Thus far the “Sketch.” He seems to have caught the notion of his “Low Fen Journal” from a former fen genius, whose works are become of great price, though it must be acknowledged, more for their quaintness and rarity, than their intrinsic merit. Will. refers to him in the following apologetical lines.
“Well, on the earth he knows of none,
With a full turn just like his mind;
Nor only one that’s dead and gone,
Whose genius stood as his inclin’d:
No doubt the public wish to know it,
John Taylor, call’d the water poet,
Who near two centuries ago
Wrote much such nonsense as I do.”
The sale of the “Sketch” not answering his expectations, no further symptoms of the “Journal” made their appearance at that time.
In the summer of 1815, after forty-three years’ practice as an auctioneer, he announced his retirement by the following laconic farewell.
“Rap Senior’s given it up at last,
With thanks for ev’ry favour past;
Alias ‘Antiquarian Hall’
Will never more be heard to brawl;
As auctioneer no more will lie,
But’s thrown his wicked hammer by.
Should you prefer him to appraise,
He’s licensed for future days;
Or still employ him on commission,
He’ll always treat on fair condition,
For goods brought to him at his stand.
Or at your home, to sell by hand;
Or should you want his pen’s assistance,
He’ll wait on you at any distance,
To lot, collect, in place of clerk,
Or prevent moving goods i’ th’ dark;
In short, for help or counsel’s aid,
You need not of him be afraid.”
The harvest of 1816 proved wet and unfavourable, and he thought “it almost exceeded any thing in his memory;” wherefore the world was favoured with “Reflections upon Times, and Times and Times! or a more than Sixty Years’ Tour of the Mind,” by “Low-Fen-Bill-Hall.” This was an octavo pamphlet of sixteen pages, in prose, quite as confused as his other productions, “transmitting to posterity,” as the results of sixty years’ experience, that “the frequency of thunderstorms in the spring,”—“the repeated appearance of water-spouts,”—“an innumerable quantity of black snails,”—“an unusual number of field mice,”—and “the great many snakes to be seen about,” are certain “indications of a wet harvest.” To these observations, intermingled with digression upon digression, he prefixed as one of the mottoes, an extremely appropriate quotation from Deut. c. 32. v. 29, “O that they were wise, that they understood this!”
In the spring of 1818, when in his seventieth year, or, as he says, “David’s gage being near complete,” he determined on an attempt to publish his “Low Fen Journal,” in numbers; the first of which he thus announced:
“A Lincolnshire rais’d medley pie,
An original miscellany,
Not meant as canting, puzzling mystery,
But for a general true Fen history,
Such as design’d some time ago,
By him ’yclept Will. Will-be-so;
Here’s Number ONE for publication,
If meet the public’s approbation,
Low-Fen-Bill-Hall his word engages
To send about two hundred pages,
Collected by his gleaning pains,
Mix’d with the fruit of his own brains.”
This specimen of the work was as unintelligible as the before-mentioned introductory “Sketch,” partaking of the same autobiographical, historical, and religious character, with acrostic, elegiac, obituarian, and other extraneous pieces in prose and rhyme. His life had been passed in vicissitude and hardship, “oft’ pining for a bit of bread;” and from experience, he was well adapted to