I have often wondered that the almost simultaneous utterance of so many different notes should produce no discords, and that they should result in such complete harmony. In this multitudinous confusion of voices, no two notes are confounded, and none has sufficient duration to grate harshly with a dissimilar sound. Though each performer sings only a few strains and then makes a pause, the whole multitude succeed one another with such rapidity that we hear an uninterrupted flow of music until the broad light of day invites them to other employments.
When there is just light enough to distinguish the birds, we may observe, here and there, a single swallow perched on the roof of a barn or shed, repeating two twittering notes incessantly, with a quick turn and a hop at every note he utters. It would seem to be the design of the bird to attract the attention of his mate, and this motion seems to be made to assist her in discovering his position. As soon as the light has tempted him to fly abroad, this twittering strain is uttered more like a continued song, as he flits rapidly through the air.
But at this later moment the purple martins have commenced their more melodious chattering, so loud as to attract for a while the most of our attention. There is not a sound in nature so cheering and animating as the song of the purple martin, and none so well calculated to drive away melancholy. Though not one of the earliest voices to be heard, the chorus is perceptibly more loud and effective when this bird has united with the choir.
When the flush of the morning has brightened into vermilion, and the place from which the sun is soon to emerge has attained a dazzling brilliancy, the robins are already less tuneful. They are now becoming busy in collecting food for their morning repast, and one by one they leave the trees, and may be seen hopping upon the tilled ground, in quest of the worms and insects that, have crept out during the night from their subterranean retreats.
But as the robins grow silent, the bobolinks begin their vocal revelries; and to a fanciful mind it might seem that the robins had gradually resigned their part in the performance to the bobolinks, not one of which is heard until some of the former have concluded their songs. The little hairbird still continues his almost incessant chirping, the first to begin and the last to quit the performance. Though the voice of this bird is not very sweetly modulated, it blends harmoniously with the notes of other birds, and greatly increases the charming effect of the combination.
It would be tedious to name all the birds that take part in this chorus; but we must not omit the pewee, with his melancholy ditty, occasionally heard like a short minor strain in an oratorio; nor the oriole, who is really one of the chief performers, and who, as his bright plumage flashes upon the sight, warbles forth a few notes so clear and mellow as to be beard above every other sound. Adding a pleasing variety to all this harmony, the lisping notes of the meadowlark, uttered in a shrill tone, and with a peculiar pensive modulation, are plainly audible, with short rests between each repetition.
There is a little brown sparrow, resembling the hairbird, save a general tint of russet in his plumage, that may be heard distinctly among the warbling host. He is rarely seen in cultivated grounds, but frequents the wild pastures, and is the bird that warbles so sweetly at midsummer, when the whortleberries are ripe, and the fields are beautifully spangled with red lilies.
There is no confusion in the notes of his song, which consists of one syllable rapidly repeated, but increasing in rapidity and rising to a higher key towards the conclusion. He sometimes prolongs his strain, when his notes are observed to rise and fall in succession. These plaintive and expressive notes are very loud and constantly uttered, during the hour that precedes the rising of the sun. A dozen warblers of this species, singing in concert, and distributed in different parts of the field, form, perhaps, the most delightful part of the woodland oratorio to which we have listened.
At sunrise hardly a robin can be beard in the whole neighborhood, and the character of the performance has completely changed during the last half hour. The first part was more melodious and tranquilizing, the last is more brilliant and animating. The grass finches, the vireos, the wrens, and the linnets have joined their voices to the chorus, and the bobolinks are loudest in their song. But the notes of the birds in general are not so incessant as before sunrise. One by one they discontinue their lays, until at high noon the bobolink and the warbling flycatcher are almost the only vocalists to be heard in the fields.