"The vividness of the first conception," he writes, "diffuses itself along the relations and is conveyed, as by so many pipes or channels, to every idea that has any communication with the primary one.... Superstitious people are fond of the relics of saints and holy men, for the same reason that they seek after types and images, in order to enliven their devotion and give them a more intimate and strong conception of those exemplary lives.... Now, 'tis evident one of the best relics a devotee could procure would be the handiwork of a saint, and if his clothes and furniture are ever to be considered in this light, 'tis because they were once at his disposal, and were moved and affected by him; in which respect they are... connected with him by a shorter train of consequences than any of those from which we learn the reality of his existence. This phenomenon clearly proves that a present impression, with a relation of causation, may enliven any idea, and consequently produce belief or assent, according to the precedent definition of it.... It has been remarked among the Mahometans as well as Christians that those pilgrims who have seen Mecca or the Holy Land are ever after more faithful and zealous believers than those who have not had that advantage. A man whose memory presents him with a lively image of the Red Sea and the Desert and Jerusalem and Galilee can never doubt of any miraculous events which are related either by Moses or the Evangelists. The lively idea of the places passes by an easy transition to the facts which are supposed to have been related to them by contiguity, and increases the belief by increasing the vivacity of the conception. The remembrance of those fields and rivers has the same influence as a new argument.... The ceremonies of the Catholic religion may be considered as instances of the same nature. The devotees of that strange superstition usually plead in excuse for the mummeries with which they are upbraided that they feel the good effect of external motions and postures and actions in enlivening their devotion and quickening their fervor, which otherwise would decay, if directed entirely to distant and immaterial objects. We shadow out the objects of our faith, say they, in sensible types and images, and render them more present to us by the immediate presence of these types than it is possible for us to do merely by an intellectual view and contemplation."[305]
Hume's cases are rather trivial; and the things which associated sensible objects make us believe in are supposed by him to be unreal. But all the more manifest for that is the fact of their psychological influence. Who does not 'realize' more the fact of a dead or distant friend's existence, at the moment when a portrait, letter, garment or other material reminder of him is found? The whole notion of him then grows pungent and speaks to us and shakes us, in a manner unknown at other times. In children's minds, fancies and realities live side by side. But however lively their fancies may be, they still gain help from association with reality. The imaginative child identifies its dramatis personæ with some doll or other material object, and this evidently solidifies belief, little as it may resemble what it is held to stand for. A thing not too interesting by its own real qualities generally does the best service here. The most useful doll I ever saw was a large cucumber in the hands of a little Amazonian-Indian girl; she nursed it and washed it and rocked it to sleep in a hammock, and talked to it all day long—there was no part in life which the cucumber did not play. Says Mr. Tylor:
"An imaginative child will make a dog do duty for a horse, or a soldier for a shepherd, till at last the objective resemblance almost disappears, and a bit of wood may be dragged about, resembling a ship on the sea or a coach on the road. Here the likeness of the bit of wood to a ship or coach is very slight indeed; but it is a thing, and can be moved about,... and is an evident assistance to the child in enabling it to arrange and develop its ideas.... Of how much use... may be seen by taking it away, and leaving the child nothing to play with.... In later years and among highly educated people the mental process which goes on in a child's playing with wooden soldiers and horses, though it never disappears, must be sought for in more complex phenomena. Perhaps nothing in after-life more closely resembles the effect of a doll upon a child than the effect of the illustrations of a tale upon a grown reader. Here the objective resemblance is very indefinite... yet what reality is given to the scene by a good picture.... Mr. Backhouse one day noticed in Van Diemen's Land a woman arranging several stones that were flat, oval, and about two inches wide, and marked in various directions with black and red lines. These, he learned, represented absent friends, and one larger than the rest stood for a fat native woman on Flinder's Island, known by the name of Mother Brown. Similar practices are found among far higher races than the ill-fated Tasmanians. Among some North American tribes a mother who has lost a child keeps its memory ever present to her by filling its cradle with black feathers and quills, and carrying it about with her for a year or more. When she stops anywhere, she sets up the cradle and talks to it as she goes about her work, just as she would have done if the dead body had been still alive within it. Here we have an image; but in Africa we find a rude doll representing the child, kept as a memorial.... Bastian saw Indian women in Peru who had lost an infant carrying about on their backs a wooden doll to represent it."[306]
To many persons among us, photographs of lost ones seem to be fetishes. They, it is true, resemble; but the fact that the mere materiality of the reminder is almost as important as its resemblance is shown by the popularity a hundred years ago of the black taffeta 'silhouettes' which are still found among family relics, and of one of which Fichte could write to his affianced: 'Die Farbe fehlt, das Auge fehlt, es fehlt der himmlische Ausdruck deiner lieblichen Züge'—and yet go on worshipping it all the same. The opinion so stoutly professed by many, that language is essential to thought, seems to have this much of truth in it, that all our inward images tend invincibly to attach themselves to something sensible, so as to gain in corporeity and life. Words serve this purpose, gestures serve it, stones, straws, chalk-marks, anything will do. As soon as anyone of these things stands for the idea, the latter seems to be more real. Some persons, the present writer among the number, can hardly lecture without a blackboard: the abstract conceptions must be symbolized by letters, squares or circles, and the relations between them by lines. All this symbolism, linguistic, graphic, and dramatic, has other uses too, for it abridges thought and fixes terms. But one of its uses is surely to rouse the believing reaction and give to the ideas a more living reality. As, when we are told a story, and shown the very knife that did the murder, the very ring whose hiding-place the clairvoyant revealed, the whole thing passes from fairy-land to mother-earth, so here we believe all the more, if only we see that 'the bricks are alive to tell the tale.'
So much for the prerogative position of sensations in regard to our belief. But among the sensations themselves all are not deemed equally real. The more practically important ones, the more permanent ones, and the more æsthetically apprehensible ones are selected from the mass, to be believed in most of all; the others are degraded to the position of mere signs and suggestions of these. This fact has already been adverted to in former chapters.[307] The real color of a thing is that one color-sensation which it gives us when most favorably lighted for vision. So of its real size, its real shape, etc.—these are but optical sensations selected out of thousands of others, because they have æsthetic characteristics which appeal to our convenience or delight. But I will not repeat what I have already written about this matter, but pass on to our treatment of tactile and muscular sensations, as 'primary qualities,' more real than those 'secondary' qualities which eye and ear and nose reveal. Why do we thus so markedly select the tangible to be the real? Our motives are not far to seek. The tangible qualities are the least fluctuating. When we get them at all we get them the same. The other qualities fluctuate enormously as our relative position to the object changes. Then, more decisive still, the tactile properties are those most intimately connected with our weal or woe. A dagger hurts us only when in contact with our skin, a poison only when we take it into our mouths, and we can only use an object for our advantage when we have it in our muscular control. It is as tangibles, then, that things concern us most; and the other senses, so far as their practical use goes, do but warn us of what tangible things to expect. They are but organs of anticipatory touch, as Berkeley has with perfect clearness explained.[308]
Among all sensations, the most belief-compelling are those productive of pleasure or of pain. Locke expressly makes the pleasure- or pain-giving quality to be the ultimate human criterion of anything's reality. Discussing (with a supposed Berkeleyan before Berkeley) the notion that all our perceptions may be but a dream, he says:
"He may please to dream that I make him this answer... that I believe he will allow a very manifest difference between dreaming of being in the fire and being actually in it. But yet if he be resolved to appear so sceptical as to maintain that what I call being actually in the fire is nothing but a dream, and that we cannot thereby certainly know that any such thing as fire actually exists without us, I answer that we, certainly finding that pleasure or pain [or emotion of any sort] follows upon the application of certain objects to us, whose existence we perceive, or dream that we perceive by our senses, this certainly is as great as our happiness or misery, beyond which we have no concernment to know or to be."[309]