Q.It is well it was from a stranger. Had it been any of our subjects, we should have questioned the matter. Pray let no more of these mistakes, or of this kind, be committed within the churches of our realm for the future.
D.There shall not.
Mr. Nichols, after inserting the preceding dialogue, in “Queen Elizabeth’s Progresses,” remarks—
“This matter occasioned all the clergy in and about London, and the churchwardens of each parish, to search their churches and chapels: and caused them to wash out of the walls all paintings that seemed to be Romish and idolatrous; and in lieu thereof suitable texts, taken out of the holy scriptures, to be written.”
Similar inscriptions had been previously adopted: the effect of the queen’s disapprobation of pictured representations was to increase the number of painted texts.
Mr. J. T. Smith observes, that of these sacred sentences there were several within memory in the old church of Paddington, now pulled down; and also in the little old one of Clapham.
In an inside view of Ambleside church, painted by George Arnald, Esq. A. R. A. he has recorded several, which are particularly appropriate to their stations; for instance, that over the door admonishes the comers in; that above the pulpit exhorts the preacher to spare not his congregation; and another within sight of the singers, encourages them to offer praises to the Lord on high. These inscriptions have sometimes one line written in black, and the next in red; in other instances the first letter of each line is of a bright blue, green, or red. They are frequently surrounded by painted imitations of frames or scrolls, held up by boys painted in ruddle. It was the custom in earlier times to write them in French, with the first letter of the line considerably larger than the rest, and likewise of a bright colour curiously ornamented. Several of these were discovered in 1801, on the ceiling of a closet on the south side of the Painted Chamber, Westminster, now blocked up.
Others of a subsequent date, of the reign of Edward III. in Latin, were visible during the recent alterations of the house of commons, beautifully written in the finest jet black, with the first letters also of bright and different colours.