"Sand was in age twenty-three and a half years; stood five feet six inches high; had strong black hair and eyebrows; a high forehead, gray eyes, longish nose, mouth of middle size, dark-brown very weak beard, ordinary chin, broad countenance, tolerably healthy colour, with some pock-marks in the face." His look was open, and for the most part friendly, but not eminently intellectual; his physiognomy good-natured, but not especially interesting; his visage might be termed an involuntary mirror of his mind. So painted themselves wrath and scorn upon it, when the speech turned upon Kotzebue and his connexion with Germany; so might be read in it a painful, or an hostile feeling, when the principles of his system must be attacked; so that, in the end, very little attention became necessary to discern by it, when his answers did not contain the truth. The play of the muscles of his forehead was particularly strikingly acted upon by an internal feeling of resistance, which generally rose in him when he desired by some means to conceal the truth.

Kotzebue's writings had been long disliked by Sand. Many of his early assertions betray it. Such was his observation to his father:--"Of what use is the man's literary talent, when the German heart is wanting?" On the burning of his History of Germany, on the Wartburg, he became immediately watchful of him; but still more, when shortly afterwards his literary Wochenblatt, or weekly paper, appeared. In this publication, Kotzebue promulgated his opinions often and variously on the then state of German affairs, and many of his views must have given great displeasure. Thus, he contended especially against the promotion of a combined and constitutional government in Germany, and asserted that the loud demand for this was by no means the voice of the people, of whom he very much doubted, whether they wanted any constitution at all. For this bold assertion, Kotzebue was instantly attacked and ridiculed on all sides. A specimen of the missiles launched against him on the occasion, may be given from an article in the "Zeitung für die elegante Welt,"--News for the Elegant World, in the year 1818:--

This serious doubt (that of Kotzebue) has fallen heavily on the heart. We have, therefore, with eagerness undertaken the following proposal for its solution. In Kotzebue's right hand lies, in fact, the means to bring the matter to a tolerable certainty. If that gentleman will in future take the field against the clamour for a constitution in all his Plays with the same sober earnestness, and jibe and joke, with which he has powerfully and perseveringly attacked other follies, then will the success or the failure of his piece throw great light on the sentiments of the people; and the multitude who, Herr von Kotzebue so justly says, remain silent on the matter in debate--that means, they print nothing on it--will certainly, by applauding or censuring, clapping or hissing, speak out. Should the multitude, by hissing out anti-constitutional pieces, declare for a constitution, so might the theatre immediately furnish the government with a proof whether the declaration was worthy of notice. They might now, as was done in Paris, after the acting of Germanica, march soldiers--actual soldiers--upon the stage, and let them present arms to the pit. If the multitude now applauded or ran away, it would be the height of the ridiculous to give them a constitution, since it would be manifest that they had not courage to maintain themselves against the hand of power. But hissed and clamoured they still, it would be time "to prepare the demanded preparations for the preparation of a constitution."[[6]]

Sand assigned the ground of his hate against Kotzebue, immediately in the opening of his trial, and he reiterated the same as his actuating motive at its close; namely,--in the evening after the murder, having lost his voice, and being only able to express himself by signs, he requested paper, and wrote with a blacklead pencil these scarcely legible words:--"August von Kotzebue is the corrupter of youth,"-- alluding to Kotzebue's frequently slippery writings, as 'Barth with the Iron Brow,' and such like,--"the slanderer of our people's history, and the Russian spy upon our Fatherland."

Sand asserted, that by the insight which he had obtained into the character and position of Kotzebue, he immediately perceived that it was impossible that he could much longer continue to live in that manner; but the resolution to destroy him with his own hand did not awake suddenly in him, it demanded gradual growth, and came not to maturity without a severe strife in his own bosom. The well-known history of the discovered bulletin at length threw unquenchable fuel on his burning hatred against Kotzebue.

Kotzebue was, in fact, commissioned by the Russian government to furnish it with full reports on the political affairs and relations of Germany, on the predominant popular opinion, and on its literary transactions. He could, in truth, no more be styled a spy than an ambassador can; but the reports which he delivered--the false and detestable statements regarding Germany which he made in them, deserve the severest condemnation. No one was aware of this secret practice of Kotzebue's, till, through the faithlessness of a copyist, such a bulletin was sent to the well-known historian Luden, then the editor of the Jena "Nemesis," a literary paper. The bulletin contained sixteen paragraphs upon Steffens (a writer on the state of those times), Schmalz, Crome, the Allemannia, an opposition paper, the Nemesis, Jung Stilling, English newspapers, mischievous nature of freedom of the press, and, finally, a sort of apology for serfdom. Monarchy was panegyrized in this bulletin, and Luden was represented as a learned man, who, with others of the learned, longed heartily for a revolution, that they might play their parts as popular speakers, deputies, and representatives. Luden, enraged at these calumnies, published the bulletin in the Nemesis, and commented on it in the most amusing manner. Kotzebue, who had immediate information of this fact, procured an order from the Weimar government for the seizure of these sheets, at the moment they should be ready for issue: but Wieland, the editor of the opposition paper, had already received proof-sheets of the article, and caused it to appear at the same time in the People's Friend, which he edited, with still more biting remarks; since Luden, in the Nemesis, had expressed some doubts whether Kotzebue were really the author of these malicious calumnies. A long legal process took place between Kotzebue and the learned editors, and proceedings were laid before the Spruch Collegium--College of Arbitration of the University of Leipsic. These gentlemen were declared by this tribunal, guilty of a literary robbery upon Kotzebue, since the bulletin was not intended or delivered out by him for publication; but after the death of Kotzebue in the following year, they were declared free from all penalty by the High Court of Appeal in Weimar.

The fact, however, which finally and at once sealed the determination of Sand, was the appearance of the work of Stourdze, and Kotzebue's standing forth as his defender. Stourdze, a Russian, published a most odious and miserable volume, in which he lauded absolute monarchy, railed against freedom of the press, misrepresented the spirit of the German High Schools in the most abominable terms, and at the same time advised that they should be stripped of all their rights and privileges, and laid under the strictest discipline. The author was formally accused by the Burschenschaft of Jena for his calumnies, to the Grand Duke of Weimar, who laid the case before the Bundestag. Stourdze defended himself in the public papers; two youths, not students, but belonging to the Burschenschaft, afterwards challenged him to single combat, whom, however, he answered only with words in the newspapers.

Sand now brooded a whole half-year in irresolution over this thought--whether he should devote himself as the instrument for taking out of the way this, in his eyes, so dangerous an enemy of the weal of the German people. "The determination," said he, "must first progress in myself to a greater maturity, since I have partly to contend in myself with the natural shrinking from the performance of such a deed, and partly with the oft recurring thought that I am worthy of and qualified for something better, by the character of my mind, and my already acquired accomplishments. I have also waited for a third, since I had as good a right to wait for a third, as he to wait for me. But as I found no one, this was likewise a ground of determination for myself. Oft have I thought--'thou canst quietly live on, if but a third person undertake the deed.' This waiting was thus properly only a wish that another might step before me; for the rest, however, I knew no such third."

Sand often prayed to God that this requisition might be allowed to pass from him, and that he might be left to pursue his ordinary duties. But in this inward warfare, the inner voice perpetually returned, saying--"Thou hast promised so much, and hast yet done nothing." The projected work stood thenceforth so vividly before his eyes, that his imagination enabled him to sketch out a drawing of the murder-scene beforehand, which was found amongst some indifferent pen-and-ink outlines amongst his papers in Jena. Still he continued to waver, till the newspapers brought a report, that Kotzebue intended to return to Russia; and then stood forth Sand's resolution to murder the traitor, let it turn out as it would, and though he should himself lead the way to death for him. Besides this it was part of his plan to make a confession, to bring the Death-Blow to the knowledge of the people. His original plan was, after the accomplishment of the deed, to betake himself to his weapons, and to make his escape if possible, so that provided he effected his own retreat, self-destruction formed no part of the scheme. While he brooded over his enterprise, he prepared the instruments of his design. He made choice, to that end, of a smaller and a greater dagger. The latter he called the small sword, and had it made in Jena after a model in wax, prepared by his own hand, and from his own drawing. For the carrying of these weapons he made a hole in the breast of his waistcoat, in which on account of its weight, this dagger hung; but for the lesser one he had a small hook sewed into the left-arm sleeve of his coat, which by a small eye secured the sheath there. Before setting out on his expedition of death, he completed his Death-Blow, or Confession, prepared the fair copy, which after the accomplishment of the act, he purposed to stick up in some public place; then the original of the same, as he called it, and numerous transcripts of the same. This Death-Blow was a document on which Sand long laboured, and for the promulgation of which, after the deed, he had taken measures. It was designed to be a call to the people to rise and assert their liberty. As this composition not only places in the clearest light the then overstrained state of Sand's mind, but also gives us glimpses of many ideas of the Burschenschaft at that period, which the government were afterwards obliged to hold in check, it shall here find a place.

DEATH-BLOW TO AUGUST VON KOTZEBUE!