Other illusions are due to the feeling of convergence being wrongly interpreted. When we converge our eyeballs we perceive an approximation of whatever thing we may be looking at. Whatever things do approach whilst we look at them oblige us, so long as they are not very distant, to converge our eyes. Hence approach of the thing is the probable objective fact when we feel our eyes converging. Now in most persons the internal recti muscles, to which convergence is due, are weaker than the others; and the entirely passive position of the eyeballs, the position which they assume when covered and looking at nothing in particular, is either that of parallelism or of slight divergence. Make a person look with both eyes at some near object, and then screen the object from one of his eyes by a card or book. The chances are that you will see the eye thus screened turn just a little outwards. Remove the screen, and you will now see it turn in as it catches sight of the object again. The other eye meanwhile keeps as it was at first. To most persons, accordingly, all objects seem to come nearer when, after looking at them with one eye, both eyes are used; and they seem to recede during the opposite change. With persons whose external recti muscles are insufficient, the illusions may be of the contrary kind.


The size of the retinal image is a fruitful source of illusions. Normally, the retinal image grows larger as the object draws near. But the sensation yielded by this enlargement is also given by any object which really grows in size without changing its distance. Enlargement of retinal image is therefore an ambiguous sign. An opera-glass enlarges the moon. But most persons will tell you that she looks smaller through it, only a great deal nearer and brighter. They read the enlargement as a sign of approach; and the perception of approach makes them actually reverse the sensation which suggests it—by an exaggeration of our habitual custom of making allowance of the apparent enlargement of whatever object approaches us, and reducing it in imagination to its natural size. Similarly, in the theatre the glass brings the stage near, but hardly seems to magnify the people on it.

The well-known increased apparent size of the moon on the horizon is a result of association and probability. It is seen through vaporous air, and looks dimmer and duskier than when it rides on high; and it is seen over fields, trees, hedges, streams, and the like, which break up the intervening space and make us the better realize the latter's extent. Both these causes make the moon seem more distant from us when it is low; and as its visual angle grows no less, we deem that it must be a larger body, and we so perceive it. It looks particularly enormous when it comes up directly behind some well-known large object, as a house or tree, distant enough to subtend an angle no larger than that of the moon itself.[96]


The feeling of accommodation also gives rise to false perceptions of size. Usually we accommodate our eyes for an object as it approaches us. Usually under these circumstances the object throws a larger retinal image. But believing the object to remain the same, we make allowance for this and treat the entire eye-feeling which we receive as significant of nothing but approach. When we relax our accommodation and at the same time the retinal image grows smaller, the probable cause is always a receding object. The moment we put on convex glasses, however, the accommodation relaxes, but the retinal image grows larger instead of less. This is what would happen if our object, whilst receding, grew. Such a probable object we accordingly perceive, though with a certain vacillation as to the recession, for the growth in apparent size is also a probable sign of approach, and is at moments interpreted accordingly.—Atropin paralyzes the muscles of accommodation. It is possible to get a dose which will weaken these muscles without laming them altogether. When a known near object is then looked at we have to make the same voluntary strain to accommodate, as if it were a great deal nearer; but as its retinal image is not enlarged in proportion to this suggested approach, we deem that it must have grown smaller than usual. In consequence of this so-called micropsy, Aubert relates that he saw a man apparently no larger than a photograph. But the small size again made the man seem farther off. The real distance was two or three feet, and he seemed against the wall of the room.[97] Of these vacillations we shall have to speak again in the ensuing chapter.[98]


Fig. 49.