Mr. Brandon’s account of the “procession round the courts of the college,” and the singing of “Dulce Domum,” is sustained by the rev. Mr. Brand, who adds, of the song, that “it is no doubt of very remote antiquity, and that its origin must be traced, not to any ridiculous tradition, but to the tenderest feelings of human nature.” He refers for the English verses to the “Gentleman’s Magazine,” for March, 1796, where they first appeared, and calls them “a spirited translation.” On looking into that volume, it seems they were written by one of Mr. Urban’s correspondents, who signs “J. R.” and dates from “New-street, Hanover-square.” Dr. Milner says, that from “amongst many translations of this Winchester ode,” the present “appears best to convey the sense, spirit, and measure, of the original; the former versions were unworthy of it.” He alleges that the existence of the original can only be traced up to the distance of about a century; yet its real author, and the occasion of its composition, are already clouded with fables.[192]
American Vocal Music.
By the favour of a correspondent in North America, we are enabled to extract from the “Colonial Advocate” of Queenston, the following interesting article, by a Scotch resident, on the state of melody in the region he inhabits. It particularly relates to May.
Scottish Songs.
“Dear Scotia! o’er the swelling sea
From childhood’s hopes, from friends, from thee,
On earth where’er thy offspring roam,
This day their hearts should wander home.
Her sons are brave, her daughters fair,
Her gowan glens no slave can share,
Then from the feeling never stray,
That loves the land that’s far away.”
Sung by Mr. Maywood, on St. Andrew’s day, in New York.
I have often thought it a pity that there is no feature in which Canada, and indeed America in general, exhibits more dissimilarity to Scotland, than in its want of vocal music. On the highland hills, and in the lowland vallies, of Caledonia, we are delighted with the music of the feathered choristers, who fill heaven in a May morning with their matin songs. The shepherd whistles “The Yellow Hair’d Laddie”—the shepherdess sings “In April when primroses deck the sweet plain”—all nature seems in harmony. But here all is dulness and monotony,