In the celebration of this festival, the Romish church amused our forefathers by theatrical representations, and extraordinary dramatic worship, with appropriate scenery, machinery, dresses, and decorations. The exhibitions at Durham appear to have been conducted with great effect. In that cathedral, over our lady of Bolton’s altar, there was a marvellous, lively, and beautiful image of the picture of our lady, called the lady of Bolton, which picture was made to open with gimmes, (or linked fastenings,) from the breast downward; and within the said image was wrought and pictured the image of our saviour marvellously finely gilt, holding up his hands, and betwixt his hands was a large fair crucifix of Christ, all of gold; the which crucifix was ordained to be taken forth every Good Friday, and every man did creep unto it that was in the church at that time; and afterwards it was hung up again within the said image. Every principal day the said image of our lady of Bolton, was opened, that every man might see pictured within her, the Father, the Son, and the Holy Ghost, most curiously and finely gilt; and both the sides within her were very finely varnished with green varnish, and flowers of gold, which was a goodly sight for all the beholders thereof. On Good Friday, there was marvellous solemn service, in which service time, after the Passion was sung, two of the ancient monks took a goodly large crucifix, all of gold, of the picture of our saviour Christ nailed upon the cross, laying it upon a velvet cushion, having St. Cuthbert’s arms upon it, all embroidered with gold, bringing it betwixt them upon the cushion to the lowest steps in the choir, and there betwixt them did hold the said picture of our saviour, sitting on either side of it. And then one of the said monks did rise, and went a pretty space from it, and setting himself upon his knees with his shoes put off, very reverently he crept upon his knees unto the said cross, and most reverently did kiss it; and after him the other monk did so likewise; and then they sate down on either side of the said cross, holding it betwixt them. Afterward, the prior came forth of his stall, and did sit him down upon his knees with his shoes off in like sort, and did creep also unto the said cross, and all the monks after him did creep one after another in the same manner and order; in the mean time, the whole choir singing a hymn. The service being ended, the said two monks carried the cross to the sepulchre with great reverence.[74]
The sepulchre was erected in the church near the altar, to represent the tomb wherein the body of Christ was laid for burial. At this tomb there was a grand performance on Easter-day. In some churches it was ordained, that Mary Magdalen, Mary of Bethany, and Mary of Naim, should be represented by three deacons clothed in dalmaticks and amesses, with their heads in the manner of women, and holding a vase in their hands. These performers came through the middle of the choir, and hastening towards the sepulchre, with downcast looks, said together this verse, “Who will remove the stone for us?” Upon this a boy, clothed like an angel, in albs, and holding a wheat ear in his hand, before the sepulchre, said, “Whom do you seek in the sepulchre?” The Maries answered, “Jesus of Nazareth who was crucified.” The boy-angel answered, “He is not here, but is risen;” and pointed to the place with his finger. The boy-angel departed very quickly, and two priests in tunics, sitting without the sepulchre, said, “Woman, whom do ye mourn for? Whom do ye seek?” The middle one of the women said, “Sir, if you have taken him away, say so.” The priest, showing the cross, said, “They have taken away the Lord.” The two sitting priests said, “Whom do ye seek, women?” The Maries, kissing the place, afterwards went from the sepulchre. In the mean time a priest, in the character of Christ, in an alb, with a stole, holding a cross, met them on the left horn of the altar, and said, “Mary!” Upon hearing this, the mock Mary threw herself at his feet, and, with a loud voice, cried Cabboin. The priest representing Christ replied, nodding, “Noli me tangere,” touch me not. This being finished, he again appeared at the right horn of the altar, and said to them as they passed before the altar, “Hail! do not fear.” This being finished, he concealed himself; and the women-priests, as though joyful at hearing this, bowed to the altar, and turning to the choir, sung “Alleluia, the Lord is risen.” This was the signal for the bishop or priest before the altar, with the censer, to begin and sing aloud, Te Deum.[75]
The making of the sepulchre was a practice founded upon ancient tradition, that the second coming of Christ would be on Easter-eve; and sepulchre-making, and watching it, remained in England till the reformation. Its ceremonies varied in different places. In the abbey church of Durham it was part of the service upon Easter-day, betwixt three and four o’clock in the morning, for two of the eldest monks of the quire to come to the sepulchre, set up upon Good Friday after the Passion, which being covered with red velvet, and embroidered with gold, these monks, with a pair of silver censers, censed the sepulchre on their knees. Then both rising, went to the sepulchre, out of which they took a marvellous beautiful image of the resurrection, with a cross in the hand of the image of Christ, in the breast whereof was inclosed, in bright crystal, the host, so as to be conspicuous to the beholders. Then, after the elevation of the said picture, it was carried by the said two monks, upon a velvet embroidered cushion, the monks singing the anthem of Christus resurgens. They then brought it to the high altar, setting it on the midst thereof, and the two monks kneeling before the altar, censed it all the time that the rest of the quire were singing the anthem, which being ended, the two monks took up the cushion and picture from the altar, supporting it betwixt them, and proceeded in procession from the high altar to the south quire door, where there were four ancient gentlemen belonging to the quire, appointed to attend their coming, holding up a rich canopy of purple velvet, tasselled round about with red silk and gold fringe; and then the canopy was borne by these “ancient gentlemen,” over the said images with the host carried by the two monks round about the church, the whole quire following, with torches and great store of other lights; all singing, rejoicing, and praying, till they came to the high altar again; upon which they placed the said image, there to remain till Ascension-day, when another ceremony was used.
In Brand’s “Antiquities,” and other works, there are many items of expenses from the accounts of different church-books for making the sepulchre for this Easter ceremony. The old Register Book of the brethren of the Holy Trinity of St. Botolph without Aldersgate, now in the possession of the editor of the Every-Day Book, contains the following entries concerning the sepulchre in that church:—“Item, to the wexchaundeler, for makyng of the Sepulcre light iii times, and of other dyvers lights that longyn to the trynite, in dyvers places in the chirche, lviis. 10d.” In An. 17 Henry VI. there is another “Item, for xiii tapers unto the lyght about the Sepulcre, agenst the ffeste of Estern, weying lxxviii lb. of the wich was wasted xxii lb.” &c. In Ann. 21 & 22 K. Henry VI. the fraternity paid for wax and for lighting of the sepulchre “both yers, xxs. viiid.” and they gathered in those years for their sepulchre light, xlvs. ixd. This gathering was from the people who were present at the representation; and when the value of money at that time is considered, and also that on the same day every church in London had a sepulchre, each more or less attractive, the sum will not be regarded as despicable.
The only theatres for the people were churches, and the monks were actors; accordingly, at Easter, plays were frequently got up for popular amusement. Brand cites from the churchwardens’ accounts of Reading, set forth in Coate’s history of that town, several items of different sums paid for nails for the sepulchre; “for rosyn to the Resurrection play;” for setting up of poles for the scaffold whereon the plays were performed; for making “a Judas;” for the writing of the plays themselves; and for other expenses attending the “getting up” of the representations. Though the subjects exhibited were connected with the incidents commemorated by the festival, yet the most splendid shows must have been in those churches which performed the resurrection at the sepulchre with a full dramatis personæ of monks, in dresses according to the characters they assumed.
Mr. Fosbroke gives the “properties” of the sepulchre show belonging to St. Mary Redcliff’s church at Bristol, from an original MS. in his possession formerly belonging to Chatterton, viz. “Memorandum:—That master Cannings hath delivered, the 4th day of July, in the year of our Lord 1470, to master Nicholas Pelles, vicar of Redclift, Moses Conterin, Philip Berthelmew, and John Brown, procurators of Redclift beforesaid, a new Sepulchre, well guilt with fine gold, and a civer thereto; an image of God Almighty rising out of the same Sepulchre, with all the ordinance that longeth thereto; that is to say, a lath made of timber and iron work thereto. Item, hereto longeth Heven, made of timber and stained cloths. Item, Hell made of timber and iron work thereto, with Devils the number of thirteen. Item, four knights armed, keeping the Sepulchre, with their weapons in their hands; that is to say, two spears, two axes, with two shields. Item, four pair of Angel’s wings, for four Angels, made of timber, and well-painted. Item, the Fadre, the crown and visage, the ball with a cross upon it, well gilt with fine gold. Item, the Holy Ghost coming out of Heven into the Sepulchre. Item, longeth to the four Angels, four Perukes.” The lights at the sepulchre shows, and at Easter, were of themselves a most attractive part of the Easter spectacle. The paschal or great Easter taper at Westminster Abbey was three hundred pounds’ weight. Sometimes a large wax light called a serpent was used; its name was derived from its spiral form, it being wound round a rod. To light it, fire was struck from a flint consecrated by the abbot. The paschal in Durham cathedral was square wax, and reached to within a man’s length of the roof, from whence this waxen enormity was lighted by “a fine convenience.” From this superior light all others were taken. Every taper in the church was purposely extinguished in order that this might supply a fresh stock of consecrated light, till at the same season in the next year a similar parent torch was prepared.[76]
EASTER IN LONDON.
Easter Monday and Tuesday, and Greenwich fair, are renowned as “holidays” throughout most manufactories and trades conducted in the metropolis. On Monday, Greenwich fair commences. The chief attraction to this spot is the park, wherein stands the Royal Observatory on a hill, adown which it is the delight of boys and girls to pull each other till they are wearied. Frequently of late this place has been a scene of rude disorder. But it is still visited by thousands and tens of thousands from London and the vicinity; the lowest join in the hill sports; others regale in the public-houses; and many are mere spectators, of what may be called the humours of the day.
On Easter Monday, at the very dawn of day, the avenues from all parts towards Greenwich give sign of the first London festival in the year. Working men and their wives; ’prentices and their sweethearts; blackguards and bullies; make their way to this fair. Pickpockets and their female companions go later. The greater part of the sojourners are on foot, but the vehicles for conveyance are innumerable. The regular and irregular stages are, of course, full inside and outside. Hackney-coaches are equally well filled; gigs carry three, not including the driver; and there are countless private chaise-carts, public pony-chaises, and open accommodations. Intermingled with these, town-carts, usually employed in carrying goods, are now fitted up, with boards for seats; hereon are seated men, women, and children, till the complement is complete, which is seldom deemed the case till the horses are overloaded. Now and then passes, like “some huge admiral,” a full-sized coal-waggon, laden with coal-heavers and their wives, and shadowed by spreading boughs from every tree that spreads a bough; these solace themselves with draughts of beer from a barrel aboard, and derive amusement from criticising walkers, and passengers in vehicles passing their own, which is of unsurpassing size. The six-mile journey of one of these machines is sometimes prolonged from “dewy morn” till noon. It stops to let its occupants see all that is to be seen on its passage; such as what are called the “Gooseberry fairs,” by the wayside, whereat heats are run upon half-killed horses, or spare and patient donkeys. Here are the bewitching sounds to many a boy’s ears of “A halfpenny ride O!” “A halfpenny ride O!”; upon that sum “first had and obtained,” the immediately bestrided urchin has full right to “work and labour” the bit of life he bestraddles, for the full space or distance of fifty yards, there and back; the returning fifty being done within half time of the first. Then there is “pricking in the belt,” an old exposed and still practised fraud. Besides this, there are numberless invitations to take “a shy for a halfpenny,” at a “bacca box, full o’ ha’pence,” standing on a stick stuck upright in the earth at a reasonable distance for experienced throwers to hit, and therefore win, but which is a mine of wealth to the costermonger proprietor, from the number of unskilled adventurers.
Greenwich fair, of itself, is nothing; the congregated throngs are every thing, and fill every place. The hill of the Observatory, and two or three other eminences in the park, are the chief resort of the less experienced and the vicious. But these soon tire, and group after group succeeds till evening. Before then the more prudent visitors have retired to some of the numerous houses in the vicinage of the park, whereon is written, “Boiling water here,” or “Tea and Coffee,” and where they take such refreshment as these places and their own bundles afford, preparatory to their toil home after their pleasure.