I reply at once that where the character, as something distinguished from the intellect, is concerned, the causes of human diversity lie chiefly in our differing susceptibilities of emotional excitement, and in the different impulses and inhibitions which these bring in their train. Let me make this more clear.
Speaking generally, our moral and practical attitude, at any given time, is always a resultant of two sets of forces within us, impulses pushing us one way and obstructions and inhibitions holding us back. “Yes! yes!” say the impulses; “No! no!” say the inhibitions. Few people who have not expressly reflected on the matter realize how constantly this factor of inhibition is upon us, how it contains and moulds us by its restrictive pressure almost as if we were fluids pent within the cavity of a jar. The influence is so incessant that it becomes subconscious. All of you, for example, sit here with a certain constraint at this moment, and entirely without express consciousness of the fact, because of the influence of the occasion. If left alone in the room, each of you would probably involuntarily rearrange himself, and make his attitude more “free and easy.” But proprieties and their inhibitions snap like cobwebs if any great emotional excitement supervenes. I have seen a dandy appear in the street with his face covered with shaving-lather because a house across the way was on fire; and a woman will run among strangers in her nightgown if [pg 262] it be a question of saving her baby's life or her own. Take a self-indulgent woman's life in general. She will yield to every inhibition set by her disagreeable sensations, lie late in bed, live upon tea or bromides, keep indoors from the cold. Every difficulty finds her obedient to its “no.” But make a mother of her, and what have you? Possessed by maternal excitement, she now confronts wakefulness, weariness, and toil without an instant of hesitation or a word of complaint. The inhibitive power of pain over her is extinguished wherever the baby's interests are at stake. The inconveniences which this creature occasions have become, as James Hinton says, the glowing heart of a great joy, and indeed are now the very conditions whereby the joy becomes most deep.
This is an example of what you have already heard of as the “expulsive power of a higher affection.” But be the affection high or low, it makes no difference, so long as the excitement it brings be strong enough. In one of Henry Drummond's discourses he tells of an inundation in India where an eminence with a bungalow upon it remained unsubmerged, and became the refuge of a number of wild animals and reptiles in addition to the human beings who were there. At a certain moment a royal Bengal tiger appeared swimming towards it, reached it, and lay panting like a dog upon the ground in the midst of the people, still possessed by such an agony of terror that one of the Englishmen could calmly step up with a rifle and blow out its brains. The tiger's habitual ferocity was temporarily quelled by the emotion of fear, which became sovereign, and formed a new centre for his character.
Sometimes no emotional state is sovereign, but many contrary ones are mixed together. In that case one hears [pg 263] both “yeses” and “noes,” and the “will” is called on then to solve the conflict. Take a soldier, for example, with his dread of cowardice impelling him to advance, his fears impelling him to run, and his propensities to imitation pushing him towards various courses if his comrades offer various examples. His person becomes the seat of a mass of interferences; and he may for a time simply waver, because no one emotion prevails. There is a pitch of intensity, though, which, if any emotion reach it, enthrones that one as alone effective and sweeps its antagonists and all their inhibitions away. The fury of his comrades' charge, once entered on, will give this pitch of courage to the soldier; the panic of their rout will give this pitch of fear. In these sovereign excitements, things ordinarily impossible grow natural because the inhibitions are annulled. Their “no! no!” not only is not heard, it does not exist. Obstacles are then like tissue-paper hoops to the circus rider—no impediment; the flood is higher than the dam they make. “Lass sie betteln gehn wenn sie hungrig sind!” cries the grenadier, frantic over his Emperor's capture, when his wife and babes are suggested; and men pent into a burning theatre have been known to cut their way through the crowd with knives.[143]
One mode of emotional excitability is exceedingly important in the composition of the energetic character, from its peculiarly destructive power over inhibitions. I mean what in its lower form is mere irascibility, susceptibility to wrath, the fighting temper; and what in subtler ways manifests itself as impatience, grimness, earnestness, severity of character. Earnestness means willingness to live with energy, though energy bring pain. The pain may be pain to other people or pain to one's self—it makes little difference; for when the strenuous mood is on one, the aim is to break something, no matter whose or what. Nothing annihilates an inhibition as irresistibly as anger does it; for, as Moltke says of war, destruction pure and simple is its essence. This is what makes it so invaluable an ally of every other passion. The sweetest delights are trampled on with a ferocious pleasure the moment they offer themselves as checks to a cause by which our higher indignations are elicited. It costs then nothing to drop friendships, to renounce long-rooted privileges and possessions, to break with social ties. Rather do we take a stern joy in the astringency and desolation; and what is called weakness of character seems in most cases to consist in the inaptitude for these sacrificial moods, of which one's own inferior self and its pet softnesses must often be the targets and the victims.[144]
So far I have spoken of temporary alterations produced by shifting excitements in the same person. But the relatively fixed differences of character of different persons are explained in a precisely similar way. In a man with a liability to a special sort of emotion, whole ranges of inhibition habitually vanish, which in other men remain effective, and other sorts of inhibition take their place. When a person has an inborn genius for certain emotions, his life differs strangely from that of ordinary people, for none of their usual deterrents check him. Your mere aspirant to a type of character, on the contrary, only shows, when your natural lover, fighter, or reformer, with whom the passion is a gift of nature, comes along, the hopeless inferiority of voluntary to instinctive action. He has deliberately to overcome his inhibitions; the genius with the inborn passion seems not to feel them at all; he is free of all that inner friction and nervous waste. To a Fox, a Garibaldi, a General Booth, a John Brown, a Louise Michel, a Bradlaugh, the obstacles omnipotent over those around them are as if non-existent. Could the rest of us so disregard them, there might be many such heroes, for many have the wish to live for similar ideals, and only the adequate degree of inhibition-quenching fury is lacking.[145]
The difference between willing and merely wishing, between having ideals that are creative and ideals that are but pinings and regrets, thus depends solely either on the amount of steam-pressure chronically driving the character in the ideal direction, or on the amount of ideal excitement transiently acquired. Given a certain amount of love, indignation, generosity, magnanimity, admiration, loyalty, or enthusiasm of self-surrender, the result is always the same. That whole raft of cowardly obstructions, which in tame persons and dull moods are sovereign impediments to action, sinks away at once. Our conventionality,[146] our shyness, laziness, and stinginess, our demands for precedent and permission, for guarantee and surety, our small suspicions, timidities, despairs, where are they now? Severed like cobwebs, broken like bubbles in the sun—
“Wo sind die Sorge nun und Noth
Die mich noch gestern wollt' erschlaffen?
Ich schäm' mich dess' im Morgenroth.”