The Peruvians showed great skill in the manufacture of different articles for the royal household from this delicate material, which, under the name of vigonia wool, is now familiar to the looms of Europe. It was wrought into shawls, robes, and other articles of dress for the monarch, and into carpets, coverlets, and hangings for the imperial palaces and the temples. The cloth was finished on both sides alike; *11 the delicacy of the texture was such as to give it the lustre of silk; and the brilliancy of the dyes excited the admiration and the envy of the European artisan. *12 The Peruvians produced also an article of great strength and durability by mixing the hair of animals with wool; and they were expert in the beautiful feather-work, which they held of less account than the Mexicans from the superior quality of the materials for other fabrics, which they had at their command. *13
[Footnote 11: Acosta, lib. 4, cap. 41.]
[Footnote 12: "Ropas finisimas para los Reyes, que lo eran tanto que parecian de sarga de seda y con colores tan perfectos quanto se puede afirmar." Sarmiento, Relacion, Ms., cap. 13]
[Footnote 13: Pedro Pizarro, Descub. y Conq., Ms.
"Ropa finissima para los senores Ingas de lana de las Vicunias. Y cierto fue tan prima esta ropa, como auran visto en Espana: por alguna que alla fue luego que se gano este reyno. Los vestidos destos Ingas eran camisetas desta opa: vnas pobladas de argenteria de oro, otras de esmeraldas y piedras preciosas: y algunas de plumas de aues: otras de solamente la manta. Para hazer estas ropas, tuuiero y tienen tan perfetas colores de carmesi, azul, amarillo, negro, y de otras suertes: que verdaderamente tienen ventaja a las de Espana." Cieza de Leon, Cronica, cap. 114.]
The natives showed a skill in other mechanical arts similar to that displayed by their manufacturers of cloth. Every man in Peru was expected to be acquainted with the various handicrafts essential to domestic comfort. No long apprenticeship was required for this, where the wants were so few as among the simple peasantry of the Incas. But, if this were all, it would imply but a very moderate advancement in the arts. There were certain individuals, however, carefully trained to those occupations which minister to the demands of the more opulent classes of society. These occupations, like every other calling and office in Peru, always descended from father to son. *14 The division of castes, in this particular, was as precise as that which existed in Egypt or Hindostan. If this arrangement be unfavorable to originality, or to the development of the peculiar talent of the individual, it at least conduces to an easy and finished execution by familiarizing the artist with the practice of his art from childhood. *15
[Footnote 14: Ondegardo, Rel. Prim. et Seg., Mss. - Garcillaso,
Com. Real., Parte 1, lib. 5, cap. 7, 9, 13.]
[Footnote 15: At least, such was the opinion of the Egyptians, who referred to this arrangement of castes as the source of their own peculiar dexterity in the arts. See Diodorus Sic., lib. 1, sec. 74.]
The royal magazines and the huacas or tombs of the Incas have been found to contain many specimens of curious and elaborate workmanship. Among these are vases of gold and silver, bracelets, collars, and other ornaments for the person; utensils of every description, some of fine clay, and many more of copper; mirrors of a hard, polished stone, or burnished silver, with a great variety of other articles made frequently on a whimsical pattern, evincing quite as much ingenuity as taste or inventive talent. *16 The character of the Peruvian mind led to imitation, in fact, rather than invention, to delicacy and minuteness of finish, rather than to boldness or beauty of design.
[Footnote 16: Ulloa, Not. Amer., ent. 21. - Pedro Pizarro,
Descub. y Conq., Ms. - Cieza de Leon, Cronica, cap. 114. -
Condamine, Mem. ap. Hist. de l'Acad. Royale de Berlin, tom. II.
p. 454-456.