REACTION-TIME.
One of the lines of experimental investigation most diligently followed of late years is that of the ascertainment of the time occupied by nervous events. Helmholtz led off by discovering the rapidity of the current in the sciatic nerve of the frog. But the methods he used were soon applied to the sensory nerves and the centres, and the results caused much popular scientific admiration when described as measurements of the 'velocity of thought.' The phrase 'quick as thought' had from time immemorial signified all that was wonderful and elusive of determination in the line of speed; and the way in which Science laid her doomful hand upon this mystery reminded people of the day when Franklin first 'eripuit cœlo fulmen,' foreshadowing the reign of a newer and colder race of gods. We shall take up the various operations measured, each in the chapter to which it more naturally pertains. I may say, however, immediately, that the phrase 'velocity of thought' is misleading, for it is by no means clear in any of the cases what particular act of thought occurs during the time which is measured. 'Velocity of nerve-action' is liable to the same criticism, for in most cases we do not know what particular nerve-processes occur. What the times in question really represent is the total duration of certain reactions upon stimuli. Certain of the conditions of the reaction are prepared beforehand; they consist in the assumption of those motor and sensory tensions which we name the expectant state. Just what happens during the actual time occupied by the reaction (in other words, just what is added to the pre-existent tensions to produce the actual discharge) is not made out at present, either from the neural or from the mental point of view.
The method is essentially the same in all these investigations. A signal of some sort is communicated to the subject, and at the same instant records itself on a time-registering apparatus. The subject then makes a muscular movement of some sort, which is the 'reaction,' and which also records itself automatically. The time found to have elapsed between the two records is the total time of that observation. The time-registering instruments are of various types. One type is that of the revolving drum covered with smoked paper, on which one electric pen traces a line which the signal breaks and the 'reaction' draws again; whilst another electric pen (connected with a pendulum or a rod of metal vibrating at a known rate) traces alongside of the former line a 'time-line' of which each undulation or link stands for a certain fraction of a second, and against which the break in the reaction-line can be measured. Compare Fig. 21, where the line is broken by the signal at the first arrow, and continued again by the reaction at the second. Ludwig's Kymograph, Marey's Chronograph are good examples of this type of instrument.
Fig. 21.
Another type of instrument is represented by the stopwatch, of which the most perfect form is Hipp's Chronoscope. The hand on the dial measures intervals as short as 1/1000 of a second. The signal (by an appropriate electric connection) starts it; the reaction stops it; and by reading off its initial and terminal positions we have immediately and with no farther trouble the time we seek. A still simpler instrument, though one not very satisfactory in its working, is the 'psychodometer' of Exner & Obersteiner, of which I picture a modification devised by my colleague Professor H. P. Bowditch, which works very well.
Fig. 22.—Bowditch's Reaction-timer. F, tuning-fork carrying a little plate which holds the paper on which the electric pen M makes the tracing, and sliding in grooves on the base-board. P, a plug which spreads the prongs of the fork apart when it is pushed forward to its extreme limit, and releases them when it is drawn back to a certain point. The fork then vibrates, and, its backward movement continuing, an undulating line is drawn on the smoked paper by the pen. At T is a tongue fixed to the carriage of the fork, and at K an electric key which the tongue opens and with which the electric pen is connected. At the instant of opening, the pen changes its place and the undulating line is drawn at a different level on the paper. The opening can be made to serve as a signal to the reacter in a variety of ways, and his reaction can be made to close the pen again, when the line returns to its first level. The reaction time = the number of undulations traced at the second level.
The manner in which the signal and reaction are connected with the chronographic apparatus varies indefinitely in different experiments. Every new problem requires some new electric or mechanical disposition of apparatus.[106]
The least complicated time-measurement is that known as simple reaction-time, in which there is but one possible signal and one possible movement, and both are known in advance. The movement is generally the closing of an electric key with the hand. The foot, the jaw, the lips, even the eyelid, have been in turn made organs of reaction, and the apparatus has been modified accordingly.[107] The time usually elapsing between stimulus and movement lies between one and three tenths of a second, varying according to circumstances which will be mentioned anon.