The texture of the skin is of a dry, parchment-like appearance, which, covering any other human form, would not answer the purposes of its functions, but seems calculated alone to cover the slender, juiceless body of the being arrayed with it.

The ribs are not only capable of being distinguished, but may be clearly separated and counted one by one, and handled like so many pieces of cane; and, together with the skin which covers them, resemble more the hoops and outer covering of a small balloon, than any thing in the ordinary course of nature.

If any thing can exceed the unearthly appearance displayed by this wonderful phenomenon, it is that taken by profile; which, from the projection of the shoulder, pursuing the same down through the extreme hollow of the back, and then following the line to the front of the hip, nearly forms a figure of 3. In the front appears the unnatural projection of the chest, from the falling in of the abdomen; the prominence of the left side of the body, in consequence of the position of the heart; and the sudden protrusion of the posteriors.

The action produced by the effort of the lungs does not proceed from the chest, as in ordinary cases, but from the lower extremity of the abdomen, as though the organs of respiration, from excessive laxity, had absolutely descended from their proper sphere, and that by a tenacious effort of nature, unwilling to yield possession of her functions, they had accommodated themselves, by time, to such an unnatural and incredible a position.

Seurat is presented to view in a state of nudity, save a mere covering of several inches deep round the loins, through which are cut large holes to admit the hip bones to pass through, for the purpose of keeping it in its place. His general appearance is that of a person almost entirely devoid of muscular substance, and conveys to the mind the idea of a being composed of bones, cellular substance and skin only on. It is true, the appearances of the face, neck, fore-arm, and calves of the legs, may, in some measure, form exceptions to this general assertion, since in these situations there is something like flesh.

His height is about five feet seven inches and a half. The length of his extremities proportionate to the height of his body. His head is small rather than otherwise. The cranium, (or skull,) at the back part, over the occipital protuberance above the neck, is much flattened; the cervical organs in this situation being very sparely developed. In other respects the skull is tolerably well formed. Seurat’s countenance is by no means displeasing; for though the cheek-bones are prominent, the cheeks themselves sunk, and the other features of the face plain, still there is a placid and contemplative expression, which indicates the presence of a serene and thoughtful mind, claiming for itself from the spectators, feelings of pity and regret.

The neck, on being examined from before, appears short, flat, and broad. The shortness is principally owing to his inability to hold the face properly elevated, in consequence of which the chin drops down, and conceals the upper part of the neck. The flatness depends on the little muscular and cellular substance present, and on the great breadth of the neck, which takes from its natural rotundity. This great breadth is caused by the peculiar form and situation of the scapulæ, (or shoulder-blades,) the upper angles of which, instead of laying on the posterior portions of the uppermost ribs, are turned over the shoulder, and pass so far forward as nearly to reach the middle of the clavicles, (the collar-bones,) where their situation may be easily seen from before. Of course, the muscles called levatores scapulæ, which arise from the upper vertebræ of the neck, and usually pass downwards, and a very little outwards, in this case, pass very much outwards, in a direction towards the shoulder-joint, and extend the neck considerably in a lateral direction. These muscles, from their size and turgidity, have the appearance of bones in Seurat.

The larynx, as far as can be judged of from an external examination, is well formed, and that protuberance of the thysoir cartilage called pomum adami, or the apple of the throat, is prominent.

The formation of the upper extremities and chest, is one of the most remarkable features of this man. The left scapula is higher than the right; both are remarkably prominent; so much so, that, when viewed sideways, there appears to be a large tumour underneath the skin, over the lower angle: this arises from the great projection of the lower angle itself from the ribs. It has been already stated, that the upper angle is placed unusually forwards, and at the bottom of the neck, from this point, the scapula proceeds backwards, and, to permit its closer application to the upper and back part of the chest, its concave surface is remarkably curved, but still not sufficiently so to prevent the lower angle from projecting in an unseemly manner. This arrangement of the component parts of the scapula and its muscles, interferes very much with the freedom of its movements, particularly the rotatory ones, which in other subjects are so varied.

Seurat can raise his hands and arms from his side, in a lateral direction, to a position nearly horizontal. He cannot, however, pass them far forwards, when thus elevated. He can throw the scapula backwards, so as to make them almost meet at their lower ends; nevertheless, he is unable to lift his hands to his mouth, so as to feed himself in the ordinary way. When eating, he places his elbow on the table before him, then, by raising his hand, thus supported, and passing his head downwards, so as to meet it half way as it were, he is able to put his food into his mouth.