But, although thus roaming without a master over the boundless wastes of the Cordilleras, the Peruvian peasant was never allowed to hunt these wild animals, which were protected by laws as severe as were the sleek herds that grazed on the more cultivated slopes of the plateau. The wild game of the forest and the mountain was as much the property of the government, as if it had been inclosed within a park, or penned within a fold.7 It was only on stated occasions, at the great hunts, which took place once a year, under the personal superintendence of the Inca or his principal officers, that the game was allowed to be taken. These hunts. were not repeated in the same quarter of the country oftener than once. in four years, that time might be allowed for the waste occasioned by them to be replenished. At the appointed time, all those living in the district and its neighborhood, to the number, it might be, of fifty or sixty thousand men,8 were distributed round, so as to form a cordon of immense extent, that should embrace the whole country which was to be hunted over. The men were armed with long poles and spears, with which they beat up game of every description lurking in the woods, the valleys, and the mountains, killing the beasts of prey without mercy, and driving the others, consisting chiefly of the deer of the country, and the huanacos and vicunas, towards the centre of the wide-extended circle; until, as this gradually contracted, the timid inhabitants of the forest were concentrated on some spacious plain, where the eye of the hunter might range freely over his victims, who found no place for shelter or escape.
The male deer and some of the coarser kind of the Peruvian sheep were slaughtered; their skins were reserved for the various useful manufactures to which they are ordinarily applied, and their flesh, cut into thin slices, was distributed among the people, who converted it into charqui, the dried meat of the country, which constituted then the sole, as it has since the principal, animal food of the lower classes of Peru.9
But nearly the whole of the sheep, amounting usually to thirty or forty thousand, or even a larger number, after being carefully sheared, were suffered to escape and regain their solitary haunts among the mountains. The wool thus collected was deposited in the royal magazines, whence, in due time, it was dealt out to the people. The coarser quality was worked up into garments for their own use, and the finer for the Inca; for none but an Inca noble could wear the fine fabric of the vicuna.10
The Peruvians showed great skill in the manufacture of different articles for the royal household from this delicate material, which, under the name of vigonia wool, is now familiar to the looms of Europe. It was wrought into shawls, robes, and other articles of dress for the monarch, and into carpets, coverlets, and hangings for the imperial palaces and the temples. The cloth was finished on both sides alike; 11 the delicacy of the texture was such as to give it the lustre of silk; and the brilliancy of the dyes excited the admiration and the envy of the European artisan.12 The Peruvians produced also an article of great strength and durability by mixing the hair of animals with wool; and they were expert in the beautiful feather-work, which they held of less account than the Mexicans from the superior quality of the materials for other fabrics, which they had at their command.13
The natives showed a skill in other mechanical arts similar to that displayed by their manufactures of cloth. Every man in Peru was expected to be acquainted with the various handicrafts essential to domestic comfort. No long apprenticeship was required for this, where the wants were so few as among the simple peasantry of the Incas. But, if this were all, it would imply but a very moderate advancement in the arts. There were certain individuals, however, carefully trained to those occupations which minister to the demands of the more opulent classes of society. These occupations, like every other calling and office in Peru, always descended from father to son.14 The division of castes, in this particular, was as precise as that which existed in Egypt or Hindostan. If this arrangement be unfavorable to originality, or to the development of the peculiar talent of the individual, it at least conduces to an easy and finished execution by familiarizing the artist with the practice of his art from childhood.15
The royal magazines and the huacas or tombs of the Incas have been found to contain many specimens of curious and elaborate workmanship. Among these are vases of gold and silver, bracelets, collars, and other ornaments for the person; utensils of every description, some of fine clay, and many more of copper; mirrors of a hard, polished stone, or burnished silver, with a great variety of other articles made frequently on a whimsical pattern, evincing quite as much ingenuity as taste or inventive talent.16 The character of the Peruvian mind led to imitation, in fact, rather than invention, to delicacy and minuteness of finish, rather than to boldness or beauty of design.
That they should have accomplished these difficult works with such tools as they possessed, is truly wonderful. It was comparativeIy easy to cast and even sculpture metallic substances, both of which they did with consummate skill. But that they should have shown the like facility in cutting the hardest substances, as emeralds and other precious stones, is not easy to explain. Emeralds they obtained in considerable quantity from the barren district of Atacames, and this inflexible material seems to have been almost as ductile in the hands of the Peruvian artist as if it had been made of clay.17 Yet the natives were unacquainted with the use of iron, though the soil was largely impregnated with it.18 The tools used were of stone, or more frequently of copper. But the material on which they relied for the execution of their most difficult tasks was formed by combining a very small portion of tin with copper.19 This composition gave a hardness to the metal which seems to have been little inferior to that of steel. With the aid of it, not only did the Peruvian artisan hew into shape porphyry and granite, but by his patient industry accomplished works which the European would not have ventured to undertake. Among the remains of the monuments of Cannar may be seen movable rings in the muzzles of animals, all nicely sculptured of one entire block of granite.20 It is worthy of remark, that the Egyptians, the Mexicans, and the Peruvians, in their progress towards civilization, should never have detected the use of iron, which lay around them in abundance; and that they should each, without any knowledge of the other, have found a substitute for it in such a curious composition of metals as gave to their tools almost the temper of steel; 21 a secret that has been lost—or, to speak more correctly, has never been discovered-by the civilized European.
I have already spoken of the large quantity of gold and silver wrought into various articles of elegance and utility for the Incas; though the amount was inconsiderable, in comparison with what could have been afforded by the mineral riches of the land, and with what has since been obtained by the more sagacious and unscrupulous cupidity of the white man. Gold was gathered by the Incas from the deposits of the streams. They extracted the ore also in considerable quantities from the valley of Curimayo, northeast of Caxamarca, as well as from other places; and the silver mines of Porco, in particular, yielded them considerable returns. Yet they did not attempt to penetrate into the bowels of the earth 'by sinking a shaft, but simply excavated a cavern in the steep sides of the mountain, or, at most, opened a horizonal vein of moderate depth. They were equally deficient in the knowledge of the best means of detaching the precious metal from the dross with which it was united, and had no idea of the virtues of quicksilver,—a mineral not rare in Peru, as an amalgam to effect this decomposition.22 Their method of smelting the ore was by means of furnaces built in elevated and exposed situations, where they might be fanned by the strong breezes of the mountains. The subjects of the Incas, in short, with all their patient perseverance, did little more than penetrate below the crust, the outer rind, as it were, formed over those golden caverns which lie hidden in the dark depths of the Andes. Yet what they gleaned from the surface was more than adequate for all their demands. For they were not a commercial people, and had no knowledge of money.23 In this they differed from the ancient Mexicans, who had an established currency of a determinate value. In one respect, however, they were superior to their American rivals, since they made use of weights to determine the quantity of their commodities, a thing wholly unknown to the Aztecs. This fact is ascertained by the discovery of silver balances, adjusted with perfect accuracy, in some of the tombs of the Incas.24
But the surest test of the civilization of a people—at least, as sure as any— afforded by mechanical art is to be found in their architecture, which presents so noble a field for the display of the grand and the beautiful, and which, at the same time, is so intimately connected with the essential comforts of life. There is no object on which the resources of the wealthy are more freely lavished, or which calls out more effectually the inventive talent of the artist. The painter and the sculptor may display their individual genius in creations of surpassing excellence, but it is the great monuments of architectural taste and magnificence that are stamped in a peculiar manner by the genius of the nation. The Greek, the Egyptian, the Saracen, the Gothic,—what a key do their respective styles afford to the character and condition of the people! The monuments of China, of Hindostan, and of Central America are all indicative of an immature period, in which the imagination has not been disciplined by study, and which, therefore, in its best results, betrays only the illregulated aspirations after the beautiful, that belong to a semi-civilized people.
The Peruvian architecture, bearing also the general characteristics of an imperfect state of refinement, had still its peculiar character; and so uniform was that character, that the edifices throughout the country seem to have been all cast in the same mould.25 They were usually built of porphyry or granite; not unfrequently of brick. This, which was formed into blocks or squares of much larger dimensions than our brick, was made of a tenacious earth mixed up with reeds or tough grass, and acquired a degree of hardness with age that made it insensible alike to the storms and the more trying sun of the tropics.26 The walls were of great thickness, but low, seldom reaching to more than twelve or fourteen feet in height. It is rare to meet with accounts of a building that rose to a second story.27