On the 6th of December 1826 The Times newspaper contained the subjoined article:—
M. BOCHSA.
The following is an extract from the French Moniteur of Thursday, February 19, 1818:—
COURT of ASSIZE at PARIS.
Sitting of Feb. 17.
Case of the composer Bochsa.
The Court condemned, in contumacy, Nicholas Bochsa, composer of music and harp-player, whose disappearance about a year ago, it will be recollected, made so scandalous a noise. He was accused—
1. Of having, on the 26th of last September, committed the crime of private forgery, by counterfeiting, or causing to be counterfeited, a bond for four thousand francs, and by signing it with the forged signatures, Berton, Mehul, Nicolo, and Boyeldieu.
2. Of having, on the 13th of October, 1816, committed a private forgery, by counterfeiting a resolution and receipt of the committee of the shareholders of the theatre Feydeau, and by signing them with the forged signature Rezicourt.
3. Of having, on the 20th of January, 1817, committed a private forgery, by counterfeiting a resolution of the shareholders of the theatre Feydeau, with the same forged signature.
4. Of having, on the 1st of March, 1817, committed a commercial forgery, by fabricating a bill of exchange for 16,500 francs, and signing it with the forged signatures, Despermont, Perregaux, Lafitte and Company, and Berton.