"What is this new edifice with the gay old Tartar lozenges and bars?"

"Ugh?" sighs the governor.

"One of the last efforts made to win these Old Believers over," says the councillor of state. "You see the monks have gone to work with craft. The pile is Russ outside, like many old chapels in Moscow; piles which catch the eye and impress the mind. They call it an Old Believers' Chapel; they have built it as the Roman centurion built the Jews a synagogue; and they hold a service in it, as they hold a service in the Transfiguration; said and sung by Orthodox popes, but in the language and the forms employed before Nikon's time."

Inside, the chapel is arranged to suit an Old Believer's taste; and every point of ritual, phrase and form is yielded to such as will accept the ministry of an Orthodox priest.

"Do they draw any part of your flock?"

"Not a soul," says the governor. "A few of those 'without priests,' have joined them in despair; not many—not a hundred; while thousands of their people are coming round to us."

"These converts, who accept an Orthodox priest and the ancient ritual, are called the United Old Believers—are they not?"

"United! They—the new schismatics! We know them not; we hate all sects; and these misguided men are adding to our country another sect."

Passing the cemetery yards, ascending some broad stone steps, we stand at a chapel door. This door is closed, and all around us reigns the silence which befits a tomb. Kruchinin makes a sign; his tap is answered from within; a door swings back; and out upon us floats a low, weird chant. Going through the door, we find ourselves in a spacious church, columned and pictured, with a noble dome. This is the Old Believers' church. A few dim lamps are burning on the shrines; some tapers flit and mingle near the royal gates; a crowd of women kneel on the iron floor, not only in the aisles, but across the nave. Advancing with our guide, up the central aisle, we come upon a line of men, some prostrate on the ground, some standing erect in prayer. A group of singers and readers stands apart, in front of the royal gates, with service-books and candles in their hands, reciting in a sweet, monotonous drone the ritual of the day.

As a surprise the scene is perfect.