But the E does not seem to form an integral part of the I. It appears adventitious and indeterminate in advance. We can make more or less as we please, and if we make enough we can convert the greatest mental resistance into the least. Such, at least, is the impression which the facts spontaneously produce upon us. But we will not discuss the truth of this impression at present; let us rather continue our descriptive detail.

PLEASURE AND PAIN AS SPRINGS OF ACTION.

Objects and thoughts of objects start our action, but the pleasures and pains which action brings modify its course and regulate it; and later the thoughts of the pleasures and the pains acquire themselves impulsive and inhibitive power. Not that the thought of a pleasure need be itself a pleasure, usually it is the reverse—nessun maggior dolore—as Dante says—and not that the thought of pain need be a pain, for, as Homer says, "griefs are often afterwards an entertainment." But as present pleasures are tremendous reinforcers, and present pains tremendous inhibitors of whatever action leads to them, so the thoughts of pleasures and pains take rank amongst the thoughts which have most impulsive and inhibitive power. The precise relation which these thoughts hold to other thoughts is thus a matter demanding some attention.


If a movement feels agreeable, we repeat and repeat it as long as the pleasure lasts. If it hurts us, our muscular contractions at the instant stop. So complete is the inhibition in this latter case that it is almost impossible for a man to cut or mutilate himself slowly and deliberately—his hand invincibly refusing to bring on the pain. And there are many pleasures which, when once we have begun to taste them, make it all but obligatory to keep up the activity to which they are due. So widespread and searching is this influence of pleasures and pains upon our movements that a premature philosophy has decided that these are our only spurs to action, and that wherever they seem to be absent, it is only because they are so far on among the 'remoter' images that prompt the action that they are overlooked.

This is a great mistake, however. Important as is the influence of pleasures and pains upon our movements, they are far from being our only stimuli. With the manifestations of instinct and emotional expression, for example, they have absolutely nothing to do. Who smiles for the pleasure of the smiling, or frowns for the pleasure of the frown? Who blushes to escape the discomfort of not blushing? Or who in anger, grief, or fear is actuated to the movements which he makes by the pleasures which they yield? In all these cases the movements are discharged fatally by the vis a tergo which the stimulus exerts upon a nervous system framed to respond in just that way. The objects of our rage, love, or terror, the occasions of our tears and smiles, whether they be present to our senses, or whether they be merely represented in idea, have this peculiar sort of impulsive power. The impulsive quality of mental states is an attribute behind which we cannot go. Some states of mind have more of it than others, some have it in this direction, and some in that. Feelings of pleasure and pain have it, and perceptions and imaginations of fact have it, but neither have it exclusively or peculiarly. It is of the essence of all consciousness (or of the neural process which underlies it) to instigate movement of some sort. That with one creature and object it should be of one sort, with others of another sort, is a problem for evolutionary history to explain. However the actual impulsions may have arisen, they must now be described as they exist; and those persons obey a curiously narrow teleological superstition who think themselves bound to interpret them in every instance as effects of the secret solicitancy of pleasure and repugnancy of pain.[479]

It might be that to reflection such a narrow teleology would justify itself, that pleasures and pains might seem the only comprehensible and reasonable motives for action, the only motives on which we ought to act. That is an ethical proposition, in favor of which a good deal may be said. But it is not a psychological proposition; and nothing follows from it as to the motives upon which as a matter of fact we do act. These motives are supplied by innumerable objects, which innervate our voluntary muscles by a process as automatic as that by which they light a fever in our breasts. If the thought of pleasure can impel to action, surely other thoughts may. Experience only can decide which thoughts do. The chapters on Instinct and Emotion have shown us that their name is legion; and with this verdict we ought to remain contented, and not seek an illusory simplification at the cost of half the facts.

If in these our first acts pleasures and pains bear no part, as little do they bear in our last acts, or those artificially acquired performances which have become habitual. All the daily routine of life, our dressing and undressing, the coming and going from our work or carrying through of its various operations, is utterly without mental reference to pleasure and pain, except under rarely realized conditions. It is ideo-motor action. As I do not breathe for the pleasure of the breathing, but simply find that I am breathing, so I do not write for the pleasure of the writing, but simply because I have once begun, and being in a state of intellectual excitement which keeps venting itself in that way, find that I am writing still. Who will pretend that when he idly fingers his knife-handle at the table, it is for the sake of any pleasure which it gives him, or pain which he thereby avoids. We do all these things because at the moment we cannot help it; our nervous systems are so shaped that they overflow in just that way; and for many of our idle or purely 'nervous' and fidgety performances we can assign absolutely no reason at all.

Or what shall be said of a shy and unsociable man who receives point-blank an invitation to a small party? The thing is to him an abomination; but your presence exerts a compulsion on him, he can think of no excuse, and so says yes, cursing himself the while for what he does. He is unusually sui compos who does not every week of his life fall into some such blundering act as this. Such instances of voluntas invita show not only that our acts cannot all be conceived as effects of represented pleasure, but that they cannot even be classed as cases of represented good. The class 'goods' contains many more generally influential motives to action than the class 'pleasants.' Pleasures often attract us only because we deem them goods. Mr. Spencer, e.g., urges us to court pleasures for their influence upon health, which comes to us as a good. But almost as little as under the form of pleasures do our acts invariably appear to us under the form of goods. All diseased impulses and pathological fixed ideas are instances to the contrary. It is the very badness of the act that gives it then its vertiginous fascination. Remove the prohibition, and the attraction stops. In my university days a student threw himself from an upper entry window of one of the college buildings and was nearly killed. Another student, a friend of my own, had to pass the window daily in coming and going from his room, and experienced a dreadful temptation to imitate the deed. Being a Catholic, he told his director, who said, 'All right! if you must, you must,' and added, 'Go ahead and do it,' thereby instantly quenching his desire. This director knew how to minister to a mind diseased. But we need not go to minds diseased for examples of the occasional tempting-power of simple badness and unpleasantness as such. Every one who has a wound or hurt anywhere, a sore tooth, e.g., will ever and anon press it just to bring out the pain. If we are near a new sort of stink, we must sniff it again just to verify once more how bad it is. This very day I have been repeating over and over to myself a verbal jingle whose mawkish silliness was the secret of its haunting power. I loathed yet could not banish it.