This is a French sport, which, according to a print from whence the present [representation] was taken, is peculiar to the month of March. The inscription on the engraving just mentioned, is—
MARS.
REJOUISSANCES DU PAPEGUAY.
Les Triomphes d’un Conquérant
Font voir plus de magnificence:
Mais au défaut de l’opulence,
Ceux cy ne coutent point de Sang.
The “Papeguay,” Papegai, or Papegaut, is “a wooden bird to shoot at, a shaw fowl.”[76] This wooden bird in the [print] is carried on a pole by the man on horseback, attended by those who are about to partake of the sport, and preceded by music. It seems to be a rustic amusement, and, perhaps, some light may be thrown on it by the following account from Miss Plumtre’s “Residence in France.” She says, that in connection with the church of St. John, at Aix, which formerly belonged to the knights of St. John of Jerusalem, there is a ceremony which used to be called Le Bravade de St. Jean d’Aix, instituted in the year 1272, on the return of the army which had followed Louis IX. or St. Louis, in his last expedition to Egypt and the Holy-land. According to Miss Plumptre, it was held on the eve of St. John the Baptist. A large bird of any kind was tethered in a field without the town, so that it could fly only to a certain height, and the youth of the place, those only of the second order of nobles, took aim at him with their bows and arrows in presence of all the nobility, gentry, and magistracy. He who killed the bird was king of the archers for the year ensuing, and the two who had gone the nearest after him were appointed his lieutenant and standard-bearer; he also nominated several other officers from among the competitors. The company then returned into the town, the judges of the contest marching first, followed by the victors: bonfires were made in several parts, round which the people danced, while the king and his officers went from one to the other till they had danced by turns at them all. The same diversions were repeated the following day; and both evenings the king, at the conclusion of them, was attended home by his officers and a concourse of people, among whom he distributed largesses to a considerable amount.
At the first institution of this ceremony, the intention of which was to incite the young men to render themselves expert marksmen, the king enjoyed very extensive privileges during the year; but in latter times they had been reduced to those of wearing a large silver medal which was presented to him at his accession, of enjoying the right of shooting wherever he chose, of partaking in the grand mass celebrated by the order of Malta at their church on the festival of St. John, and of being exempted from lodging soldiers, and paying what was called Le droit de piquet, a tax upon all the flour brought into the town. After the invention of the arquebuse, instead of shooting at a live bird with arrows, they fired at a wooden bird upon a pole, and he who could bring it down was appointed king: any one who brought it down two years together was declared emperor, and in that quality exempted for life from all municipal taxes. This ceremony continued till the revolution.
It appears from hence that this custom of shooting at a wooden bird on St. John’s eve is very similar to that which the [engraving] represents, as the merriment of the Papeguay, or wooden bird, belonging to the month of March.
Anecdotes of
Browne Willis,
The Antiquarian.
To the portrait of this eminent antiquary at [p. 194], is annexed the day of his birth, in 1682, and the day whereon he died, in 1760. That engraving of him is after an etching made “in 1781, at the particular request of the Rev. William Cole, from a drawing made by the Rev. Michael Tyson, from an original painting by Dahl.” Mr. Cole, in a letter to Mr. Steevens, speaks of the etching thus: “The copy pleases me infinitely; nothing can be more exact and like the copy I sent, and which, as well as I can recollect, is equally so to the original. Notwithstanding the distance of time when Dahl drew his portrait and that in which I knew him, and the strange metamorphose that age and caprice had made in his figure, yet I could easily trace some lines and traits of what Mr. Dahl had given of him.” Agreeably to the promise already given, some particulars remain to be added concerning the distinguished individual it represents.