XXIV.—Space.

An enlarged view of a deep seated organ, bottomed on the character of a people whom we have outrivalled.

XXV.—Order.

This organ as a ruling power, is placed by Mr. Cruikshank in the hand; its developement manifestly generates “Veneration.”

XXVI.—Time.

In Mr. Cruikshank’s words, “the artist’s illustration of it will be familiar to every one.”

XXVII.—Number.

A portrait of an individual in whom the power of this organ is supposed to have been preeminent.

XXVIII.—Tune.

This organ, according to the artist, produces rectitude in the dog.