Several days were spent in settling the etiquette to be observed before the presentation of the duke and his followers to the princess,—a perilous matter with the Spanish hidalgo. When at length the interview took place, the cardinal of Burgos, the duke's brother, opened it by a formal and rather long address to Isabella, who replied in a tone of easy gaiety, which, though not undignified, savored much more of the manners of her own country than those of Spain.[461] The place of meeting was at Roncesvalles,—a name which to the reader of romance may call up scenes very different from those presented by the two nations now met together in kindly courtesy.[462]
From Roncesvalles the princess proceeded, under the strong escort of the duke, to his town of Guadalajara in New Castile, where her marriage with King Philip was to be solemnized. Great preparations were made by the loyal citizens for celebrating the event in a manner honorable to their own master and their future queen. A huge mound, or what might be called a hill, was raised at the entrance of the town, where a grove of natural oaks had been transplanted, amongst which was to be seen abundance of game. Isabella was received by the magistrates of the place, and escorted through the principal streets by a brilliant cavalcade, composed of the great nobility of the court. She was dressed in ermine, and rode a milk-white palfrey, which she managed with an easy grace that delighted the multitude. On one side of her rode the duke of Infantado, and on the other the cardinal of Burgos. After performing her devotions at the church, where Te Deum was chanted, she proceeded to the ducal palace, in which the marriage ceremony was to be[{185}] performed. On her entering the court, the princess Joanna came down to receive her sister-in-law, and, after an affectionate salutation, conducted her to the saloon, where Philip, attended by his son, was awaiting his bride.[463]
RECEPTION OF ISABELLA.
It was the first time that Isabella had seen her destined lord. She now gazed on him so intently, that he good-humoredly asked her "if she were looking to see if he had any gray hairs in his head?" The bluntness of the question somewhat disconcerted her.[464] Philip's age was not much less than that at which the first gray hairs made their appearance on his father's temples. Yet the discrepancy between the ages of the parties in the present instance was not greater than often happens in a royal union. Isabella was in her fifteenth year,[465] and Philip in his thirty-fourth.
From all accounts, the lady's youth was her least recommendation. "Elizabeth de Valois," says Brantôme, who know her well, "was a true daughter of France,—discreet, witty, beautiful, and good, if ever woman was so."[466] She was well made, and tall of stature, and on this account the more admired in Spain, where the women are rarely above the middle height. Her eyes were dark, and her luxuriant tresses, of the same dark color, shaded features that were delicately fair.[467] There was sweetness mingled with dignity in her deportment, in which Castilian stateliness seemed to be happily tempered by the vivacity of her own nation. "So attractive was she," continues the gallant old courtier, "that no cavalier durst look on her long, for fear of losing his heart, which in that jealous court might have proved the loss of his life."[468]
Some of the chroniclers notice a shade of melancholy as visible on Isabella's features, which they refer to the comparison the young bride was naturally led to make between her own lord and his son, the prince of Asturias, for whom her hand had been originally intended.[469] But the daughter of Catherine[{186}] de Medicis, they are careful to add, had been too well trained, from her cradle, not to know how to disguise her feelings. Don Carlos had one advantage over his father, in his youth; though, in this respect, since he was but a boy of fourteen, he might be thought to fall as much too short of the suitable age as the king exceeded it. It is also intimated by the same gossiping writers, that from this hour of their meeting, touched by the charms of his step-mother, the prince nourished a secret feeling of resentment against his father, who had thus come between him and his beautiful betrothed.[470] It is this light gossip of the chroniclers that has furnished the romancers of later ages with the flimsy materials for that web of fiction, which displays in such glowing colors the loves of Carlos and Isabella. I shall have occasion to return to this subject when treating of the fate of this unhappy prince.
When the nuptials were concluded, the good people of Guadalajara testified their loyalty by all kinds of festivities in honor of the event,—by fireworks, music, and dancing. The fountains flowed with generous liquor. Tables were spread in the public squares, laden with good cheer, and freely open to all. In the evening, the regidores of the town, to the number of fifty or more, presented themselves before the king and queen. They were dressed in their gaudy liveries of crimson and yellow velvet, and each one of these functionaries bore a napkin on his arm, while he carried a plate of sweetmeats, which he presented to the royal pair and the ladies of the court. The following morning Philip and his consort left the hospitable walls of Guadalajara, and set out with their whole suite for Toledo. At parting, the duke of Infantado made the queen and her ladies presents of jewels, lace, and other rich articles of dress; and the sovereigns took leave of their noble host, well pleased with the princely entertainment he had given them.[471]
At Toledo preparations were made for the reception of Philip and Isabella in a style worthy of the renown of that ancient capital of the Visigoths. In the broad vega before the city, three thousand of the old Spanish infantry engaged in a mock encounter with a body of Moorish cavalry, having their uniforms and caparisons fancifully trimmed and ornamented in the Arabesque fashion. Then followed various national dances by beautiful maidens of Toledo, dances of the Gypsies, and the old Spanish "war-dance of the swords."[472]
MARRIAGE FESTIVITIES.
On entering the gates, the royal pair were welcomed by the municipality of the city, who supported a canopy of cloth of gold over the heads of the king and queen, emblazoned with their ciphers. A procession was formed, consisting of the principal magistrates, the members of the military orders, the officers of the Inquisition,—for Toledo was one of the principal stations of the secret tribunal,—and, lastly, the chief nobles of the court. In the cavalcade might be discerned the iron form of the duke of Alva, and his more[{187}] courtly rival, Ruy Gomez de Silva, count of Melito,—the two nobles highest in the royal confidence. Triumphal arches, ornamented with quaint devices and emblematical figures from ancient mythology, were thrown across the streets, which were filled with shouting multitudes. Gay wreaths of flowers and flaunting streamers adorned the verandas and balconies, which were crowded with spectators of both sexes in their holiday attire, making a display of gaudy colors that reminds an old chronicler of the richly tinted tapestries and carpetings of Flanders.[473] In this royal state, the new-married pair moved along the streets towards the great cathedral; and after paying their devotions at its venerable shrine, they repaired to the alcazar,—the palace-fortress of Toledo.