in vain. The monk will answer for the miracle, but no one answers for the monk.