The Parisian scholars were now stimulated to turn to account the treasure which had remained so long neglected on their shelves. In 1854, less than two years after the appearance of Mr. Stirling's book, M. Amédée Pichot published his "Chronique de Charles-Quint," a work which, far from being confined to the latter days of the emperor, covers the whole range of his biography, presenting a large amount of information in regard to his personal habits, as well as to the interior organization of his government, and the policy which directed it. The whole is enriched, moreover, by a multitude of historical incidents, which may be regarded rather as subsidiary than essential to the conduct of the narrative, which is enlivened by much ingenious criticism on the state of manners, arts, and moral culture of the period.
It was not long after the appearance of this work that M. Gachard, whom I have elsewhere noticed as having been commissioned by the Belgian government to make extensive researches in the Archives of Simancas, gave to the public some of the fruits of his labors, in the first volume of his "Retraite et Mort de Charles-Quint." It is devoted to the letters of the emperor and his household, which form the staple of the Gonzalez MS.; thus placing at the disposition of the future biographer of Charles the original materials with which to reconstruct the history of his latter days.
Lastly came the work, long expected, of M. Mignet, "Charles-Quint; son Abdication, son Séjour, et sa Mort au Monastère de Yuste." It was the reproduction, in a more extended and elaborate form, of a series of papers, the first of which appeared shortly after the publication of Mr. Stirling's book. In this work the French author takes the clear and comprehensive view of his subject so characteristic of his genius. The difficult and debatable points he discusses with acuteness and precision; and the whole story of Charles's monastic life he presents in so luminous an aspect to the reader as leaves nothing further to be desired.
The critic may take some interest in comparing the different manners in which the several writers have dealt with the subject, each according to his own taste, or the bent of his genius. Thus through Stirling's more free and familiar narrative there runs a pleasant vein of humor, with piquancy enough to give it relish, showing the author's sensibility to the ludicrous, for which Charles's stingy habits, and excessive love of good cheer, even in the convent, furnish frequent occasion.
Quite a different conception is formed by Mignet of the emperor's character, which he has cast in the true heroic mould, not deigning to recognize a single defect, however slight, which may at all impair the majesty of the proportions. Finally, Amédée Pichot, instead of the classical, may be said to have conformed to the romantic school in the arrangement of his subject, indulging in various picturesque episodes, which he has, however, combined so successfully with the main body of the narrative as not to impair the unity of interest.
Whatever may be thought of the comparative merits of these eminent writers in the execution of their task, the effect of their labors has undoubtedly been to make that the plainest which was before the most obscure portion of the history of Charles the Fifth.[{148}]
BOOK II.
CHAPTER I.
VIEW OF THE NETHERLANDS.