The ensuing day, the festival of St. James, the patron saint of Spain, was the one appointed for the marriage. Philip exchanged his usual simple dress for the bridal vestments provided for him by his mistress. They were of spotless white, as the reporter is careful to inform us, satin and cloth of gold, thickly powdered with pearls and precious stones. Round his neck he wore the superb collar of the Golden Fleece, the famous Burgundian order; while the brilliant riband below his knee served as the badge of the no less illustrious order of the Garter. He went on foot to the cathedral, attended by all his nobles, vying with one another in the ostentatious splendor of their retinues.
Half an hour elapsed before Philip was joined by the queen at the entrance of the cathedral. Mary was surrounded by the lords and ladies of her court. Her dress, of white satin and cloth of gold, like his own, was studded and fringed with diamonds of inestimable price, some of them, doubtless, the gift of Philip, which he had sent to her by the hands of the prince of Eboli, soon after his landing. Her bright-red slippers, and her mantle of black velvet, formed a contrast to the rest of her apparel, and, for a bridal costume, would hardly suit the taste of the present day. The royal party then moved up the nave of the cathedral, and were received in the choir by the bishop of Winchester, supported by the great prelates of the English Church. The greatest of all, Cranmer, the primate of all England, who should have performed the ceremony, was absent,—in disgrace and a prisoner.
Philip and Mary took their seats under a royal canopy, with an altar between them. The queen was surrounded by the ladies of her court; whose beauty, says an Italian writer, acquired additional lustre by contrast with the shadowy complexions of the south.[104] The aisles and spacious galleries were crowded with spectators of every degree, drawn together from the most distant quarters to witness the ceremony.
The silence was broken by Figueroa, one of the imperial council, who read aloud an instrument of the emperor, Charles the Fifth. It stated that this marriage had been of his own seeking; and he was desirous that his beloved son should enter into it in a manner suitable to his own expectations and the[{50}] dignity of his illustrious consort. He therefore resigned to him his entire right and sovereignty over the kingdom of Naples and the duchy of Milan. The rank of the parties would thus be equal, and Mary, instead of giving her hand to a subject, would wed a sovereign like herself.
Some embarrassment occurred as to the person who should give the queen away,—a part of the ceremony not provided for. After a brief conference, it was removed by the marquis of Winchester and the earls of Pembroke and Derby, who took it on themselves to give her away in the name of the whole realm; at which the multitude raised a shout that made the old walls of the cathedral ring again. The marriage service was then concluded by the bishop of Winchester. Philip and Mary resumed their seats, and mass was performed, when the bridegroom, rising, gave his consort the "kiss of peace," according to the custom of the time. The whole ceremony occupied nearly four hours. At the close of it Philip, taking Mary by the hand, led her from the church. The royal couple were followed by the long train of prelates and nobles, and were preceded by the earls of Pembroke and Derby, each bearing aloft a naked sword, the symbol of sovereignty. The effect of the spectacle was heightened by the various costumes of the two nations,—the richly-tinted and picturesque dresses of the Spaniards, and the solid magnificence of the English and Flemings, mingling together in gay confusion. The glittering procession moved slowly on, to the blithe sounds of festal music, while the air was rent with the loyal acclamations of the populace, delighted, as usual, with the splendor of the pageant.
In the great hall of the episcopal palace, a sumptuous banquet was prepared for the whole company. At one end of the apartment was a dais, on which, under a superb canopy, a table was set for the king and queen; and a third seat was added for Bishop Gardiner, the only one of the great lords who was admitted to the distinction of dining with royalty.
Below the dais, the tables were set on either side through the whole length of the hall, for the English and Spanish nobles, all arranged—a perilous point of etiquette—with due regard to their relative rank. The royal table was covered with dishes of gold. A spacious beaufet, rising to the height of eight stages, or shelves, and filled with a profusion of gold and silver vessels, somewhat ostentatiously displayed the magnificence of the prelate, or of his sovereign. Yet this ostentation was rather Spanish than English; and was one of the forms in which the Castilian grandee loved to display his opulence.[105]
At the bottom of the hall was an orchestra, occupied by a band of excellent performers, who enlivened the repast by their music. But the most interesting part of the show was that of the Winchester boys, some of whom were permitted to enter the presence, and recite in Latin their epithalamiums in honor of the royal nuptials, for which they received a handsome guerdon from the queen.
ROYAL ENTERTAINMENTS.
After the banquet came the ball, at which, if we are to take an old English authority, "the Spaniards were greatly out of countenance when they saw the English so far excel them."[106] This seems somewhat strange, considering that dancing is, and always has been, the national pastime of Spain. Dancing is to the Spaniard what music is to the Italian,—the very condition of his[{51}] social existence.[107] It did not continue late on the present occasion, and, at the temperate hour of nine, the bridal festivities closed for the evening.[108]