The Three Jolly Pigeons is just a regular Irish ale-house, or, rather, whisky-shop. On going in, you look in vain for the picture Goldsmith has so beautifully drawn. The varnished clock clicking behind the door, the pictures placed for ornament and use, the twelve good rules, the royal game of goose, where are they? Not there; but in many an old-fashioned hamlet of England. The mud floor, the dirty walls, the smell of whisky, these are what meet you. You look for "the parlor splendors," and on your left hand there is, for a wonder, a separate room, but it is, as usual, filled with the candles, the herrings, the bread, of the Irish ale-house, and the whisky is doled out over the suspicious counter, instead of the nut-brown ale being brought in the generous foaming cup, to the bright, clean fireside, by the neat and blooming maid.

In all Goldsmith's description of his Auburn, he has clearly blended the Doric charm of the English village and English scenery with the fond boyish memories of his actual native place. He has evidently intended to represent the scene as in England, or, at all events, to make his poem of general application, though he has drawn on his memory for features connected with his native place, and imparted soul and sentiment to it by indulging the feelings of old, affectionate regret. Thus the ale-house, the parsonage, the mill, the brook, the village green, the schoolmaster, the pious clergyman, were all portions of his native place, and actual inhabitants of it, yet mixed with touches from the later observations of his English life. The very circumstance of depopulation, which no doubt had occurred at Lissoy, and had sunk deep into his indignant heart, he tells us, in his dedication to Sir Joshua Reynolds, was going on in England, and that his description meant to apply to England. "But I know you will object—and, indeed, several of our best and wisest friends concur in the opinion—that the depopulation it deplores is nowhere to be seen, and the disorders it laments are only to be found in the poet's own imagination. To this I can scarcely make any other answer, than that I sincerely believe what I have written; that I have taken all possible pains in my country excursions, for these four or five years past, to be certain of what I allege, and that all my views and inquiries have led me to believe those miseries real which I here attempt to display."

The fact is only too much a fact. From Goldsmith's time to our own, the process of rural depopulation has been going on, by the absorption of smaller properties into larger ones. The rapid growth of capital in England has created a demand for landed investments, which has tempted the small proprietors to sell the old cottages and crofts. Whole hamlets have disappeared one after another, and ample parks have taken their place, and solitary halls have sprung up where there used to be a long, populous village, buried in its gardens and orchards. As new men, merchants, lawyers, successful speculators, and cits grown wealthy, have carried out these changes, the old aristocracy have withdrawn further and further from the contact of these new erections, and, demolishing the little hamlets, have extended their immense park walls so as to create a vast solitude for themselves, where amid woods and wide fields have stood their proud seats. It were easy to cite almost innumerable instances of this, but in every neighborhood the old inhabitants are living chronicles of all these changes; we need only refer to the general and striking fact developed by our statistics, that about 1770, or in Goldsmith's time, the landed proprietors of England were about 200,000—they are now about 30,000! that is, proprietors of considerable estates; for the proprietors of small lots, on which houses and gardens, or town property stand, amount to about three millions. The proportion of estates, however, is as above, and it tells a fearful tale of the conglomeration of landed property during the last seventy years.

What is more strange than the doubt of the progress of rural depopulation in England is, that Mr. Prior, the biographer of Goldsmith, doubts even the justice of his strictures as applied to Ireland. He admits that there appeared to have been some such circumstance at Lissoy in Goldsmith's youth as he has described in The Deserted Village; but he is inclined to palliate it till it becomes a mere trifle. "In November, 1738, a part of the town lands of Lissoy, and the adjoining lands of Cannorstown, to the number of 600 acres, were sold by Jeffery Frend, Esq., of the Middle Temple, to the Honorable Robert Naper, lieutenant-general of his majesty's forces in Ireland, for the sum of £3300, but the general died before the purchase was completed. Upon this property, named Ballybegg, lying behind the house of Mr. Goldsmith, about half a mile distant, Mr. William Naper, son of the general, several years afterward built the family residence, named Littleton. In the preliminary arrangements, some circumstances, probably neither harsh nor unjust in themselves, connected with the removal of part of the tenantry, gave rise in the mind of Goldsmith, morbidly acute in his benevolent feelings, and particularly toward the poorer classes of society, to the idea of The Deserted Village."—Vol. i., p. 18. This, however, does not agree with Mr. Prior's own account of the appearance of the place on his own visit, given at page 257 of vol. ii. "There are, besides, many ruined houses in the neighborhood, bespeaking a better state of population than at present." It as little agrees with Goldsmith's assertion, that the very ale-house of the village was pulled down. Nay, at this very part of Mr. Prior's account (vol. ii., p. 259), he gives a more extended history of Mr. Naper or Napier's transactions; and while he endeavors to persuade us that the tradition of the neighborhood was not to be trusted, he shows that Mr. Naper had 1200 acres of land, a great part of which had been converted into demesne. The story of the neighborhood, as given by himself, is, that Lieutenant-general Robert Naper, returning from Vigo, in Spain, with a large fortune, purchased, as has been stated, the adjoining lands. In erecting a residence, and forming a demesne around it, the habitations of some, as is alleged, respectable tenants and several of the peasantry stood in the way, and being unwilling to remove for his convenience, were at length, after much resistance, all, except the Goldsmith family, ejected for non-payment of rent. Their houses were pulled down, and the park enlarged to a circumference of nine miles; but so great was the indignation of the people at the proceeding, that on the general's death, which occurred soon afterward, they assembled in a tumultuous manner, destroyed most of the property in and around it, and, among other things, plantations to the value of £5000.

What are the reasons assigned by the biographer for doubting the story? His own belief, that "the wanton destruction of a thriving and pretty village, in a country where such are carefully encouraged by all proprietors of lands, is wholly improbable." He farther fancies that Goldsmith's morbid imagination "had converted a few mud cabins into a beautiful village, and, perhaps, their turbulent and vindictive occupants into injured, and innocent, and expatriated peasants." Lastly, and most unfortunately of all, he adds, "Proprietary rights can not always be exercised by landlords in Ireland, even in a reasonable manner, without extreme jealousy on the part of the people. Circumstances, therefore, which daily occur in England, and produce neither concern nor notice, excite in the former loud complaint, if not open hostility. Any thing resembling severity becomes speedily known and loudly censured; and such impressions, however untrue, taken up and acted upon by the imagination and eloquence of a poet, are dangerous assailants of reputation."

The revolting case of the expulsion of the tenants from the estate of the Gerrards, at Ballinasloe, in Ireland, occurring at the moment at which I write this, in which 270 poor people are turned out to the elements, their houses pulled to the ground, themselves chased from the roadside ditches, where they had sought a night's shelter from the piercing wind, and the fires which they had made to warm themselves extinguished—all this is a fearful answer to such writings, and too awful proof of the correctness of the poet's statements. So far from Irish landlords not destroying villages, so far from "any thing like severity" being speedily known and resisted, the inquiries caused by this one flagrant case have shown to the horrified public, that in no country in the world are the rights of the peasantry so totally disregarded; in no country has the outrage of The Deserted Village been so often enacted. The scene which Goldsmith so pathetically describes, of the poor villagers whose homes had been destroyed, whose native haunts had been made to cast them forth, going on toward the shore seeking for an asylum beyond the ocean, was not a solitary scene. It has been reacted again and again. It has been repeated from that hour to this; and every year and almost every day sees sad thousands bidding adieu to their birth-places, and crowding on board the ships that carry them to a more hospitable country:

"Even now, methinks, as pondering here I stand,
I see the rural virtues leave the land.
Down where yon anchoring vessel spreads the sail,
That, idly waiting, flaps with every gale,
Downward they move, a melancholy band,
Pass from the shore, and darken all the strand.
Contented toil, and hospitable care,
And kind, connubial tenderness are there;
And piety, with wishes placed above,
And steady loyalty, and faithful love."

In five years, it is shown by official documents, that 72,000 persons have been thus cast out of their homes and expatriated, and that the process of this exterminating system has, within twenty years, made outcasts of no less than two millions and a half of peasantry!

Seeing this wholesale depopulation, which has not merely gone on formerly, but is going on at this hour, in the face of all enlightened and humane England, it is quite too late to call in question the truth of the poet's descriptions. We no longer wonder that, in opposition to popular opinion, he stood boldly forward, at the moment that he issued his poem to the world, in assertion of the truth of his descriptions, and we deplore the fact that his noble sentiments have not sooner become national and availing.

Under all these circumstances, Auburn or Lissoy, which you will, will always be visited with enthusiasm by the genuine lovers of purest poetry and of kindly humanity. The visitor will not find all there that he naturally looks for. He will not find the country very beautiful, or the mill, the brook, the ale-house as rural and picturesque as he could wish; but he will find the very ground on which Oliver Goldsmith ran in the happy days of his boyhood; the ruins of the house in which that model of a village preacher—simple, pious, and warm-hearted, justly, indeed, dear to all the country—lived, the father of the poet; the ruins of the house in which the poet himself spent a happy childhood, cherishing under such a parent one of the noblest spirits which ever glowed for truth and humanity; fearing no ridicule, contracting no worldliness, never abating, spite of harsh experience and repeated imposition, one throb of pity or of generous sympathy for the wretched. The ground where such a man was reared is indeed holy. Goldsmith himself, not less than his father and brother, was one of the most genuine Christian preachers that ever lived. The sermons of the father and the brother perished with their hearers, but those of the poet live forever in his writings. And how many of the personal characteristics of "the village preacher," which in his father he celebrates, lived in himself!