With these thoughts in my mind, I was speeding with the train toward Buffalo, when, near that city, the sight of a workman doing something on the dizzy edge of a sky-scaling iron construction brought me to my senses very suddenly. And now I perceived, by a flash of insight, that I had been steeping myself in pure ancestral blindness, and looking at life with the eyes of a remote spectator. Wishing for heroism and the spectacle of human nature on the rack, I had never noticed the great fields of heroism lying round about me, I had failed to see it present and alive. I could only think of it as dead and embalmed, labelled and costumed, as it is in the pages of romance. And yet there it was before me in the daily lives of the laboring classes. Not in clanging fights and desperate marches only is heroism to be looked for, but on every railway bridge and fire-proof building that is going up to-day. On freight-trains, on the decks of vessels, in cattle-yards and mines, on lumber-rafts, among the firemen and the policemen, the demand for courage is incessant; and the supply never fails. There, every day of the year somewhere, is human nature in extremis for you. And wherever a scythe, an axe, a pick, or a shovel is wielded, you have it sweating and aching and with its powers of patient endurance racked to the utmost under the length of hours of the strain.
As I awoke to all this unidealized heroic life around me, the scales seemed to fall from my eyes; and a wave of sympathy greater than anything I had ever before felt with the common life of common men began to fill my soul. It began to seem as if virtue with horny hands and dirty skin were the only virtue genuine and vital enough to take account of. Every other virtue poses; none is absolutely unconscious and simple, and unexpectant of decoration or recognition, like this. These are our soldiers, thought I, these our sustainers, these the very parents of our life.
Many years ago, when in Vienna, I had had a similar feeling of awe and reverence in looking at the peasant-women, in from the country on their business at the market for the day. Old hags many of them were, dried and brown and wrinkled, kerchiefed and short-petticoated, with thick wool stockings on their bony shanks, stumping through the glittering thoroughfares, looking neither to the right nor the left, bent on duty, envying nothing, humble-hearted, remote;—and yet at bottom, when you came to think of it, bearing the whole fabric of the splendors and corruptions of that city on their laborious backs. For where would any of it have been without their unremitting, unrewarded labor in the fields? And so with us: not to our generals and poets, I thought, but to the Italian and Hungarian laborers in the Subway, rather, ought the monuments of gratitude and reverence of a city like Boston to be reared.
If any of you have been readers of Tolstoï, you will see that I passed into a vein of feeling similar to his, with its abhorrence of all that conventionally passes for distinguished, and its exclusive deification of the bravery, patience, kindliness, and dumbness of the unconscious natural man.
Where now is our Tolstoï, I said, to bring the truth of all this home to our American bosoms, fill us with a better insight, and wean us away from that spurious literary romanticism on which our wretched culture—as it calls itself—is fed? Divinity lies all about us, and culture is too hidebound to even suspect the fact. Could a Howells or a Kipling be enlisted in this mission? or are they still too deep in the ancestral blindness, and not humane enough for the inner joy and meaning of the laborer's existence to be really revealed? Must we wait for some one born and bred and living as a laborer himself, but who, by grace of Heaven, shall also find a literary voice?
And there I rested on that day, with a sense of widening of vision, and with what it is surely fair to call an increase of religious insight into life. In God's eyes the differences of social position, of intellect, of culture, of cleanliness, of dress, which different men exhibit, and all the other rarities and exceptions on which they so fantastically pin their pride, must be so small as practically quite to vanish; and all that should remain is the common fact that here we are, a countless multitude of vessels of life, each of us pent in to peculiar difficulties, with which we must severally struggle by using whatever of fortitude and goodness we can summon up. The exercise of the courage, patience, and kindness, must be the significant portion of the whole business; and the distinctions of position can only be a manner of diversifying the phenomenal surface upon which these underground virtues may manifest their effects. At this rate, the deepest human life is everywhere, is eternal. And, if any human attributes exist only in particular individuals, they must belong to the mere trapping and decoration of the surface-show.
Thus are men's lives levelled up as well as levelled down,—levelled up in their common inner meaning, levelled down in their outer gloriousness and show. Yet always, we must confess, this levelling insight tends to be obscured again; and always the ancestral blindness returns and wraps us up, so that we end once more by thinking that creation can be for no other purpose than to develop remarkable situations and conventional distinctions and merits. And then always some new leveller in the shape of a religious prophet has to arise—the Buddha, the Christ, or some Saint Francis, some Rousseau or Tolstoï—to redispel our blindness. Yet, little by little, there comes some stable gain; for the world does get more humane, and the religion of democracy tends toward permanent increase.
This, as I said, became for a time my conviction, and gave me great content. I have put the matter into the form of a personal reminiscence, so that I might lead you into it more directly and completely, and so save time. But now I am going to discuss the rest of it with you in a more impersonal way.
Tolstoï's levelling philosophy began long before he had the crisis of melancholy commemorated in that wonderful document of his entitled 'My Confession,' which led the way to his more specifically religious works. In his masterpiece 'War and Peace,'—assuredly the greatest of human novels,—the rôle of the spiritual hero is given to a poor little soldier named Karataïeff, so helpful, so cheerful, and so devout that, in spite of his ignorance and filthiness, the sight of him opens the heavens, which have been closed, to the mind of the principal character of the book; and his example evidently is meant by Tolstoï to let God into the world again for the reader. Poor little Karataïeff is taken prisoner by the French; and, when too exhausted by hardship and fever to march, is shot as other prisoners were in the famous retreat from Moscow. The last view one gets of him is his little figure leaning against a white birch-tree, and uncomplainingly awaiting the end.
"The more," writes Tolstoï in the work 'My Confession,' "the more I examined the life of these laboring folks, the more persuaded I became that they veritably have faith, and get from it alone the sense and the possibility of life.... Contrariwise to those of our own class, who protest against destiny and grow indignant at its rigor, these people receive maladies and misfortunes without revolt, without opposition, and with a firm and tranquil confidence that all had to be like that, could not be otherwise, and that it is all right so.... The more we live by our intellect, the less we understand the meaning of life. We see only a cruel jest in suffering and death, whereas these people live, suffer, and draw near to death with tranquillity, and oftener than not with joy.... There are enormous multitudes of them happy with the most perfect happiness, although deprived of what for us is the sole good of life. Those who understand life's meaning, and know how to live and die thus, are to be counted not by twos, threes, tens, but by hundreds, thousands, millions. They labor quietly, endure privations and pains, live and die, and throughout everything see the good without seeing the vanity. I had to love these people. The more I entered into their life, the more I loved them; and the more it became possible for me to live, too. It came about not only that the life of our society, of the learned and of the rich, disgusted me—more than that, it lost all semblance of meaning in my eyes. All our actions, our deliberations, our sciences, our arts, all appeared to me with a new significance. I understood that these things might be charming pastimes, but that one need seek in them no depth, whereas the life of the hard-working populace, of that multitude of human beings who really contribute to existence, appeared to me in its true light. I understood that there veritably is life, that the meaning which life there receives is the truth; and I accepted it."[A]