XXIV.—Space.
An enlarged view of a deep seated organ, bottomed on the character of a people whom we have outrivalled.
XXV.—Order.
This organ as a ruling power, is placed by Mr. Cruikshank in the hand; its developement manifestly generates “Veneration.”
XXVI.—Time.
In Mr. Cruikshank’s words, “the artist’s illustration of it will be familiar to every one.”
XXVII.—Number.
A portrait of an individual in whom the power of this organ is supposed to have been preeminent.
XXVIII.—Tune.
This organ, according to the artist, produces rectitude in the dog.