I am glad you know your duty; for it has been a known and established rule above twenty years in England that the first advances have been constantly made me by all ladies who aspire to my acquaintance, and the greater their quality the greater were their advances.
When the Tories went out of power Swift's position became uncertain. He expected and had probably been promised a bishopric in England, with a seat among the peers of the realm; but the Tories offered him instead the place of dean of St. Patrick's Cathedral in Dublin. It was galling to a man of his proud spirit; but after his merciless satire on religion, in The Tale of a Tub, any ecclesiastical position in England was rendered impossible. Dublin was the best he could get, and he accepted it bitterly, once more cursing the fate which he had brought upon himself.
With his return to Ireland begins the last act in the tragedy of his life. His best known literary work, Gulliver's Travels, was done here; but the bitterness of life grew slowly to insanity, and a frightful personal sorrow, of which he never spoke, reached its climax in the death of Esther Johnson, a beautiful young woman, who had loved Swift ever since the two had met in Temple's household, and to whom he had written his Journal to Stella. During the last years of his life a brain disease, of which he had shown frequent symptoms, fastened its terrible hold upon Swift, and he became by turns an idiot and a madman. He died in 1745, and when his will was opened it was found that he had left all his property to found St. Patrick's Asylum for lunatics and incurables. It stands to-day as the most suggestive monument of his peculiar genius.
The Works of Swift. From Swift's life one can readily foresee the kind of literature he will produce. Taken together his works are a monstrous satire on humanity; and the spirit of that satire is shown clearly in a little incident of his first days in London. There was in the city at that time a certain astrologer named Partridge, who duped the public by calculating nativities from the stars, and by selling a yearly almanac predicting future events. Swift, who hated all shams, wrote, with a great show of learning, his famous Bickerstaff Almanac, containing "Predictions for the Year 1708, as Determined by the Unerring Stars." As Swift rarely signed his name to any literary work, letting it stand or fall on its own merits, his burlesque appeared over the pseudonym of Isaac Bickerstaff, a name afterwards made famous by Steele in The Tatler. Among the predictions was the following:
My first prediction is but a trifle; yet I will mention it to show how ignorant those sottish pretenders to astrology are in their own concerns: it relates to Partridge the almanack maker; I have consulted the star of his nativity by my own rules, and find he will infallibly die upon the 29th of March next, about eleven at night, of a raging fever; therefore I advise him to consider of it, and settle his affairs in time.
On March 30, the day after the prediction was to be fulfilled, there appeared in the newspapers a letter from a revenue officer giving the details of Partridge's death, with the doings of the bailiff and the coffin maker; and on the following morning appeared an elaborate "Elegy of Mr. Partridge." When poor Partridge, who suddenly found himself without customers, published a denial of the burial, Swift answered with an elaborate "Vindication of Isaac Bickerstaff," in which he proved by astrological rules that Partridge was dead, and that the man now in his place was an impostor trying to cheat the heirs out of their inheritance.
Character of Swift's SatireThis ferocious joke is suggestive of all Swift's satires. Against any case of hypocrisy or injustice he sets up a remedy of precisely the same kind, only more atrocious, and defends his plan with such seriousness that the satire overwhelms the reader with a sense of monstrous falsity. Thus his solemn "Argument to prove that the Abolishing of Christianity may be attended with Some Inconveniences" is such a frightful satire upon the abuses of Christianity by its professed followers that it is impossible for us to say whether Swift intended to point out needed reforms, or to satisfy his conscience,[190] or to perpetrate a joke on the Church, as he had done on poor Partridge. So also with his "Modest Proposal," concerning the children of Ireland, which sets up the proposition that poor Irish farmers ought to raise children as dainties, to be eaten, like roast pigs, on the tables of prosperous Englishmen. In this most characteristic work it is impossible to find Swift or his motive. The injustice under which Ireland suffered, her perversity in raising large families to certain poverty, and the indifference of English politicians to her suffering and protests are all mercilessly portrayed; but why? That is still the unanswered problem of Swift's life and writings.
Tale of a TubSwift's two greatest satires are his Tale of a Tub and Gulliver's Travels. The Tale began as a grim exposure of the alleged weaknesses of three principal forms of religious belief, Catholic, Lutheran, and Calvinist, as opposed to the Anglican; but it ended in a satire upon all science and philosophy.
Swift explains his whimsical title by the custom of mariners in throwing out a tub to a whale, in order to occupy the monster's attention and divert it from an attack upon the ship,--which only proves how little Swift knew of whales or sailors. But let that pass. His book is a tub thrown out to the enemies of Church and State to keep them occupied from further attacks or criticism; and the substance of the argument is that all churches, and indeed all religion and science and statesmanship, are arrant hypocrisy. The best known part of the book is the allegory of the old man who died and left a coat (which is Christian Truth) to each of his three sons, Peter, Martin, and Jack, with minute directions for its care and use. These three names stand for Catholics, Lutherans, and Calvinists; and the way in which the sons evade their father's will and change the fashion of their garment is part of the bitter satire upon all religious sects. Though it professes to defend the Anglican Church, that institution fares perhaps worse than the others; for nothing is left to her but a thin cloak of custom under which to hide her alleged hypocrisy.
Gulliver's TravelsIn Gulliver's Travels the satire grows more unbearable. Strangely enough, this book, upon which Swift's literary fame generally rests, was not written from any literary motive, but rather as an outlet for the author's own bitterness against fate and human society. It is still read with pleasure, as Robinson Crusoe is read, for the interesting adventures of the hero; and fortunately those who read it generally overlook its degrading influence and motive.