Pretty Maids, pretty Pins, pretty Women.
A man, with a square box sideways under his left arm, holds in his right hand a paper of pins opened. He retails ha’p’orths and penn’orths, which he cuts off from his paper. I remember when pins were disposed of in this manner in the streets by women—their cry was a musical distich—
Three-rows-a-penny, pins,
Short whites, and mid-dl-ings!
Fine Tie, or a fine Bob, sir!
A wig-seller stands with one on his hand, combing it, and talks to a customer at his door, which is denoted by an inscription to be in “Middle-row, Holbourn.” Wigs on blocks stand on a bracketed board outside his window. This was when every body, old and young, wore wigs—when the price for a common one was a guinea, and a journeyman had a new one every year—when it was an article in every apprentice’s indenture that his master should find him in “one good and sufficient wig, yearly, and every year, for, and during, and unto the expiration, of the full end, and term, of his apprenticeship.”
Buy my fine Singing Glasses!
They were trumpet-formed glass tubes, of various lengths. The crier blows one of half his own height. He holds others in his left hand, and has a little box, and two or three baskets, slung about his waist.
Japan your Shoes, your honour!
A shoeblack. A boy, with a small basket beside him, brushes a shoe on a stone, and addresses himself to a wigged beau, who carries his cocked-hat under his left arm, with a crooked-headed walking-stick in his left hand, as was the fashion among the dandies of old times. I recollect shoeblacks formerly at the corner of almost every street, especially in great thoroughfares. There were several every morning on the steps of St. Andrew’s church Holborn, till late in the forenoon. But the greatest exhibition of these artists was on the site of Finsbury-square, when it was an open field, and a depository for the stones used in paving and street-masonry. There, a whole army of shoeblacks intercepted the citizens and their clerks, on their way from Islington and Hoxton to the counting houses and shops in the city, with “Shoeblack, your honour!” “Black your shoes, sir!”
Each of them had a large, old tin-kettle, containing his apparatus, viz. a capacious pipkin, or other large earthen-pot, containing the blacking, which was made of ivory black, the coarsest moist sugar, and pure water with a little vinegar—a knife—two or three brushes—and an old wig. The old wig was an indispensable requisite to a shoeblack; it whisked away the dust, or thoroughly wiped off the wet dirt, which his knife and brushes could not entirely detach; a rag tied to the end of a stick smeared his viscid blacking on the shoe, and if the blacking was “real japan,” it shone. The old experienced shoe-wearers preferred an oleaginous, lustreless blacking. A more liquid blacking, which took a polish from the brush, was of later use and invention. Nobody, at that time, wore boots, except on horseback; and every body wore breeches and stockings: pantaloons or trousers were unheard of. The old shoeblacks operated on the shoes while they were on the feet, and so dexterously as not to soil the fine white cotton stocking, which was at one time the extreme of fashion, or to smear the buckles, which were universally worn. Latterly, you were accommodated with an old pair of shoes to stand in, and the yesterday’s paper to read, while your shoes were cleaning and polishing, and your buckles were whitened and brushed. When shoestrings first came into vogue, the prince of Wales (now the king) appeared with them in his shoes, and a deputed body of the buckle-makers of Birmingham presented a petition to his royal highness to resume the wearing of buckles, which was good-naturedly complied with. Yet in a short time shoestrings entirely superseded buckles. The first incursion on the shoeblacks was by the makers of “patent cake-blacking,” on sticks formed with a handle, like a small battledoor; they suffered a more fearful invasion from the makers of liquid blacking in bottles. Soon afterwards, when “Day and Martin” manufactured the ne plus ultra of blacking, private shoeblacking became general, public shoeblacks rapidly disappeared, and now they are extinct. The last shoeblack that I remember in London, sat under the covered entrance of Red Lion-court, Fleet-street, within the last six years.