Harvest-home is the great August festival of the country.
An account of this universal merry-making may commence with a communication from a lady, which the [engraving] is designed to illustrate.
To the Editor of the Every-Day Book.
Westbury, Wiltshire, August 8, 1826.
Sir,—The journal from whence I extract the following scene was written nearly two years ago, during a delightful excursion I made in company with one “near and dear,” and consequently before your praiseworthy endeavours to perpetuate old customs had been made public. Had my journey taken place during the present harvest month, the trifle I now send should have been better worth your perusal, for I would have investigated for your satisfaction a local custom, that to me was sufficiently delightful in a passing glance.
I am, Sir, &c.
I. J. T.
Hawkesbury Harvest Home.
September, 1824.—After dinner, at Wotton-under-edge, we toiled up the side and then struck off again towards the middle of the hills, leaving all beauty in the rear; and from thence, until our arrival at Bath the next day, nothing is worth recording, but one little pleasing incident, which was the celebration of a harvest-home, at the village of Hawkesbury, on the top of Cotswold.
As we approached the isolated hamlet, we were “aware” of a Maypole—that unsophisticated trophy of innocence, gaiety, and plenty; and as we drew near, saw that it was decorated with flowers and ribands fluttering in the evening breeze. Under it stood a waggon with its full complement of men, women, children, flowers, and corn; and a handsome team of horses tranquilly enjoying their share of the finery and revelry of the scene; for scarlet bows and sunflowers had been lavished on their winkers with no niggard hand. On the first horse sat a damsel, no doubt intending to represent Ceres; she had on, of course, a white dress and straw bonnet—for could Ceres or any other goddess appear in a rural English festival in any other costume? A broad yellow sash encompassed a waist that evinced a glorious and enormous contempt for classical proportion and modern folly in its elaborate dimensions.