Now not one of these assumptions is true. The thought taken as an example is, in the first place, not of 'a pack of cards.' It is of 'the-pack-of-cards-is-on-the-table,' an entirely different subjective phenomenon, whose Object implies the pack, and every one of the cards in it, but whose conscious constitution bears very little resemblance to that of the thought of the pack per se. What a thought is, and what it may be developed into, or explained to stand for, and be equivalent to, are two things, not one.[251]
An analysis of what passes through the mind as we utter the phrase the pack of cards is on the table will, I hope, make this clear, and may at the same time condense into a concrete example a good deal of what has gone before.
Fig. 29.—The Stream of Consciousness.
It takes time to utter the phrase. Let the horizontal line in Fig. 29 represent time. Every part of it will then stand for a fraction, every point for an instant, of the time. Of course the thought has time-parts. The part 2-3 of it, though continuous with 1-2, is yet a different part from 1-2. Now I say of these time-parts that we cannot take any one of them so short that it will not after some fashion or other be a thought of the whole object 'the pack of cards is on the table.' They melt into each other like dissolving views, and no two of them feel the object just alike, but each feels the total object in a unitary undivided way. This is what I mean by denying that in the thought any parts can be found corresponding to the object's parts. Time-parts are not such parts.
Now let the vertical dimensions of the figure stand for the objects or contents of the thoughts. A line vertical to any point of the horizontal, as 1-1', will then symbolize the object in the mind at the instant 1; a space above the horizontal, as 1-1'-2'-2, will symbolize all that passes through the mind during the time 1-2 whose line it covers. The entire diagram from 0 to 0' represents a finite length of thought's stream.
Can we now define the psychic constitution of each vertical section of this segment? We can, though in a very rough way. Immediately after 0, even before we have opened our mouths to speak, the entire thought is present to our mind in the form of an intention to utter that sentence. This intention, though it has no simple name, and though it is a transitive state immediately displaced by the first word, is yet a perfectly determinate phase of thought, unlike anything else (see [p. 253]). Again, immediately before 0', after the last word of the sentence is spoken, all will admit that we again think its entire content as we inwardly realize its completed deliverance. All vertical sections made through any other parts of the diagram will be respectively filled with other ways of feeling the sentence's meaning. Through 2, for example, the cards will be the part of the object most emphatically present to the mind; through 4, the table. The stream is made higher in the drawing at its end than at its beginning, because the final way of feeling the content is fuller and richer than the initial way. As Joubert says, "we only know just what we meant to say, after we have said it." And as M. V. Egger remarks, "before speaking, one barely knows what one intends to say, but afterwards one is filled with admiration and surprise at having said and thought it so well."
This latter author seems to me to have kept at much closer quarters with the facts than any other analyst of consciousness.[252] But even he does not quite hit the mark, for, as I understand him, he thinks that each word as it occupies the mind displaces the rest of the thought's content. He distinguishes the 'idea' (what I have called the total object or meaning) from the consciousness of the words, calling the former a very feeble state, and contrasting it with the liveliness of the words, even when these are only silently rehearsed. "The feeling," he says, "of the words makes ten or twenty times more noise in our consciousness than the sense of the phrase, which for consciousness is a very slight matter."[253] And having distinguished these two things, he goes on to separate them in time, saying that the idea may either precede or follow the words, but that it is a 'pure illusion' to suppose them simultaneous.[254] Now I believe that in all cases where the words are understood, the total idea may be and usually is present not only before and after the phrase has been spoken, but also whilst each separate word is uttered.[255] It is the overtone, halo, or fringe of the word, as spoken in that sentence. It is never absent; no word in an understood sentence comes to consciousness as a mere noise. We feel its meaning as it passes; and although our object differs from one moment to another as to its verbal kernel or nucleus, yet it is similar throughout the entire segment of the stream. The same object is known everywhere, now from the point of view, if we may so call it, of this word, now from the point of view of that. And in our feeling of each word there chimes an echo or foretaste of every other. The consciousness of the 'Idea' and that of the words are thus consubstantial. They are made of the same 'mind-stuff,' and form an unbroken stream. Annihilate a mind at any instant, cut its thought through whilst yet uncompleted, and examine the object present to the cross-section thus suddenly made; you will find, not the bald word in process of utterance, but that word suffused with the whole idea. The word may be so loud, as M. Egger would say, that we cannot tell just how its suffusion, as such, feels, or how it differs from the suffusion of the next word. But it does differ; and we maybe sure that, could we see into the brain, we should find the same processes active through the entire sentence in different degrees, each one in turn becoming maximally excited and then yielding the momentary verbal 'kernel,' to the thought's content, at other times being only sub-excited, and then combining with the other sub-excited processes to give the overtone or fringe.[256]
