Newman's styleOf Newman's style it is as difficult to write as it would be to describe the dress of a gentleman we had met, who was so perfectly dressed that we paid no attention to his clothes. His style is called transparent, because at first we are not conscious of his manner; and unobtrusive, because we never think of Newman himself, but only of the subject he is discussing. He is like the best French prose writers in expressing his thought with such naturalness and apparent ease that, without thinking of style, we receive exactly the impression which he means to convey. In his sermons and essays he is wonderfully simple and direct; in his controversial writings, gently ironical and satiric, and the satire is pervaded by a delicate humor; but when his feelings are aroused he speaks with poetic images and symbols, and his eloquence is like that of the Old Testament prophets. Like Ruskin's, his style is modeled largely on that of the Bible, but not even Ruskin equals him in the poetic beauty and melody of his sentences. On the whole he comes nearer than any other of his age to our ideal of a perfect prose writer.
Critical WritersOther Essayists of the Victorian Age. We have selected the above five essayists, Macaulay, Carlyle, Arnold, Newman, and Ruskin, as representative writers of the Victorian Age; but there are many others who well repay our study. Notable among these are John Addington Symonds, author of The Renaissance in Italy, undoubtedly his greatest work, and of many critical essays; Walter Pater, whose Appreciations and numerous other works mark him as one of our best literary critics; and Leslie Stephen, famous for his work on the monumental Dictionary of National Biography, and for his Hours in a Library, a series of impartial and excellent criticisms, brightened by the play of an original and delightful humor.
The ScientistsAmong the most famous writers of the age are the scientists, Lyell, Darwin, Huxley, Spencer, Tyndall, and Wallace,--a wonderful group of men whose works, though they hardly belong to our present study, have exercised an incalculable influence on our life and literature. Darwin's Origin of Species (1859), which apparently established the theory of evolution, was an epoch-making book. It revolutionized not only our conceptions of natural history, but also our methods of thinking on all the problems of human society. Those who would read a summary of the greatest scientific discovery of the age will find it in Wallace's Darwinism,--a most interesting book, written by the man who claims, with Darwin, the honor of first announcing the principle of evolution. And, from a multitude of scientific works, we recommend also to the general reader Huxley's Autobiography and his Lay Sermons, Addresses, and Reviews, partly because they are excellent expressions of the spirit and methods of science, and partly because Huxley as a writer is perhaps the clearest and the most readable of the scientists.
[The Spirit of Modern Literature.] As we reflect on the varied work of the Victorian writers, three marked characteristics invite our attention. First, our great literary men, no less than our great scientists, have made truth the supreme object of human endeavor. All these eager poets, novelists, and essayists, questing over so many different ways, are equally intent on discovering the truth of life. Men as far apart as Darwin and Newman are strangely alike in spirit, one seeking truth in the natural, the other in the spiritual history of the race. Second, literature has become the mirror of truth; and the first requirement of every serious novel or essay is to be true to the life or the facts which it represents. Third, literature has become animated by a definite moral purpose. It is not enough for the Victorian writers to create or attempt an artistic work for its own sake; the work must have a definite lesson for humanity. The poets are not only singers, but leaders; they hold up an ideal, and they compel men to recognize and follow it. The novelists tell a story which pictures human life, and at the same time call us to the work Of social reform, or drive home a moral lesson. The essayists are nearly all prophets or teachers, and use literature as the chief instrument of progress and education. Among them all we find comparatively little of the exuberant fancy, the romantic ardor, and the boyish gladness of the Elizabethans. They write books not primarily to delight the artistic sense, but to give bread to the hungry and water to the thirsty in soul. Milton's famous sentence, "A good book is the precious life-blood of a master spirit," might be written across the whole Victorian era. We are still too near these writers to judge how far their work suffers artistically from their practical purpose; but this much is certain,--that whether or not they created immortal works, their books have made the present world a better and a happier place to live in. And that is perhaps the best that can be said of the work of any artist or artisan.
[Summary of the Victorian Age.] The year 1830 is generally placed at the beginning of this period, but its limits are very indefinite. In general we may think of it as covering the reign of Victoria (1837-1901). Historically the age is remarkable for the growth of democracy following the Reform Bill of 1832; for the spread of education among all classes; for the rapid development of the arts and sciences; for important mechanical inventions; and for the enormous extension of the bounds of human knowledge by the discoveries of science.
At the accession of Victoria the romantic movement had spent its force; Wordsworth had written his best work; the other romantic poets, Coleridge, Shelley, Keats, and Byron, had passed away; and for a time no new development was apparent in English poetry. Though the Victorian Age produced two great poets, Tennyson and Browning, the age, as a whole, is remarkable for the variety and excellence of its prose. A study of all the great writers of the period reveals four general characteristics: (1) Literature in this Age has come very close to daily life, reflecting its practical problems and interests, and is a powerful instrument of human progress. (2) The tendency of literature is strongly ethical; all the great poets, novelists, and essayists of the age are moral teachers. (3) Science in this age exercises an incalculable influence. On the one hand it emphasizes truth as the sole object of human endeavor; it has established the principle of law throughout the universe; and it has given us an entirely new view of life, as summed up in the word "evolution," that is, the principle of growth or development from simple to complex forms. On the other hand, its first effect seems to be to discourage works of the imagination. Though the age produced an incredible number of books, very few of them belong among the great creative works of literature. (4) Though the age is generally characterized as practical and materialistic, it is significant that nearly all the writers whom the nation delights to honor vigorously attack materialism, and exalt a purely ideal conception of life. On the whole, we are inclined to call this an idealistic age fundamentally, since love, truth, justice, brotherhood--all great ideals--are emphasized as the chief ends of life, not only by its poets but also by its novelists and essayists.
In our study we have considered: (1) The Poets; the life and works of Tennyson and Browning; and the chief characteristics of the minor poets, Elizabeth Barrett (Mrs. Browning), Rossetti, Morris, and Swinburne. (2) The Novelists; the life and works of Dickens, Thackeray, and George Eliot; and the chief works of Charles Reade, Anthony Trollope, Charlotte Brontë, Bulwer-Lytton, Kingsley, Mrs. Gaskell, Blackmore, George Meredith, Hardy, and Stevenson. (3) The Essayists; the life and works of Macaulay, Matthew Arnold, Carlyle, Newman, and Ruskin. These were selected, from among many essayists and miscellaneous writers, as most typical of the Victorian Age. The great scientists, like Lyell, Darwin, Huxley, Wallace, Tyndall, and Spencer, hardly belong to our study of literature, though their works are of vast importance; and we omit the works of living writers who belong to the present rather than to the past century.
Selections for Reading. Manly's English Poetry and Manly's English Prose (Ginn and Company) contain excellent selections from all authors of this period. Many other collections, like Ward's English Poets, Garnett's English Prose from Elizabeth to Victoria, Page's British Poets of the Nineteenth Century, and Stedman's A Victorian Anthology, may be used to advantage. All important works may be found in the convenient and inexpensive school editions given below. (For full titles and publishers see the General Bibliography.)
Tennyson. Short poems, and selections from Idylls of the King, In Memoriam, Enoch Arden, and The Princess. These are found in various school editions, Standard English Classics, Pocket Classics, Riverside Literature Series, etc. Poems by Tennyson, selected and edited with notes by Henry Van Dyke (Athenaeum Press Series), is an excellent little volume for beginners.
Browning. Selections, edited by R.M. Lovett, in Standard English Classics. Other school editions in Everyman's Library, Belles Lettres Series, etc.