The pulpit and the stage have nearly the same use, but not in the same line--That of improving the man.
The English stage opened about the conquest, and was wholly confined to religion; in whose service it continued, with very little intermission, to the extinction of the Plantagenets. The play-houses were the churches, the principal actors the priests, and the performances taken from scripture; such as the Fall of Man, the Story of Joseph, Sampson, Histories of the Saints, the Sufferings of Christ, Resurrection, Day of Judgment, &c.
Theatrical exhibition in Birmingham, is rather of a modern date. As far as memory can penetrate, the stroller occupied, occasionally, a shed of boards in the fields, now Temple-street: Here he acted the part of Distress, in a double capacity. The situation was afterwards changed, but not the eminence, and the Hinkleys dignified the performers booth!
In about 1730, the amusements of the stage rose in a superior stile of elegance, and entered something like a stable in Castle-street. Here the comedian strutted in painted rags, ornamented with tinsel: The audience raised a noisy laugh, half real and half forced, at three-pence a head.
In about 1740, a theatre was erected in Moor-street, which rather gave a spring to the amusement; in the day time the comedian beat up for volunteers for the night, delivered his bills of fare, and roared out an encomium on the excellence of the entertainment, which had not always the desired effect.
In 1751, a company arrived, which anounced themselves, "His Majesty's servants, from the theatres-royal in London; and hoped the public would excuse the ceremony of the drum, as beneath the dignity of a London company." The novelty had a surprising effect; the performers had merit; the house was continually crouded; the general conversation turned upon theatrical exhibition, and the town was converted into one vast theatre.
In 1752 it was found necessary to erect a larger theatre, that in King Street, and we multiplied into two London companies.
The pulpits took the alarm, and in turn, roared after their customers: But the pious teachers forgot it was only the fervour of a day, which would cool of itself; that the fiercer the fire burns, the sooner it will burn out.
This declaration of war, fortunately happening at the latter end of summer, the campaign was over, and the company retreated into winter quarters, without hostilities.
It was afterwards found, that two theatres were more than the town chose to support; therefore that in Moor-street was set for a methodist meeting, where, it was said, though it changed its audience, it kept its primeval use, continuing the theatre of farce.