At the entrances in all the streets of Greenwich, notices from the magistrates were posted, that they were determined to put down the fair; and accordingly not a show was to be seen in the place wherein the fair had of late been held. Booths were fitting up for dancing and refreshment at night, but neither Richardson’s, nor any other itinerant company of performers, was there. There were gingerbread stalls, but no learned pig, no dwarf, no giant, no fire-eater, no exhibition of any kind. There was a large round-about of wooden horses for boys, and a few swings, none of them half filled. The landlord of “the Struggler” could not struggle his stand into notice. In vain he chalked up “Hagger’s entire, two-pence a bottle:” this was ginger-beer; if it was not brisker than the demand for it, it was made “poor indeed;” he had little aid, but unsold “Lemmun aid, one penny a glass.” Yet the public-houses in Greenwich were filling fast, and the fiddles squeaked from several first-floor windows. It was now nearly two o’clock, and the stage-coaches from London, thoroughly filled inside and out, drove rapidly in: these, and the flocking down of foot passengers, gave sign of great visitation. One object I cannot pass by, for it forcibly contrasted in me mind with the joyous disposition of the day. It was a poor blackbird in a cage, from the first-floor window of a house in Melville-place. The cage was high and square; its bars were of a dark brown bamboo; the top and bottom were of the same dolorous colour; between the bars were strong iron wires; the bird himself sat dull and mute; I passed the house several times; not a single note did he give forth. A few hours before I had heard his fellows in the thickets whistling in full throat; and here was he, in endless thrall, without a bit of green to cheer him, or even the decent jailery of a light wicker cage. I looked at him, and thought of the Lollards at Lambeth, of Thomas Delaune in Newgate, of Prynne in the Gatehouse, and Laud in the Tower:—all these were offenders; yet wherein had this poor bird offended that he should be like them, and be forced to keep Whitsuntide in prison? I wished him a holiday, and would have given him one to the end of his life, had I known how.
After dining and taking tea at the “Yorkshire Grey,” I returned to the park, through the Greenwich gate, near the hospital. The scene here was very lively. Great numbers were seated on the grass, some refreshing themselves, others were lookers at the large company of walkers. Surrounded by a goodly number was a man who stood to exhibit the wonders of a single-folded sheet of writing paper to the sight of all except himself; he was blind. By a motion of his hand he changed it into various forms. “Here,” said he, “is a garden-chair for your seat—this is a flight of stairs to your chamber—here is a flower-stand for your mantle-piece;” and so he went on; presenting, in rapid succession, the well-shaped representation of more than thirty forms of different utensils or conveniences: at the conclusion, he was well rewarded for his ingenuity. Further on was a larger group; from the centre whereof came forth sounds unlike those heard by him who wrote—
“Orpheus play’d so well, he moved old Nick,
But thou mov’st nothing but thy fiddlestick.”
This player so “imitated Orpheus,” that he moved the very bowels, uneasiness seemed to seize on all who heard his discords. He was seated on the grass, in the garb of a sailor. At his right hand lay a square board, whereon was painted “a tale of woe,” in letters that disdained the printer’s art; at the top, a little box, with a glass cover, discovered that it was “plus” of what himself was “minus;” its inscription described its contents—“These bones was taken out of my leg.” I could not withstand his claim to support. He was effecting the destruction of “Sweet Poll of Plymouth,” for which I gave him a trifle more than his “fair” audience usually bestowed, perhaps. He instantly begged I would name my “favourite;” I desired to be acquainted with his; he said he could not “deny nothing to so noble a benefactor,” and he immediately began to murder “Black-eyed Susan.” If the man at the wall of the Fishmongers’ almshouses were dead, he would be the worst player in England.
There were several parties playing at “Kiss in the ring,” an innocent merriment in the country; here it was certainly not merriment. On the hill the runners were abundant, and the far greater number were, in appearance and manners, devoid of that vulgarity and grossness from whence it might be inferred that the sport was any way improper; nor did I observe, during a stay of several hours, the least indication of its being otherwise than a cheerful amusement. One of the prettiest sights was a game at “Thread my needle,” played by about a dozen lasses, with a grace and glee that reminded me of Angelica’s nymphs. I indulged a hope that the hilarity of rural pastimes might yet be preserved. There was no drinking in the park. It lost its visitants fast while the sun was going down. Many were arrested in their progress to the gate by the sight of the boys belonging to the college, who were at their evening play within their own grounds, and who, before they retired for the night, sung “God save the King,” and “Rule Britannia,” in full chorus, with fine effect.
The fair, or at least such part of it as was suffered to be continued, was held in the open space on the right hand of the street leading from Greenwich to the Creek bridge. “The Crown and Anchor” booth was the great attraction, as indeed well it might. It was a tent, three hundred and twenty-three feet long, and sixty feet wide. Seventy feet of this, at the entrance, was occupied by seats for persons who chose to take refreshment, and by a large space from whence the viands were delivered. The remaining two hundred and fifty feet formed the “Assembly room,” wherein were boarded floors for four rows of dancers throughout this extensive length; on each side were seats and tables. The price of admission to the assembly was one shilling. The check ticket was a card, whereon was printed,
VAUXHALL.
CROWN AND ANCHOR,
WHIT MONDAY.
This room was thoroughly lighted up by depending branches from the roofs handsomely formed; and by stars and festoons, and the letters G. R. and other devices, bearing illumination lamps. It was more completely filled with dancers and spectators, than were convenient to either. Neither the company nor the scene can be well described. The orchestra, elevated across the middle of the tent, consisting of two harps, three violins, a bass viol, two clarionets, and a flute, played airs from “Der Freischütz,” and other popular tunes. Save the crowd, there was no confusion; save in the quality of the dancers and dancing, there was no observable difference between this and other large assemblies; except, indeed, that there was no master of the ceremonies, nor any difficulty in obtaining or declining partners. It was neither a dancing school, nor a school of morals; but the moralist might draw conclusions which would here, and at this time, be out of place. There were at least 2,000 persons in this booth at one time. In the fair were about twenty other dancing booths; yet none of them comparable in extent to the “Crown and Anchor.” In one only was a price demanded for admission; the tickets to the “Albion Assembly” were sixpence. Most of these booths had names; for instance, “The Royal Standard;” “The Lads of the Village,” “The Black Boy and Cat Tavern,” “The Moon-rakers,” &c. At eleven o’clock, stages from Greenwich to London were in full request. One of them obtained 4s. each for inside, and 2s. 6d. for outside passengers; the average price was 3s. inside, and 2s. outside; and though the footpaths were crowded with passengers, yet all the inns in Greenwich and on the road were thoroughly filled. Certainly, the greater part of the visitors were mere spectators of the scene.
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