In the British Museum there is a MS. with a remarkable anecdote that would form an appendix to St. Anthony’s day. The names of the parties are forgotten; but the particulars, recollected from accidental perusal, are these:
A tailor was met out of doors by a person who requested to be measured for a suit of clothes, to be ready on that spot by that day week; and the stranger gave him a piece of cloth to make them with. From certain circumstances, the tailor suspected his new customer to be the devil, and communicated his conjectures to a clergyman, who advised him to execute the order, but carefully to save every piece, even the minutest shred he cut from the cloth, and put the whole into a wrapper with the clothes; he further promised the tailor to go with him on the appointed day to the place where they were delivered. When all was ready and the day arrived, they both went thither, and the person waiting justified the tailor’s suspicions; for he abused the tailor because he brought a divine, and immediately vanished in their presence, leaving the clothes and pieces of cloth in the possession of the tailor, who could not sell the devil’s cloth to pay himself for the making, for fear of the consequences:
And here ends the history
Of this wonderful mystery;
from which may be drawn, by way of moral, that a tailor ought not to take an order from a stranger without a reference.
January 18.
St. Peter’s Chair at Rome. St. Paul and Thirty-six Companions in Egypt. St. Prisca. St. Deicolus. St. Ulfrid.
The Feast of St. Peter’s chair is kept by the Romish church on this day. Lady Morgan says that it is one of the very few functions as they are called (funzioni) celebrated in the cathedral of St. Peter, at Rome. She briefly describes this celebration, and says something respecting St. Peter’s chair. “The splendidly dressed troops that line the nave of the cathedral, the variety and richness of vestments which clothe the various church and lay dignitaries, abbots, priests, canons, prelates, cardinals, doctors, dragoons, senators, and grenadiers, which march in procession, complete, as they proceed up the vast space of this wondrous temple, a spectacle nowhere to be equalled within the pale of European civilisation. In the midst of swords and crosiers, of halberds and crucifixes, surrounded by banners, and bending under the glittering tiara of threefold power, appears the aged, feeble, and worn-out pope, borne aloft on men’s shoulders, in a chair of crimson and gold, and environed by slaves, (for such they look,) who waft, from plumes of ostrich feathers mounted on ivory wands, a cooling gale, to refresh his exhausted frame, too frail for the weight of such honours. All fall prostrate, as he passes up the church to a small choir and throne, temporarily erected beneath the chair of St. Peter. A solemn service is then performed, hosannas arise, and royal votarists and diplomatic devotees parade the church, with guards of honour and running footmen, while English gentlemen and ladies mob and scramble, and crowd and bribe, and fight their way to the best place they can obtain.
“At the extremity of the great nave behind the altar, and mounted upon a tribune designed or ornamented by Michael Angelo, stands a sort of throne, composed of precious materials, and supported by four gigantic figures. A glory of seraphim, with groups of angels, sheds a brilliant light upon its splendours. This throne enshrines the real, plain, worm-eaten, wooden chair, on which St. Peter, the prince of the apostles, is said to have pontificated; more precious than all the bronze, gold, and gems, with which it is hidden, not only from impious, but from holy eyes, and which once only, in the flight of ages, was profaned by mortal inspection.
“The sacrilegious curiosity of the French broke through all obstacles to their seeing the chair of St. Peter. They actually removed its superb casket, and discovered the relic. Upon its mouldering and dusty surface were traced carvings, which bore the appearance of letters. The chair was quickly brought into a better light, the dust and cobwebs removed, and the inscription (for an inscription it was) faithfully copied. The writing is in Arabic characters, and is the well-known confession of Mahometan faith,—‘There is but one God, and Mahomet is his prophet!’ It is supposed that this chair had been, among the spoils of the crusaders, offered to the church at a time when a taste for antiquarian lore, and the deciphering of inscriptions, were not yet in fashion. This story has been since hushed up, the chair replaced, and none but the unhallowed remember the fact, and none but the audacious repeat it. Yet such there are, even at Rome!”