[479] A quotation from a prospectus published by Mr. Gliddon. As this prospectus is written in the “style social,” and contains some particulars of his establishment, which our article has not noticed, we lay a few passages from it before our readers:—

“The recreation of smoking, which was introduced into this country in an age of great men, by one of the greatest and most accomplished men of that or any other age, was for a long time considered an elegance, and a mark of good-breeding. Its very success gradually got it an ill name by rendering it too common and popular; and something became necessary to give it a new turn in its favour,—to alter the association of ideas connected with it, and awaken its natural friends to a due sense of its merits. Two circumstances combined to effect this desirable change. One was the discovery of a new mode of smoking by means of rolling up the fragrant leaf itself, and making it perform the office of its own pipe; the other was the long military experience in our late wars, which have rendered us so renowned; and which, by throwing the most gallant of our gentry upon the hasty and humble recreations eagerly snatched at by all campaigners, opened their eyes to the difference between real and imaginary good-breeding, and made them see that what comforted the heart of man under such grave circumstances, must have qualities in it that deserved to be rescued from an ill name. Thus arose the cigar, and with it a reputation that has been continually increasing. There is no rank in society into which it has not made its way, not excepting the very highest. If James the First, an uncouth prince, unworthy of his clever, though mistaken race, and who hated the gallant introducer of tobacco, did not think it beneath his princely indignation to write in abuse of it, George the Fourth, who has unquestionably a better taste for some of the best things in the world, has not thought it beneath his princely refinement to give the cigar his countenance.

“The art of smoking is a contemplative art; and being naturally allied to other arts meditative, hath an attachment to a book and a newspaper. Books and newspapers are accordingly found at the Cigar Divan; the latter consisting of the principal daily papers, and the former of a PROFUSE COLLECTION OF THE MOST ENTERTAINING PERIODICALS. The situation of the house is unexceptionable, being at an equal distance from the city and the west end, and in the immediate neighbourhood of the great theatres. Writers of the most opposite parties have conspired to speak in the highest terms of the establishment, on their own personal knowledge; and should any authority be wanting to induce a reader of this paper to taste all the piquant advantages of fragrance, and fine drinks, and warmth, and quiet, and literature, which they have done the proprietor the honour to expatiate on, he may find it, if a man of wit and the town, in the person of Fielding; if a philosopher, in that of Hobbes; if a divine, in that of Aldrich; and if a soldier, seaman, patriot, statesman, or cavalier, in the all-accomplished person of sir Walter Raleigh.”—See also an article in the New Monthly Magazine, for January, 1826.


LAURENCE-KIRK SNUFF-BOXES.

James Sandy, the inventor of these pocket-utensils, lived a few years ago at Alyth, a town on the river Isla, in Perthshire, North Britain. The genius and eccentricity of character which distinguished him have been rarely surpassed. Deprived at an early age of the use of his legs, he contrived, by dint of ingenuity, not only to pass his time agreeably, but to render himself an useful member of society.

Sandy soon displayed a taste for mechanical pursuits; and contrived, as a workshop for his operations, a sort of circular bed, the sides of which being raised about eighteen inches above the clothes, were employed as a platform for turning-lathes, table-vices, and cases for tools of all kinds. His talent for practical mechanics was universal. He was skilled in all sorts of turning, and constructed several very curious lathes, as well as clocks and musical instruments of every description, which were no less admired for the sweetness of their tone than the elegance of their workmanship. He excelled, too, in the construction of optical instruments, and made some reflecting telescopes, the specula of which were not inferior to those finished by the most eminent London artists. He likewise suggested some important improvements in the machinery for spinning flax; and, as before stated, he was the first who made the wooden-jointed snuff-boxes, generally called Laurence-Kirk boxes, some of which, fabricated by this self-taught artist, were purchased and sent as presents to the royal family.

To his other endowments he added an accurate knowledge of drawing and engraving, and in both these arts produced specimens of great merit.

For upwards of fifty years Sandy quitted his bed only three times, and on these occasions his house was either inundated with water, or threatened with danger from fire. His unbounded curiosity prompted him to hatch different kinds of birds’ eggs by the natural warmth of his body, and he reared his various broods with all the tenderness of a parent. On visiting him it was no unusual thing to see singing birds of different species, to which he may be said to have given birth, perched on his head, and warbling the artificial notes he had taught them.

Naturally possessed of a good constitution, and an active, cheerful turn of mind, his house was the general coffee-room of the village, where the affairs of church and state were freely discussed. In consequence of long confinement his countenance had rather a sickly cast, but it was remarkably expressive, particularly when he was surrounded by his country friends. This singular man had acquired by his ingenuity and industry an honourable independence, and died possessed of considerable property. About three weeks before his death he married.