The busy day and social night."

Introduction to Canto v.

It was on a fine, fresh morning, after much rain, that, with a smart lad as driver, I sped in a gig from Galashiels up the valley on the way to Ashestiel. The sweet stream of the Gala water ran on our left, murmuring deliciously, and noble woods right and left, among them the classic mansion of Torwoodlee, and wood-crowned banks, made the way beautiful. Anon we came out to the open country, bare but pleasant hills, and small light streams careering along the valleys, and shepherds, with their dogs at their heels, setting out on their long rounds for the day. There was an inspiriting life and freshness in every thing—air, earth, and sky. The way is about six miles in length, from Galashiels to Ashestiel. About three parts of this was passed when we came to Clovenfoot, a few houses among the green hills, where Scott used often to lodge for days and weeks at the little inn, before he got to Ashestiel. The country about Ashestiel consists of moorland hills, still showing the darkness of the heather upon them. It is wilder, and has an air of greater loneliness than the pastoral mountains of Ettrick and Moffatdale; and the pleasant surprise is the more lively, when at once, in the midst of this brown and treeless region, after going on wondering where this Ashestiel can have hidden itself, not a house or a trace of existence being visible, but bare hill beyond hill, you suddenly see before you, down in a deep valley, a mass of beautiful woodlands emerging into view; the Tweed displays its broad and rapid stream at the foot of this richly wooded scene, and a tasteful house on the elevated bank beyond the river shows its long front and gables over the tree-tops. This is Ashestiel, the residence of Scott, where he wrote Marmion and commenced Waverley. We descended to the Tweed, where there is no bridge, but a ford, called by Scott "none of the best," "that ugly ford," which after long rains is sometimes carried away, and instead of a ford becomes a gulf. I remembered the incident of Scott himself being once pushed into it, when his horse found no bottom and had to swim across; and of a cart bringing the new kitchen-range being upset, and leaving the much desired fireplace at the bottom. The river was now much swollen, but my stout-hearted lad said he did not fear it; he often went there; and so we passed boldly through the powerful stream, and up the woodland bank to the house. The proprietor and present occupant, Major General Sir James Russell, a relative of Sir Walter's, was just about to mount his horse to go out, but very kindly turned back and introduced me to Lady Russell, an elegant and very agreeable woman, the sister of Sir James and Captain Basil Hall. They showed me the house with the greatest pleasure, and pressed me to stay luncheon. The house, Sir James said, was in Scott's time much less than at present. It was a farmhouse made out of an old border tower, by his father, and in the room looking down the Tweed, a beautiful view, Scott wrote Marmion, and the first part of Waverley, as well as the conclusion of the Lay of the Last Minstrel, and the whole of the Lady of the Lake. That room is now the center sitting-room, and Sir Walter's little drawing-room is Sir James's bedroom. Sir James has greatly enlarged and improved the house. He has built a wing at each end, running at right angles with the old front, and his dining-room now enjoys the view which Scott's sitting-room had before. The house is very elegantly furnished, as well as beautifully situated. The busts of Sir Walter Scott and Captain Basil Hall occupy conspicuous places in the dining-room, and recall the associations of the past and the present. The grounds which face the front that is turned from the river and looks up the hill, are very charming; and at a distance of a field is the mound in the wood called "The Shirra's knowe," because Scott was fond of sitting there. Its views are now obstructed by the growth of the trees, but if they were opened again would be wildly woodland, looking down on the Tweed, and on a brook which rushes down a deep glen close by, called the Stiel burn. The knowe has all the character of a cairn or barrow, and I should think there is little doubt that it is one. It does not, however, stand on Sir James's property, and therefore it is not kept in order. Above the knowe, and Sir James's gardens, stretch away the uplands, and on the distant hill lies the mound and trench called Wallace's trench.

One would have thought that Scott was sufficiently withdrawn from the world at Ashestiel; but the world poured in upon him even here, and beside the visits of Southey, Heber, John Murray, and other of his distant friends, the fashionable and far wandering tribes found him out. "In this little drawing-room of his," said Sir James Russell, "he entertained three duchesses at once." Adding, "Happy had it been for him had he been contented to remain here, and have left unbuilt the castle of Abbotsford, so much more in the highway of the tourist, and offering so much more accommodation." That is too true. The present house is good enough for a lord, and yet not too good for a private gentleman; while its situation is, in some respects, more beautiful than that of Abbotsford. The site of the house is more elevated, standing amid its fine woods, and yet commanding the course of the bold river deep beneath it, with its one bank with dark hanging forests, and that beyond open to the bare and moorland hills. But Scott would to Abbotsford, and so must we.

I have, somewhere else, expressed how greatly the landlords of Scotland are indebted to Scott. It is to him that thousands of them owe not merely subsistence, but ample fortunes. In every part of the country where he has touched the earth with his magic wand, roads have run along the heretofore impassable morass, rocks have given way for men, and houses have sprung up full of the necessary "entertainment for man and horse." Steamers convey troops of summer tourists to the farthest west and north of the Scottish coast; and every lake and mountain swarms with them. On arriving at Melrose, I was greatly struck with the growth of this traffic of picturesque and romantic travel. It was twenty years since I was in that village before. Scott was then living at Abbotsford, and drew up to the inn door to take post-horses on to Kelso. While these were got out, we had a full and fair view of him as he sat, without his hat, in the carriage reading, as we ourselves were breakfasting near the window of a room just opposite. Then, there was one small inn in the place, and very few people in it; now, there were two or three; and these, beside lodging-houses, all crammed full of guests. The inn-yards stood full of traveling carriages, and servants in livery were lounging about in motley throngs. The ruins of the abbey were like a fair for people, and the intelligent and very obliging woman who shows them said, that every year the numbers increased, and, that every year, foreigners seemed to arrive from more and more distant regions.

At Abbotsford it was the same. It must be recollected, that there had been a summer of incessant rain, yet both at the inn and at the abbey the people said that it had appeared to make no difference, they had been constantly full. As I drove up toward Abbotsford it was getting toward evening, and I feared I might be almost too late to be allowed to see through the house, but I met three or four equipages returning thence, and as many fresh ones arrived while I was there. Some of these were obliged to wait a long time, as the housekeeper would not admit above a dozen persons or so at once; and carriages stood about the court as though it were some great visiting day there. That visiting day endures the whole summer through; and the money received for inspection alone must be a handsome income. If the housekeeper gets it all, as she receives it all, she will eventually match the old housekeeper of the Duke of Devonshire, at Chatsworth, who is said to have died a few years ago, worth £120,000! and was still most anxious to secure the reversion of the post for her niece, but in vain; the duke probably and very justly thinking, that there should be turn-about even in the office of such liberal door-keeping.

Abbotsford, after twenty years' interval, and having then been seen under the doubly exaggerating influence of youth and the recent influence of Scott's poetry, in some degree disappointed me. I had imagined the house itself larger, its towers more lofty, its whole exterior more imposing. The plantations are a good deal grown, and almost bury the house from the distant view, but they still preserve all their formality of outline, as seen from the Galashiels road. Every field has a thick, black belt of fir-trees, which run about, forming on the long hillside the most fantastic figures. The house is, however, a very interesting house. At first, you come to the front next to the road, which you do by a steep descent down the plantation. You are struck, having a great castle in your imagination, with the smallness of the place. It is neither large nor lofty. Your ideal Gothic castle shrinks into a miniature. The house is quite hidden till you are at it, and then you find yourself at a small, castellated gateway, with its crosses cut into the stone pillars on each side, and the little window over it, as for the warden to look out at you. Then comes the view of this side of the house with its portico, its bay windows with painted glass, its tall, battlemented gables, and turrets with their lantern terminations; the armorial escutcheon over the door, and the corbels, and then another escutcheon aloft on the wall of stars and crescents. All these have a good effect; and not less so the light screen of freestone finely worked and carved with its elliptic arches and iron lattice-work, through which the garden is seen with its espalier trees, high brick walls, and greenhouse, with a doorway at the end leading into a second garden of the same sort. The house has a dark look, being built of the native whinstone, or grau-wacke, as the Germans call it, relieved by the quoins and projections of the windows and turrets in freestone. All looks classic, and not too large for the poet and antiquarian builder. The dog Maida lies in stone on the right hand of the door in the court, with the well known inscription. The house can neither be said to be Gothic nor castellated. It is a combination of the poet's, drawn from many sources, but all united by good taste, and forming an unique style, more approaching to the Elizabethan than any other. Round the court, of which the open-work screen just mentioned is the farther boundary, runs a covered walk, that is, along the two sides not occupied by the house and the screen; and in the wall beneath the arcade thus formed, are numerous niches, containing a medley of old figures brought from various places. There are Indian gods, old figures out of churches, and heads of Roman emperors. In the corner of the court, on the opposite side of the portico to the dog Maida, is a fountain, with some similar relics reared on the stone-work round it.

The other front gives you a much greater idea of the size. It has a more continuous range of façade. Here, at one end, is Scott's square tower, ascended by outside steps, and a round or octagon tower at the other; you can not tell, certainly, which shape it is, as it is covered with ivy. On this the flag-staff stands. At the end next to the square tower, i.e., at the right-hand end as you face it, you pass into the outer court, which allows you to go round the end of the house from one front to the other, by the old gateway, which once belonged to the Tolbooth of Edinburgh. Along the whole of this front runs a gallery, in which the piper used to stalk to and fro while they were at dinner. This man still comes about the place, though he has been long discharged. He is a great vagabond.

Such is the exterior of Abbotsford. The interior is far more interesting. The porch, copied from that of the old palace of Linlithgow, is finely groined, and there are stags' horns nailed up in it. When the door opens, you find yourselves in the entrance-hall, which is, in fact, a complete museum of antiquities and other matters. It is, as described in Lockhart's Life of Scott, wainscoted with old wainscot from the kirk of Dumfermline, and the pulpit of John Knox is cut in two, and placed as chiffonniers between the windows. The whole walls are covered with suits of armor and arms, horns of moose deer, the head of a musk bull, etc. At your left hand, and close to the door, are two cuirasses, some standards, eagles, etc., collected at Waterloo. At the opposite end of the room are two full suits of armor, one Italian, and one English of the time of Henry V., the latter holding in its hands a stupendous two-handed sword, I suppose six feet long, and said to have been found on Bosworth field. Opposite to the door is the fireplace of freestone, imitated from an arch in the cloister at Melrose, with a peculiarly graceful spandrel. In it stands the iron grate of Archbishop Sharpe, who was murdered by the Covenanters; and before it stands a most massive Roman camp kettle. On the roof, at the center of the pointed arches, runs a row of escutcheons of Scott's family, two or three at one end being empty, the poet not being able to trace the maternal lineage so high as the paternal. These were painted accordingly in nubibus, with the motto, Nox alta velat. Round the door at one end are emblazoned the shields of his most intimate friends, as Erskine, Moritt, Rose, etc., and all round the cornice ran the emblazoned shields of the old chieftains of the Border, with this motto, in old English letters:—"These be the Coat Armouries of the Clannis and Chief Men of name who keepit the Marchys of Scotland in the aulde tyme of the King. Trewe weare they in their tyme, and in their defence, God them defend it."

The chairs are from Scone Palace. On the wall hangs the chain shirt of Cromwell; and on a table at the window where visitors sign their names, lies the huge, tawny lion skin, sent by Thomas Pringle from South Africa.