COUNT OKUMA.
The use of tea at social gatherings dates back at least six hundred years, when a tea ceremonial was instituted by a Buddhist priest to soften the manners of the warriors. It partook of a religious character at first, but soon became a social form, and different schools of tea drinkers vied with each other in suggesting rules and methods of procedure. About three hundred years ago Hideyoshi, one of the greatest of the military rulers of Japan, gave what is described as the largest tea party on record; the invitations being in the form of an imperial edict. All lovers of tea were summoned to assemble at a given date in a pine grove near Kyoto, and they seem to have done so. The tea party lasted ten days and the emperor drank at every booth.
According to Chamberlain, tea drinking had reached the luxurious stage before the middle of the fourteenth century. The lords took part in the daily gatherings, reclining on tiger skins, the walls of the guest chamber being richly ornamented. One of the popular games of that day was the offering of a number of varieties of tea, the guests being required to guess where each variety was produced, the best guess winning a handsome prize. The tea ceremony answered at least one useful purpose—it furnished an innocent way of killing time, and the lords of that day seem to have had an abundance of time on their hands. The daughters of the upper classes were trained to perform the ceremony and displayed much skill therein. Even to this day it is regarded as one of the accomplishments, and young ladies perfect themselves in it, much as our daughters learn music and singing. At Kagoshima, Governor Chikami, one of the most scholarly men whom I have met here, had his daughter perform for my instruction a part of the ceremony, time not permitting more. With charming grace she prepared, poured and served this Japanese nectar, each motion being according to the rules of the most approved sect, for there are sects among tea drinkers.
The theatre is an ancient institution here, although until recently the actors were considered beneath even the mercantile class. Their social standing has been somewhat improved since the advent of western ideas. The theatre building is very plain as compared with ours or even with the better class of homes here. They are always on the ground floor and have a circular, revolving stage within the larger stage which makes it possible to change the scenes instantly.
The plays are divided into two kinds—historical ones reproducing old Japan, and modern plays. The performance often lasts through the entire day and evening, some of the audience bringing their tea kettles and food. Lunches, fruit, cigarettes and tea are also on sale in the theatre. The people sit on the floor as they do in their homes and at public meetings. One of the side aisles is raised to the level of the stage and the actors use it for entrance and exit.
In this connection a word should be said in regard to the Geisha girls who have furnished such ample material for the artist and the decorator. They are selected for their beauty and trained in what is called a dance, although it differs so much from the American dance as scarcely to be describable by that term. It is rather a series of graceful poses in which gay costumes, dainty fans, flags, scarfs and sometimes parasols, play a part. The faces of the dancers are expressionless and there is no exposure of the limbs. The Geisha girls are often called in to entertain guests at a private dinner, the performance being before, not after, the meal.
Our first introduction to this national amusement was at the Maple Club dinner given at Tokyo by a society composed of Japanese men who had studied in the United States. The name of the society is a Japanese phrase which means the "Friends of America." The Maple Club is the most famous restaurant in Japan, and the Geisha girls employed there stand at the head of their profession. During the dancing there is music on stringed instruments, which resembles the banjo in tone, and sometimes singing. At the Maple Club the Geisha girls displayed American and Japanese flags. We saw the dancing again at an elaborate dinner given by Mr. Fukuzawa, editor of the Jiji Shimpo. Here also the flags of both nations were used.
In what words can I adequately describe the hospitality of the Japanese? I have read, and even heard, that among the more ignorant classes there is a decided anti-foreign feeling, and it is not unnatural that those who refuse to reconcile themselves to Japan's new attitude should blame the foreigner for the change, but we did not encounter this sentiment anywhere. Never in our own country have we been the recipients of more constant kindness or more considerate attention. From Marquis Ito down through all the ranks of official life we found everyone friendly to America, and to us as representatives of America. At the dinner given by Minister Griscom there were present, besides Marquis Ito, the leader of the liberal party, Count Okuma, the leader of the progressive party (the opposition party), and a number of other prominent Japanese politicians.