CHAPTER VII.
NEWSTEAD.
We left Annesley, as we have said, by that long wood-walk which leads to the Mansfield road; and advancing on that road about a mile, then turned to the right through a deep defile down into the fields. Here we found ourselves in an extensive natural amphitheatre, surrounded by bold declivities—in some places bleak and barren, in others, richly embossed with furze and broom. Before us, at the distance of another mile, lay Newstead amid its woods, across a moory flat. The wind whistled and sighed amongst the dry, white, wiry grass, of last year’s growth, as we walked along; and a solitary heron, with slow strokes of its ample wings, flew athwart—not our path, for path we had none, having been tempted into the fields by the beauty of the scene. We followed the course of a little stream, clear as crystal, and swift as human life, and soon found ourselves at the tail of the lake so often referred to by Lord Byron.
Before the mansion lay a lucid lake,
Broad as transparent, deep and freshly fed
By a river, which its softened way did take
In currents through the calmer water spread
Around; the wild fowl nestled in the brake
And sedges, brooding in their liquid bed:
The woods sloped downward to its brink, and stood
With their green faces fixed upon the flood.
It was a scene that would have delighted Bewick for its picturesque sedgyness. The streams that fed it came down a woody valley shaggy with sedge—the lake thereabout being bordered with tall masses of it. There was a little island all overgrown with it and water-loving trees; and wild fowl in abundance were hastening to hide themselves in its covert, or arose and flew around with a varied clangour. Another moment, and we passed a green knoll, and were in front of the Abbey. John Evelyn, who once visited it, was much struck with the resemblance between its situation and that of Fontainbleau.
Here all was neat and habitable—had an air of human life and human attention about it, that formed a strong contrast to the scene of melancholy desolation we had left; and also to this same scene when I visited it years ago, at the time when it was sold, I believe, to a Mr. Claughton, who afterwards, for some cause or other, threw up the bargain. To give an idea of the impression this place made upon me, I shall merely refer to an account furnished by me many years ago to a periodical of the time, which account was partly quoted by Galt in his Life of Lord Byron, and made liberal use of by Moore, though without acknowledgment. I was a boy, rambling through the woods nutting, when suddenly, I came in front of the Abbey, which I had never seen before, and learned from a peasant who happened to be near, that I might get to see it for the value of an ounce of tobacco given to old Murray, a grey-headed old man—who had been in the family from a boy, and who now, at his own request, lies buried in Hucknall churchyard, as close to the family vault as it was possible to lay him. He and a maid-servant were then the only inmates of the place, being left to superintend the removal of the goods. I marched up to the dismal-looking porch in front, to which you ascended by a flight of steps, and gave a thundering knock, which almost startled me by the hollow sound it seemed to send through the ancient building. After waiting a good while, some one approached, and began to withdraw bars and bolts, and to let fall chains; and presently, the old grey-headed man opened the massy door cautiously, to a width just sufficient to enable him to see who was there. Finding nothing more formidable than a boy, he opened wide, and I inquired if I could see the place. The old man first looked at me, and then around, and said, “How many are there of you?” As he was evidently calculating the probable amount of profit, I gave him such evidence of sufficient reward that his doors instantly flew open, and he desired me to wander where I pleased, till he could return to me, having left some important affair in medias res. Here then was a wilderness of an old house thrown open to me, and the effect it had on my youthful imagination is indescribable.
The embellishments which the abbey had received from his lordship, had more of the brilliant conception of the poet in them than of the sober calculations of common life. I passed through many rooms which he had superbly finished, but over which he had permitted so wretched a roof to remain, that, in about half a dozen years, the rain had visited his proudest chambers; the paper had rotted on the walls, and fell in comfortless sheets upon glowing carpets and canopies; upon beds of crimson and gold; clogging the glittering wings of eagles, and dishonouring coronets. From many rooms the furniture was gone. In the entrance hall alone remained the paintings of his old friends—the dog and bear.
The mansion’s self was vast and venerable,
With more of the romantic than had been
Elsewhere preserved; the cloisters still were stable,
The cells too and refectory I ween;
An exquisite small chapel had been able
Still unimpaired to decorate the scene;
The rest had been reformed, replaced, or sunk,
And spoke more of the baron than the monk.
Huge halls, long galleries, spacious chambers, joined
By no quite lawful marriage of the arts,
Might shock a connoisseur; but, when combined,
Formed a whole, which, irregular in parts,
Yet left a grand impression on the mind,
At least, of those whose eyes are in their hearts.
The long and gloomy gallery, which, whoever views will be strongly reminded of Lara, as indeed a survey of this place will awake more than one scene in that poem,—had not yet relinquished the sombre pictures of its ancient race—
That frowned
In rude, but antique portraiture around.