5th (Lord's day). Up and spent the morning, till the Barber came, in reading in my chamber part of Osborne's Advice to his Son, which I shall not never enough admire for sense and language, and being by and by trimmed, to Church, myself, wife, Ashwell, etc. Home and, while dinner was prepared, to my office to read over my vows with great affection and to very good purpose. Then to church again, where a simple bawling young Scot preached.
19th (Easter day). Up and this day put on my close-kneed coloured suit, which, with new stockings of the colour, with belt and new gilt-handled sword, is very handsome. To church alone, and after dinner to church again, where the young Scotchman preaching, I slept all the while. After supper, fell in discourse of dancing, and I find that Ashwell hath a very fine carriage, which makes my wife almost ashamed of herself to see herself so outdone, but to-morrow she begins to learn to dance for a month or two. So to prayers and to bed. Will being gone, with my leave, to his father's this day for a day or two, to take physique these holydays.
23d. St. George's day and Coronacion, the King and Court being at Windsor, at the installing of the King of Denmarke by proxy and the Duke of Monmouth.... Spent the evening with my father. At cards till late, and being at supper, my boy being sent for some mustard to a neat's tongue, the rogue staid half an houre in the streets, it seems at a bonfire, at which I was very angry, and resolve to beat him to-morrow.
24th. Up betimes, and with my salt eele went down into the parler and there got my boy and did beat him till I was fain to take breath two or three times, yet for all I am afeard it will make the boy never the better, he is grown so hardened in his tricks, which I am sorry for, he being capable of making a brave man, and is a boy that I and my wife love very well.
[Summary of the Restoration Period.] The chief thing to note in England during the Restoration is the tremendous social reaction from the restraints of Puritanism, which suggests the wide swing of a pendulum from one extreme to the other. For a generation many natural pleasures had been suppressed; now the theaters were reopened, bull and bear baiting revived, and sports, music, dancing,--a wild delight in the pleasures and vanities of this world replaced that absorption in "other-worldliness" which characterized the extreme of Puritanism.
In literature the change is no less marked. From the Elizabethan drama playwrights turned to coarse, evil scenes, which presently disgusted the people and were driven from the stage. From romance, writers turned to realism; from Italian influence with its exuberance of imagination they turned to France, and learned to repress the emotions, to follow the head rather than the heart, and to write in a clear, concise, formal style, according to set rules. Poets turned from the noble blank verse of Shakespeare and Milton, from the variety and melody which had characterized English poetry since Chaucer's day, to the monotonous heroic couplet with its mechanical perfection.
The greatest writer of the age is John Dryden, who established the heroic couplet as the prevailing verse form in English poetry, and who developed a new and serviceable prose style suited to the practical needs of the age. The popular ridicule of Puritanism in burlesque and doggerel is best exemplified in Butler's Hudibras. The realistic tendency, the study of facts and of men as they are, is shown in the work of the Royal Society, in the philosophy of Hobbes and Locke, and in the diaries of Evelyn and Pepys, with their minute pictures of social life. The age was one of transition from the exuberance and vigor of Renaissance literature to the formality and polish of the Augustan Age. In strong contrast with the preceding ages, comparatively little of Restoration literature is familiar to modern readers.
Selections for Reading. Dryden. Alexander's Feast, Song for St. Cecilia's Day, selections from Absalom and Achitophel, Religio Laici, Hind and Panther, Annus Mirabilis,--in Manly's English Poetry, or Ward's English Poets, or Cassell's National Library; Palamon and Arcite (Dryden's version of Chaucer's tale), in Standard English Classics, Riverside Literature, etc.; Dryden's An Essay of Dramatic Poesy, in Manly's, or Garnett's, English Prose.
Butler. Selections from Hudibras, in Manly's English Poetry, Ward's English Poets, or Morley's Universal Library.
Pepys. Selections in Manly's English Prose; the Diary in Everyman's Library.