[281] Gentleman’s Magazine.
[282] Ibid.
[283] Jones’s Biographia Dramaticæ.
[284] Autobiography, 1826, 18mo. vol. i. p. 202.
August 2.
Chronology.
Thomas Gainsborough, eminent as a painter, and for love of his art, died on the second of August, 1788. His last words were, “We are all going to heaven, and Vandyke is of the party.” He was buried, by his own desire, near his friend Kirby, the author of the Treatise on “Perspective,” in the grave-yard of Kew chapel.
Gainsborough was born at Sudbury, in Suffolk, in 1727, where his father was a clothier, and nature the boy’s teacher. He passed his mornings in the woods alone; and in solitary rambles sketched old trees, brooks, a shepherd and his flock, cattle, or whatever his fancy seized on. After painting several landscapes, he arrived in London and received instructions from Gravelot and Hayman: he lived in Hatton-Garden, married a lady with 200l. a year went to Bath, and painted portraits for five guineas, till the demand for his talent enabled him gradually to raise the price to a 100l. He settled in Pall-mall in 1774, with fame and fortune.
Gainsborough, while at Bath, was chosen a member of the Royal Academy on its institution, but neglected its meetings. Sir Joshua Reynolds says, “whether he most excelled in portraits, landscapes, or fancy pictures, it is most difficult to determine.” His aërial perspective is uncommonly light and beautiful. He derived his grace and elegance from nature, rather than manners; and hence his paintings are inimitably true and bewitching. Devoted to his art, he regretted leaving it; just before his death, he said, “he saw his deficiences, and had endeavoured to remedy them in his last works.”