WORKS OF POPE. Pope's first important work, An Essay on Criticism (1711), is an echo of the rules which Horace had formulated in his Ars Poetica, more than seventeen centuries before Pope was born. The French critic Boileau made an alleged improvement of Horace in his L'Art Poétique, and Pope imitated both writers with his rimed Essay, in which he attempted to sum up the rules by which poetry should be judged. And he did it, while still under the age of twenty-five, so brilliantly that his characterization of the critic is unmatched in our literature. A few selections will serve to show the character of the work:
First follow nature, and your judgment frame
By her just standard, which is still the same:
Unerring nature, still divinely bright,
One clear, unchanged and universal light,
Life, force and beauty must to all impart,
At once the source and end and test of Art.
Poets, like painters, thus unskilled to trace
The naked nature and the living grace,
With gold and jewels cover every part,
And hide with ornaments their want of art.
True wit is nature to advantage dressed,
What oft was thought, but ne'er so well expressed.
Expression is the dress of thought, and still
Appears more decent, as more suitable.
[Sidenote: RAPE OF THE LOCK]
Pope's next important poem, The Rape of the Lock (1712), is his most original and readable work. The occasion of the poem was that a fop stole a lock of hair from a young lady, and the theft plunged two families into a quarrel which was taken up by the fashionable set of London. Pope made a mock-heroic poem on the subject, in which he satirized the fads and fashions of Queen Anne's age. Ordinarily Pope's fancy is of small range, and proceeds jerkily, like the flight of a woodpecker, from couplet to couplet; but here he attempts to soar like the eagle. He introduces dainty aerial creatures, gnomes, sprites, sylphs, to combat for the belles and fops in their trivial concerns; and herein we see a clever burlesque of the old epic poems, in which gods or goddesses entered into the serious affairs of mortals. The craftsmanship of the poem is above praise; it is not only a neatly pointed satire on eighteenth-century fashions but is one of the most graceful works in English verse.
[Sidenote: ESSAY OF MAN]
An excellent supplement to The Rape of the Lock, which pictures the superficial elegance of the age, is An Essay on Man, which reflects its philosophy. That philosophy under the general name of Deism, had fancied to abolish the Church and all revealed religion, and had set up a new-old standard of natural faith and morals. Of this philosophy Pope had small knowledge; but he was well acquainted with the discredited Bolingbroke, his "guide, philosopher and friend," who was a fluent exponent of the new doctrine, and from Bolingbroke came the general scheme of the Essay on Man.
The poem appears in the form of four epistles, dealing with man's place in the universe, with his moral nature, with social and political ethics, and with the problem of happiness. These were discussed from a common-sense viewpoint, and with feet always on solid earth. As Pope declares:
Know then thyself, presume not God to scan;
The proper study of mankind is man….
Created half to rise, and half to fall;
Great lord of all things, yet a prey to all;
Sole judge of truth, in endless error hurled;
The glory, jest and riddle of the world.