"What is the figure like?"

"A tall old man, white locks, bare head, and eyes upraised, as if he were trying to cool his brain."

"Does he walk the same place always?"

"Yes, they say so; always. Yonder, between the turrets, is the phantom's walk. Let us go back. Hist! That is the convent bell."

The explanation hinted by Pietrowski, and widely taken for the truth, is that the figure which walks these ramparts in the winter months is not only that of a living man, but of a popular and noble prince; no less a personage than the Grand Duke Constantine, elder brother of the late Emperor Nicolas, and natural heir to the imperial crown!

This prince, in whose cause so many patriots lost their lives, is commonly supposed to have given up the world for love; to have willingly renounced his rights of succession to the throne; to have acquiesced in his younger brother's reign; to have died of cholera in Minsk; to have been buried in the fortress of St. Peter and St. Paul. But many persons look on this story as a mere official tale. Their version is, that the prince was a liberal prince; that he married for love; that he never consented to waive his rights of birth; that the documents published by the Senate were forged; that the Polish rising of 1831 was not directed against him; that the attack on his summer palace was a feint; that his retirement to Minsk was involuntary; that he did not die of cholera, as announced; that he was seized in the night, and whisked away in a tarantass, while Russia was deceived by funeral rites; that he was driven in the tarantass to Archangel, whence he was borne to Solovetsk; that he escaped from the convent; that in the year of Emancipation he suddenly appeared in Penza; that he announced a reign of liberty and peace; that he was followed by thousands of peasants; that, on being defeated by General Dreniakine, he was suffered to escape; that he was afterwards seized in secret, and sent back to Solovetsk; where he is still occasionally seen by fishermen walking on the convent wall.

The facts which underlie these versions of the same historical events are wrapped in not a little doubt; and what is actually known is of the kind that may be read in a different sense by different eyes.


CHAPTER XX.
STORY OF A GRAND DUKE.