LIFE. Very little is known of Spenser; he appears in the light, then vanishes into the shadow, like his Arthur of The Faery Queen. We see him for a moment in the midst of rebellion in Ireland, or engaged in the scramble for preferment among the queen's favorites; he disappears, and from his obscurity comes a poem that is like the distant ringing of a chapel bell, faintly heard in the clatter of the city streets. We shall try here to understand this poet by dissolving some of the mystery that envelops him.

He was born in London, and spent his youth amid the political and religious dissensions of the times of Mary and Elizabeth. For all this turmoil Spenser had no stomach; he was a man of peace, of books, of romantic dreams. He was of noble family, but poor; his only talent was to write poetry, and as poetry would not buy much bread in those days, his pride of birth was humbled in seeking the patronage of nobles:

Full little knowest thou, that hast not tried,
What hell it is in suing long to bide: …
To fawn, to crouch, to wait, to ride, to run,
To spend, to give, to want, to be undone.

To the liberality of a patron he owed his education at Cambridge. It was then the heyday of Renaissance studies, and Spenser steeped himself in Greek, Latin and Italian literatures. Everything that was antique was then in favor at the universities; there was a revival of interest in Old-English poetry, which accounts largely for Spenser's use of obsolete words and his imitation of Chaucer's spelling.

After graduation he spent some time in the north of England, probably as a tutor, and had an unhappy love affair, which he celebrated in his poems to Rosalind. Then he returned to London, lived by favor in the houses of Sidney and Leicester, and through these powerful patrons was appointed secretary to Lord Grey de Wilton, the queen's deputy in Ireland.

[Illustration: EDMUND SPENSER]

[Sidenote: SPENSER'S EXILE]

From this time on our poet is represented as a melancholy Spenser's "exile," but that is a poetic fiction. At that time Ireland, having refused to follow the Reformation, was engaged in a desperate struggle for civil and religious liberty. Every English army that sailed to crush this rebellion was accompanied by a swarm of parasites, each inspired by the hope of getting one of the rich estates that were confiscated from Irish owners. Spenser seems to have been one of these expectant adventurers who accompanied Lord Grey in his campaign of brutality. To the horrors of that campaign the poet was blind; [Footnote: The barbarism of Spenser's view, a common one at that time, is reflected in his View of the Present State of Ireland. Honorable warfare on land or sea was unknown in Elizabeth's day. Scores of pirate ships of all nations were then openly preying on commerce. Drake, Frobisher and many other Elizabethan "heroes" were at times mere buccaneers who shared their plunder with the queen. In putting down the Irish rebellion Lords Grey and Essex used some of the same horrible methods employed by the notorious Duke of Alva in the Netherlands.] his sympathies were all for his patron Grey, who appears in The Faery Queen as Sir Artegall, "the model of true justice."

For his services Spenser was awarded the castle of Kilcolman and 3000 acres of land, which had been taken from the Earl of Desmond. In the same way Raleigh became an Irish landlord, with 40,000 acres to his credit; and so these two famous Elizabethans were thrown together in exile, as they termed it. Both longed to return to England, to enjoy London society and the revenues of Irish land at the same time, but unfortunately one condition of their immense grants was that they should occupy the land and keep the rightful owners from possessing it.

[Sidenote: WORK IN IRELAND]