There is one more anecdote connected with his residence here, and it is characteristic. A gentleman, inquiring whether he was within, was shown up to his room without further ceremony, when, soon after having entered it, a noise of voices, as if in altercation, was heard by the people below, the key of the door at the same moment being turned within the room. Doubtful of the nature of the interview, the attention of the landlady was excited, but both voices being distinguished at intervals, her suspicions of personal violence were lulled, and no further notice taken. Late in the evening the door was unlocked, a good supper ordered by the visitor from the neighboring tavern, and the gentlemen, who met so ungraciously at first, spent the remainder of the evening in great good humor. The explanation given of this scene was, that the poet being behind-hand with certain writings for the press, and the stated period of publication arrived, the intruder, who was a printer or publisher, probably Hamilton or Wilkie, for both of whom he wrote at that time, would not quit the room till they were finished; and for this species of durance inflicted on the author, the supper formed the apology.
In those apartments, little indebted as we may believe to the labors of the housemaid, he is said to have observed the predatory habits of the spider, and drawn up that paper on the subject which appeared in the fourth number of the Bee, reprinted in the Essays, and given in substance in the History of Animated Nature. In these lodgings he wrote a Memoir of the Life of Voltaire, and a Translation of The Henriade; an Inquiry into the State of Polite Learning in Europe; besides a multitude of Reviews and other articles in the Bee, the Busybody, and other magazines of the day. He wrote also his Chinese Letters, and newspaper articles at least two a week, at the rate of a guinea per article. In 1760 he quitted Green-arbor Court, and took respectable lodgings in Wine-office Court, Fleet-street, where he continued about two years in the house of an acquaintance, a relative of the friendly bookseller, Newbery, predecessor of Hunter, corner of St. Paul's churchyard, and since of Harris. Here he had a large literary acquaintance among men of all grades of reputation and talent. Among them Dr. Percy was a frequent visitor, and here it was that Dr. Johnson was introduced to him by Dr. Percy, at a large party which Goldsmith gave to persons chiefly literary. Johnson went dressed in his highest style; and on Percy's remarking it as they went along, "Why, sir," said Johnson, "I hear that Goldsmith, who is a very great sloven, justifies his disregard of cleanliness and decency by quoting my practice, and I am desirous this night to show him a better example." From the first moment of meeting, these two great men took vastly to each other, and continued firm friends till Goldsmith's death.
During Goldsmith's residence in Wine-office Court, he was busily employed on a pamphlet on the Cock-lane Ghost; a History of Mecklenburg; The Art of Poetry on a New Plan; An Abridgment of Plutarch; Additions to English History; a Life of Beau Nash; and contributions to the Christian Magazine: most of these being written for Newbery. To relieve the tedium of his drudgery, he was in the habit of frequenting the Monday evening meetings of the Robin Hood Debating Society, held at a house of that name in Butcher Row, whither it had been removed from the Essex Head, in Essex-street, in the Strand. The payment of sixpence formed the only requisite for admission, three halfpence of which were said to be put by for the purposes of charity. The annual number of visitors averaged about 5000. A gilt chair indicated the presiding authority, and all questions, not excepting religion and politics, were open to discussion. In these discussions Goldsmith used even to take part, but his great delight was to listen to the harangues of an eloquent baker, at the conclusion of one of which Goldsmith exclaimed to his companion Derrick, "That man was meant by nature for a lord-chancellor;" to which Derrick replied, "No, no, not so high; he was only intended for master of the rolls." The man actually became a magistrate in Middlesex, and, as was said, a first-rate one.
In 1762 Goldsmith quitted Wine-office Court, and took lodgings in the house of a Mrs. Elizabeth Fleming, in Islington. This was to be near his friend and publisher, Mr. Newbery, who resided at Canonbury House, near to Mrs. Fleming's. Here he continued till 1764, chiefly employed upon job-work for his friend Newbery; among the most important, the Letters of a Nobleman to his Son, and the History of England. He used to relieve the monotony of his life by weekly visits to the Literary Club, of which Johnson, Burke, and Sir Joshua Reynolds were principal members, and which was held at the Turk's Head, Gerrard-street, Soho.
Here, there is every reason to believe, occurred the event already alluded to, the threat of his arrest, and the sale of the manuscript of the Vicar of Wakefield, by Johnson, to liberate him. Of this story there have been various versions; Mrs. Piozzi, Sir John Hawkins, Cumberland, and Boswell, all relate it, all profess to have heard it from Johnson, and yet each tells it very differently. In all these stories, however, there is a landlady demanding arrears of rent, and bailiffs waiting to arrest if the money were not forthcoming. All agree that Goldsmith was drinking, most of them say Madeira, to drown his vexation; and Cumberland adds, that the landlady proposed the alternative of payment or marriage. Whether the latter point were really included in the demand, is not likely ever to be known; but that Mrs. Fleming, who went by the name of Goldsmith's hostess, and is thus painted by Hogarth, was the woman in question, I think there can be little doubt, though Prior, the biographer, would fain exempt her from the charge, and suppose the scene to occur in some temporary lodging. There does not appear the smallest ground for such a supposition. All facts point to this place and person. Goldsmith had been here for at least a year and a half, for Prior himself gives the particulars of this landlady's bill reaching to June 22d. As it occurred in this year, and about this time—for it is expressly stated that the Vicar of Wakefield was kept about two years by the bookseller unpublished, and it was not published till the end of March, 1766—it could not possibly happen any where else. He could not have left Mrs. Fleming, or if he had, he could not have been away long enough to accumulate any alarming score. Here, on the contrary, every thing indicates that he was in debt and difficulty. He had been at least a year and a half here, and might, and probably had, run a good way into his landlady's books. The biographer states expressly that Goldsmith was in great difficulties, and for some months was invisible—said to have made a trip into Yorkshire. The biographer also shows that Newbery, the bookseller, generally paid the landlady for Goldsmith; but it comes out that Goldsmith was now got also very far behind with Newbery, owing him no less than £111; and next comes an obvious dislocation with Newbery himself. It is a fact which does not seem to have struck the biographer, that when Johnson sold the manuscript of the Vicar of Wakefield, he did not sell it to Newbery, though Newbery was not only Goldsmith's publisher, but his own. He went and sold it to a nephew of Newbery's, Mr. Francis Newbery, of Paternoster Row. Now there must have been a reason for this, and what so likely as that Goldsmith having run too deep into debt, had alarmed Newbery—publishers are careful men—that he had not only refused to advance more, but had withdrawn his guarantee to the landlady. This being the case, Goldsmith would be at his wit's end. With long arrears of rent and board, for Mrs. Fleming found that too, the security withdrawn by Newbery, she would be alarmed, and insist on Goldsmith's paying. To Newbery he could not fly, and, in his despair, he sent for Johnson. Johnson sold the novel, but not to John Newbery. With him it would only have gone to reduce the standing claim, with another it could bring what was wanted, instant cash. What confirms this view of the case is, moreover, the fact that immediately after this Goldsmith did quit his old landlady, and returned to London.
Canonbury Tower, or Canonbury House, as it is indifferently called, is often said to have been a residence of Goldsmith, and the room is shown which he used to occupy, and where it is said he wrote The Deserted Village. The reason given for Goldsmith's going to live at Islington is, that it was a pleasant, rural situation, and that there he would be near Newbery, his publisher, who engaged with Goldsmith's landlady to pay the rent. Newbery had apartments in Canonbury House, and here Goldsmith visited him. Anon, as his difficulties increased, he used to hide from his creditors in the tower, where he lay concealed for days and weeks. Very probably he was there all the time he was said to be gone into Yorkshire.
As to his having written The Deserted Village there, that is quite likely. It is equally probable that he might write there The Traveler, which was published at the end of the very year he left Islington. The Deserted Village was not published for five years afterward, or in 1769; and was, if written at Canonbury, the fruit of a subsequent residence there in 1767. His fixed abode was then in the Temple, but he had apartments for part of the summer in Canonbury House, and was visited there by most of his literary friends. On many of these occasions they adjourned to a social dinner at the Crown Tavern in the Lower Road, where tradition states them to have been very jovial. It is not improbable that he wrote part of The Vicar of Wakefield at Islington too, having, as we see, completed it at the time of his threatened arrest, that is, at the close of his residence at Islington.
Canonbury Tower, at the time Goldsmith used to frequent it, was a fine, airy place, in a sweet, rural neighborhood. Geoffrey Crayon says: "It is an ancient brick tower, hard by 'merry Islington,' the remains of a hunting seat of Queen Elizabeth, where she took the pleasure of the country when the neighborhood was all woodland. What gave it particular interest in my eyes was the circumstance that it had been the residence of a poet. It was here Goldsmith resided when he wrote his Deserted Village. I was shown the very apartment. It was a relic of the original style of the castle, with paneled wainscot and Gothic windows. I was pleased with its air of antiquity, and its having been the residence of poor Goldy." Irving located his "Poor Devil Author" in this room of Goldsmith's, but represents him as soon driven away by the troops of Londoners. "Sunday came, and with it the whole city world, swarming about Canonbury Castle. I could not open my window but I was stunned with shouts and noises from the cricket-ground; the late quiet road beneath my windows was alive with the tread of feet and the clack of tongues; and to complete my misery, I found that my quiet retreat was absolutely a 'show-house,' being shown to strangers at sixpence a head. There was a perpetual tramping up stairs of citizens and their families, to look about the country from the top of the tower, and to take a peep at the city through the telescope, to try if they could discern their own chimneys."
The reason why Irving located his "Poor Devil Author" in Canonbury Tower, no doubt, was because it had been the resort of several such, as well as of men of greater note: Smart; Chambers, author of the Cyclopædia; Humphries, author of Canons, a poem, Ulysses, an opera, &c.
"Here Humphries breathed his last, the Muses' friend,
And Chambers found his mighty labors end."