The last abode of Burns in Ayrshire was at Mossgiel. This is some four miles beyond Tarbolton, and close to Mauchline, which is merely a large village. Mossgiel farm lies, as it were, at the end of that long, high, barren ridge of hills, which extends almost all the way from Ayr thither, and on which Burns's father had sought a poor living, and found ruin. It stands near the line of the slope which descends into Mauchline, and overlooks a large extent of bleak and bare country, and distant, bare hills. In the vales of the country, however, lie many scenes of great beauty and classic fame. Such are the banks of the Ayr, which winds on deep between its braes and woods, like the Nith, the Doon, and the higher Clyde. Such are Stair, Logan, Crukerne, Catrine, Dugald Stewart's place, and many others.
The farm of Mossgiel, which consists of about 118 acres, lies, as observed, high, and as Gilbert, the brother of Burns, described it, "on a cold, wet bottom." The farms occupied by the Burns family in this part of the country were all of a thankless and ungenial kind; in fact, they lacked the means to command better. The two brothers, Robert and Gilbert, had taken this farm some time before their father's death, in the hope of assisting the family in that poverty which came still after them, spite of the most laborious exertion, like an armed man, and which was weighing their father to the grave. At his death they removed altogether from Lochlea, and with their mother and sisters became here one household. Here Burns made the firmest resolves of steadiness, industry, and thriving; but the seasons were against him, and he soon became mixed up with all the dissipations of Mauchline, where he established a club after the fashion of that at Tarbolton. Very soon, too, he plunged into the midst of Church disputes, in which his friend Gavin Hamilton, a lawyer of the place, was personally embroiled. Here he wrote The Holy Tuilzie, Holy Fair, Holy Willie's Prayer, The Ordination, The Kirk's Alarm—those scalping poems, in which he lays bare to the skull bone, bigotry, hypocrisy, and all sanctimonious bitterness in religion. Here he fell in love with Jean Armour, the daughter of a stone-mason of Mauchline, who, after many troubles, and much opposition on the part of the family, became afterward his wife. Here he wrote the greater part of his poems, and his very finest ones, and here he broke forth upon the world like a new-risen sun, his poems, which were first published at Kilmarnock, attracting such extraordinary attention, that he was called to Edinburgh, and a new and more complete edition there published, while he himself was introduced as a sort of miracle to the highest circles of aristocracy and literature. The four years which he lived here, though they were sinking him, in a pecuniary point of view, into such a slough of despair that he seriously resolved to emigrate to the West Indies, and only published his poems to raise the means, were, as regarded his fame, glorious and most interesting years. It was here that he might be said, more expressly than any where else,
"To walk in glory and in joy,
Following his plow along the mountain side;"
for, spite of the iron destiny which seemed to pursue him, and in an ungenial soil and the most untoward seasons, to endeavor to crush him with "carking care," he was full of life and vigor, and often rose in the entrancement of his spirit above all sense of earth and its darkness. By the testimony of his cotemporaries, there were few that could vie with him in all the operations of the farm. In mowing, reaping, binding after the reapers, thrashing, or loading, there were few who could compete with him. He stood five feet ten in height, and was of singular strength and activity. He prided himself on the straightness of the furrow that he drew, and the skill with which he threw his corn in sowing. On one occasion, a man having succeeded in a hard strife in setting up as many shocks in a given time, said, "There, I am not far behind this time;" to which Burns replied, "In one thing, John, you are still behind; I made a song while I was stooking." Allan Cunningham says that his father, who was steward to Miller of Dalswinton, Burns's landlord, and lived just opposite to him at Ellisland, declared that "he had the handsomest cast of the hand in sowing corn that he ever saw on a furrowed field." It was here, then, at Mossgiel, that, young, vigorous, and full of desire to advance in worldly matters, he worked assiduously with his brother Gilbert in the fields, undivided in his attentions by the duties of the Excise. But poetry, spite of all resolves to the contrary, came over him like a flood. As his hand worked, his heart was full of inspiration, and as Gilbert held the plow, Robert would come and walk beside him, and repeat what he had just composed; or as they went with the cart to carry out corn or bring home coals, he would astonish him with some such display. "The verses to the Mouse and the Mountain Daisy," says Gilbert, "were composed on these occasions, and while the author was holding the plow. I could point out the spot where each was composed. Holding the plow was a favorite situation with Robert for poetic composition, and some of his best verses were produced while he was at that exercise." With what interest, then, do we look over the fields at Mossgiel, scarcely an inch of which has not been strode over by Burns, while engaged at once in turning up the soil, sowing or gathering its crops, and in working out, in the depth of his mind, those compositions which were to remain for all time the watchwords of liberty and of noble thought. Besides the polemic poems already spoken of, here he wrote Halloween; Address to the De'il; Death and Dr. Hornbrook, a satire on the poor schoolmaster and self-appointed apothecary, Wilson of Tarbolton, which drove him from the place, but only to thrive in Glasgow; The Jolly Beggars; Man was made to Mourn; The Vision; The Cotter's Saturday Night, which he very appropriately repeated to Gilbert during a Sunday afternoon walk.
The very interesting scene of the creation of these exquisite poems lies on the left hand of the road proceeding from Tarbolton to Mauchline. The house stands at a field's distance from the road. It is a thatched house with but and ben, just as it was, and the buildings behind it forming two wings, exactly as he built his house at Ellisland. To the northwest the house is well sheltered with fine, full-grown trees. A handsome young mother, the farmer's wife, worthy for her comely and intelligent look to have been celebrated by Burns, told me that great numbers of people came to see the place, and that it was very much as Burns left it. There were the barn, the byre, the garden near, in all which the poet had labored like any other son of earth for his daily bread, and on the yearly allowance—for every one of the family had a specific allowance for clothes and pocket-money—of seven pounds, which, says his brother, he never exceeded! Very extravagant he could not have been. You see the ingle where he sat and composed some of his most pathetic and most humorous pieces. It is said to be in the spence, a better room, which has a boarded floor, and the recess beds so common in Scotland, that he chiefly wrote. Who can contemplate this humble room, and recall the image of the young poet, with a heart of melancholy, here inditing, Man was made to Mourn, or his Vision, without the liveliest emotion? There is no feeling of utter sadness more strongly expressed than in the opening of the Vision.
"The sun had closed the winter day,
The curlers quat their roaring play,
An' hunger'd mawkin ta'en her way
To kail-yard green,
While faithless snaws ilk step betray
Whare she has been.
"The threshers weary flinging tree
The lee-lang day had tired me;
And when the day had closed his e'e
Far i' the west,
Ben i' the spence, right pensively,
I gaed to rest
"There, lanely, by the ingle cheek,
I sate and eyed the spewing reek,
That filled with hoast-provoking smeek,
The auld clay biggin;
And heard the restless rattons squeak
About the riggin.
"All in this mottie, misty clime,
I backward mused on wasted time,
How I had spent my youthful prime
An' done naething
But stringin blethers up in rhyme,
For fools to sing.
"Had I to gud advice but harkit,
I might, by this, hae led a markit,
Or strutted in a bank and clarkit
My cash account.
While here, half mad, half fed, half sarket,
Is a' th' amount."