To Henry James.
CAMBRIDGE, June 5, 1897.
Dear H.,—Alice wrote you (I think) a brief word after the crisis of last Monday. It took it out of me nervously a good deal, for it came at the end of the month of May, when I am always fagged to death; and for a week previous I had almost lost my voice with hoarseness. At nine o'clock the night before I ran in to a laryngologist in Boston, who sprayed and cauterized and otherwise tuned up my throat, giving me pellets to suck all the morning. By a sort of miracle I spoke for three-quarters of an hour without becoming perceptibly hoarse. But it is a curious kind of physical effort to fill a hall as large as Boston Music Hall, unless you are trained to the work. You have to shout and bellow, and you seem to yourself wholly unnatural. The day was an extraordinary occasion for sentiment. The streets were thronged with people, and I was toted around for two hours in a barouche at the tail end of the procession. There were seven such carriages in all, and I had the great pleasure of being with St. Gaudens, who is a most charming and modest man. The weather was cool and the skies were weeping, but not enough to cause any serious discomfort. They simply formed a harmonious background to the pathetic sentiment that reigned over the day. It was very peculiar, and people have been speaking about it ever since—the last wave of the war breaking over Boston, everything softened and made poetic and unreal by distance, poor little Robert Shaw erected into a great symbol of deeper things than he ever realized himself,—"the tender grace of a day that is dead,"—etc. We shall never have anything like it again. The monument is really superb, certainly one of the finest things of this century. Read the darkey [Booker T.] Washington's speech, a model of elevation and brevity. The thing that struck me most in the day was the faces of the old 54th soldiers, of whom there were perhaps about thirty or forty present, with such respectable old darkey faces, the heavy animal look entirely absent, and in its place the wrinkled, patient, good old darkey citizen.
As for myself, I will never accept such a job again. It is entirely outside of my legitimate line of business, although my speech seems to have been a great success, if I can judge by the encomiums which are pouring in upon me on every hand. I brought in some mugwumpery at the end, but it was very difficult to manage it.... Always affectionately yours,
WM. JAMES.
Letters to Ellen and Rosina Emmet, which now enter the series, will be the better understood for a word of reminder. "Elly" Temple, one of the Newport cousins referred to in the very first letters, had married, and gone with her husband, Temple Emmet, to California. But in 1887, after his death, she had returned to the East to place her daughters in a Cambridge school. In 1895 and 1896 Ellen and Rosina had made several visits to the house in Irving Street; and thus the comradely cousinship of the sixties had been maintained and reëstablished with the younger generation. At the date now reached, Ellen, or "Bay" as she was usually called, was studying painting. She and Rosina had been in Paris during the preceding winter. Now they and their mother were spending the summer on the south coast of England, at Iden, quite close to Rye, where Henry James was already becoming established.
To Miss Ellen Emmet (Mrs. Blanchard Rand).
Bar Harbor, Me., Aug. 11, 1897.
Dear Old Bay (and dear Rosina),—For I have letters from both of you and my heart inclines to both so that I can't write to either without the other—I hope you are enjoying the English coast. A rumor reached me not long since that my brother Henry had given up his trip to the Continent in order to be near to you, and I hope for the sakes of all concerned that it is true. He will find in you both that eager and vivid artistic sense, and that direct swoop at the vital facts of human character from which I am sure he has been weaned for fifteen years at least. And I am sure it will rejuvenate him again. It is more Celtic than English, and when joined with those faculties of soul, conscience, or whatever they be that make England rule the waves, as they are joined in you, Bay, they leave no room for any anxiety about the creature's destiny. But Rosina, who is all senses and intelligence, alarms me by her recital of midnight walks on the Boulevard des Italiens with bohemian artists.... You can't live by gaslight and excitement, nor can naked intelligence run a jeune fille's life. Affections, pieties, and prejudices must play their part, and only let the intelligence get an occasional peep at things from the midst of their smothering embrace. That again is what makes the British nation so great. Intelligence doesn't flaunt itself there quite naked as in France.
As for the MacMonnies Bacchante,[15] I only saw her faintly looming through the moon-light one night when she was sub judice, so can frame no opinion. The place certainly calls for a lightsome capricious figure, but the solemn Boston mind declared that anything but a solemn figure would be desecration. As to her immodesty, opinions got very hot. My knowledge of MacMonnies is confined to one statue, that of Sir Henry Vane, also in our Public Library, an impressionist sketch in bronze (I think), sculpture treated like painting—and I must say I don't admire the result at all. But you know; and I wish I could see other things of his also. How I wish I could talk with Rosina, or rather hear her talk, about Paris, talk in her French which I doubt not is by this time admirable. The only book she has vouchsafed news of having read, to me, is the d'Annunzio one, which I have ordered in most choice Italian; but of Lemaître, France, etc., she writes never a word. Nor of V. Hugo. She ought to read "La Légende des Siècles." For the picturesque pure and simple, go there! laid on with a trowel so generous that you really get your glut. But the things in French literature that I have gained most from—the next most to Tolstoy, in the last few years—are the whole cycle of Geo. Sand's life: her "Histoire," her letters, and now lately these revelations of the de Musset episode. The whole thing is beautiful and uplifting—an absolute "liver" harmoniously leading her own life and neither obedient nor defiant to what others expected or thought.