17. Macpherson. What is meant by Macpherson's "Ossian"? Can you account for the remarkable success of the Ossianic forgeries?

18. Chatterton. Tell the story of Chatterton and the Rowley Poems. Read Chatterton's "Bristowe Tragedie," and compare it, in style and interest, with the old ballads, like "The Battle of Otterburn" or "The Hunting of the Cheviot" (all in Manly's English Poetry).

19. The First Novelists. What is meant by the modern novel? How does it differ from the early romance and from the adventure story? What are some of the precursors of the novel? What was the purpose of stories modeled after Don Quixote? What is the significance of Pamela? What elements did Fielding add to the novel? What good work did Goldsmith's Vicar of Wakefield accomplish? Compare Goldsmith, in this respect, with Steele and Addison.

[CHRONOLOGY]
End of Seventeenth and the Eighteenth Century
HISTORY LITERATURE
1689. William and Mary 1683-1719. Defoe's early writings
Bill of Rights.
Toleration Act
1695. Press made free
1700(?) Beginning of London clubs
1702. Anne (d. 1714)
War of Spanish Succession
1702. First daily newspaper
1704. Battle of Blenheim 1704. Addison's The Campaign
Swift's Tale of a Tub
1707. Union of England and Scotland
1709. The Tatler
Johnson born (d. 1784)
1710-1713. Swift in London. Journal
to Stella
1711. The Spectator
1712. Pope's Rape of the Lock
1714. George I (d. 1727)
1719. Robinson Crusoe
1721. Cabinet government, Walpole
first prime minister
1726. Gulliver's Travels
1726-1730. Thomson's The Seasons
1727. George II (d. 1760)
1732-1734. Essay on Man
1738. Rise of Methodism
1740. Richardson's Pamela
1740. War of Austrian Succession
1742. Fielding's Joesph Andrews
1746. Jacobite Rebellion
1749. Fielding's Tom Jones
1750-1752. Johnson's The Rambler
1750-1757. Conquest of India 1751. Gray's Elegy
1755. Johnson's Dictionary
1756. War with France
1759. Wolf at Quebec
1760. George III (d. 1820) 1760-1767. Sterne's Tristram Shandy
1764. Johnson's Literary Club
1765. Stamp Act 1765. Percy's Reliques
1766. Goldsmith's Vicar of
Wakefield
1770. Goldsmith's Deserted Village
1771. Beginning of great newspapers
1773. Boston Tea Party
1774. Howard's prison reforms 1774-1775. Burke's American speeches
1775. American Revolution 1776-1788. Gibbon's Rome
1776. Declaration of Independence 1779. Cowper's Olney Hymns
1779-81. Johnson's Lives of the Poets
1783. Treaty of Paris 1783. Blake's Poetical Sketches
1785. Cowper's The Task
The London Times
1786. Trial of Warren Hastings
1786. Burns's first poems (the
Kilmarnock Burns)
Burke's Warren Hastings
1789-1799. French Revolution
1790. Burke's French Revolution
1791. Boswell's Life of Johnson
1793. War with France

[CHAPTER X]

THE AGE OF ROMANTICISM (1800-1850)

THE SECOND CREATIVE PERIOD OF ENGLISH LITERATURE

The first half of the nineteenth century records the triumph of Romanticism in literature and of democracy in government; and the two movements are so closely associated, in so many nations and in so many periods of history, that one must wonder if there be not some relation of cause and effect between them. Just as we understand the tremendous energizing influence of Puritanism in the matter of English liberty by remembering that the common people had begun to read, and that their book was the Bible, so we may understand this age of popular government by remembering that the chief subject of romantic literature was the essential nobleness of common men and the value of the individual. As we read now that brief portion of history which lies between the Declaration of Independence (1776) and the English Reform Bill of 1832, we are in the presence of such mighty political upheavals that "the age of revolution" is the only name by which we can adequately characterize it. Its great historic movements become intelligible only when we read what was written in this period; for the French Revolution and the American commonwealth, as well as the establishment of a true democracy in England by the Reform Bill, were the inevitable results of ideas which literature had spread rapidly through the civilized world. Liberty is fundamentally an ideal; and that ideal--beautiful, inspiring, compelling, as a loved banner in the wind--was kept steadily before men's minds by a multitude of books and pamphlets as far apart as Burns's Poems and Thomas Paine's Rights of Man,--all read eagerly by the common people, all proclaiming the dignity of common life, and all uttering the same passionate cry against every form of class or caste oppression.

First the dream, the ideal in some human soul; then the written word which proclaims it, and impresses other minds with its truth and beauty; then the united and determined effort of men to make the dream a reality,--that seems to be a fair estimate of the part that literature plays, even in our political progress.