Mr. Hodgson replies:
"There can be but one answer: that which has been most habitually combined with them before. This new object begins at once to form itself in consciousness, and to group its parts round the part still remaining from the former object; part after part comes out and arranges itself in its old position; but scarcely has the process begun, when the original law of interest begins to operate on this new formation, seizes on the interesting parts and impresses them on the attention to the exclusion of the rest, and the whole process is repeated again with endless variety. I venture to propose this as a complete and true account of the whole process of redintegration."
In restricting the discharge from the interesting item into that channel which is simply most habitual in the sense of most frequent, Hodgson's account is assuredly imperfect. An image by no means always revives its most frequent associate, although frequency is certainly one of the most potent determinants of revival. If I abruptly utter the word swallow, the reader, if by habit an ornithologist, will think of a bird; if a physiologist or a medical specialist in throat diseases, he will think of deglutition. If I say date, he will, if a fruit-merchant or an Arabian traveller, think of the produce of the palm; if an habitual student of history, figures with a.d. or b.c. before them will rise in his mind. If I say bed, bath, morning, his own daily toilet will be invincibly suggested by the combined names of three of its habitual associates. But frequent lines of transition are often set at naught. The sight of C. Goring's 'System der kritischen Philosophie' has most frequently awakened in me thoughts of the opinions therein propounded. The idea of suicide has never been connected with the volumes. But a moment since, as my eye fell upon them, suicide was the thought that flashed into my mind. Why? Because but yesterday I received a letter from Leipzig informing me that this philosopher's recent death by drowning was an act of self-destruction. Thoughts tend, then, to awaken their most recent as well as their most habitual associates. This is a matter of notorious experience, too notorious, in fact, to need illustration. If we have seen our friend this morning, the mention of his name now recalls the circumstances of that interview, rather than any more remote details concerning him. If Shakespeare's plays are mentioned, and we were last night reading 'Richard II.,' vestiges of that play rather than of 'Hamlet' or 'Othello' float through our mind. Excitement of peculiar tracts, or peculiar modes of general excitement in the brain, leave a sort of tenderness or exalted sensibility behind them which takes days to die away. As long as it lasts, those tracts or those modes are liable to have their activities awakened by causes which at other times might leave them in repose. Hence, recency in experience is a prime factor in determining revival in thought.[482]
Vividness in an original experience may also have the same effect as habit or recency in bringing about likelihood of revival. If we have once witnessed an execution, any subsequent conversation or reading about capital punishment will almost certainly suggest images of that particular scene. Thus it is that events lived through only once, and in youth, may come in after-years, by reason of their exciting quality or emotional intensity, to serve as types or instances used by our mind to illustrate any and every occurring topic whose interest is most remotely pertinent to theirs. If a man in his boyhood once talked with Napoleon, any mention of great men or historical events, battles or thrones, or the whirligig of fortune, or islands in the ocean, will be apt to draw to his lips the incidents of that one memorable interview. If the word tooth now suddenly appears on the page before the reader's eye, there are fifty chances out of a hundred that, if he gives it time to awaken any image, it will be an image of some operation of dentistry in which he has been the sufferer. Daily he has touched his teeth and masticated with them; this very morning he brushed them, chewed his breakfast and picked them; but the rarer and remoter associations arise more promptly because they were so much more intense.[483]
A fourth factor in tracing the course of reproduction is congruity in emotional tone between the reproduced idea and our mood. The same objects do not recall the same associates when we are cheerful as when we are melancholy. Nothing, in fact, is more striking than our utter inability to keep up trains of joyous imagery when we are depressed in spirits. Storm, darkness, war, images of disease, poverty, and perishing afflict unremittingly the imaginations of melancholiacs. And those of sanguine temperament, when their spirits are high, find it impossible to give any permanence to evil forebodings or to gloomy thoughts. In an instant the train of association dances off to flowers and sunshine, and images of spring and hope. The records of Arctic or African travel perused in one mood awaken no thoughts but those of horror at the malignity of Nature; read at another time they suggest only enthusiastic reflections on the indomitable power and pluck of man. Few novels so overflow with joyous animal spirits as 'The Three Guardsmen' of Dumas. Yet it may awaken in the mind of a reader depressed with sea-sickness (as the writer can personally testify) a most dismal and woeful consciousness of the cruelty and carnage of which heroes like Athos, Porthos, and Aramis make themselves guilty.
Habit, recency, vividness, and emotional congruity are, then, all reasons why one representation rather than another should be awakened by the interesting portion of a departing thought. We may say with truth that in the majority of cases the coming representation will have been either habitual, recent, or vivid, and will be congruous. If all these qualities unite in any one absent associate, we may predict almost infallibly that that associate of the going thought will form an important ingredient in the coming thought. In spite of the fact, however, that the succession of representations is thus redeemed from perfect indeterminism and limited to a few classes whose characteristic quality is fixed by the nature of our past experience, it must still be confessed that an immense number of terms in the linked chain of our representations fall outside of all assignable rule. To take the instance of the clock given on [page 586]. Why did the jeweller's shop suggest the shirt-studs rather than a chain which I had bought there more recently, which had cost more, and whose sentimental associations were much more interesting? Both chain and studs had excited brain-tracts simultaneously with the shop. The only reason why the nerve-stream from the shop-tract switched off into the stud-tract rather than into the chain-tract must be that the stud-tract happened at that moment to lie more open, either because of some accidental alteration in its nutrition or because the incipient sub-conscious tensions of the brain as a whole had so distributed their equilibrium, that it was more unstable here than in the chain-tract. Any reader's introspection will easily furnish similar instances. It thus remains true that to a certain extent, even in those forms of ordinary mixed association which lie nearest to impartial redintegration, which associate of the interesting item shall emerge must be called largely a matter of accident—accident, that is, for our intelligence. No doubt it is determined by cerebral causes, but they are too subtile and shifting for our analysis.
ASSOCIATION BY SIMILARITY.
In partial or mixed association we have all along supposed the interesting portion of the disappearing thought to be of considerable extent, and to be sufficiently complex to constitute by itself a concrete object. Sir William Hamilton relates, for instance, that after thinking of Ben Lomond he found himself thinking of the Prussian system of education, and discovered that the links of association were a German gentleman whom he had met on Ben Lomond, Germany, etc. The interesting part of Ben Lomond, as he had experienced it, the part operative in determining the train of his ideas was the complex image of a particular man. But now let us suppose that that selective agency of interested attention, which may thus convert impartial redintegration into partial association—let us suppose that it refines itself still further and accentuates a portion of the passing thought, so small as to be no longer the image of a concrete thing, but only of an abstract quality or property. Let us moreover suppose that the part thus accentuated persists in consciousness (or, in cerebral terms, has its brain-process continue) after the other portions of the thought have faded. This small surviving portion will then surround itself with its own associates after the fashion we have already seen, and the relation between the new thought's object and the object of the faded thought will be a relation of similarity. The pair of thoughts will form an instance of what is called 'Association by Similarity.'[484]
The similars which are here associated, or of which the first is followed by the second in the mind, are seen to be compounds. Experience proves that this is always the case. There is no tendency on the part of simple 'ideas,' attributes, or qualities to remind us of their like. The thought of one shade of blue does not remind us of that of another shade of blue, etc., unless indeed we have in mind some general purpose like naming the tint, when we should naturally think of other blues of the scale, through 'mixed association' of purpose, names, and tints, together. But there is no elementary tendency of pure qualities to awaken their similars in the mind.